Week beginning 3 December 2025

Ellie Levenson Room 706 Zando | SJP Lit, January 2026.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

This is Kate’s story – her childhood and young adulthood, and the impact of marriage and motherhood are seen through Kate’s recall as she waits in room 706 in a London hotel. She is not alone. James, her older married lover has emerged from the bathroom when Kate sees the news on the television:  their hotel is under terrorist attack. The terrorists’ flag hangs outside leaving the media and security forces under no illusion that they are a group known to show no mercy to their hostages. That a past bombing of a building under siege was ineffectual does not reduce the menace Kate and James experience in room 706; nor is Vic, Kate’s husband to whom she texts early in her plight, unaware of the danger. He remains vigilant in helping her overcome her fears through the hours of incarceration. See Books: Reviews for the complete review.

Beth Reid Women in the Scottish Wars of Independence 1296–1357 Pen & Sword |Pen & Sword History, June 2025.

Thank you, Net Galley and Pen & Sword, for providing me with this uncorrected proof for review.

Beth Reid’s introduction is a clear exposition of her aims, at the same time as presenting the nucleus of the arguments she makes, and suggestions for further research and writing on the topic. The book is divided into three parts – Women in Politics, Women in Captivity, and Women in Warfare. Immediately Reid demonstrates her capacity to grasp the essential elements of each and apply them to the women who grace these pages. The women she is writing about will be treated in their capacity as actors in the field rather than in their domestic roles. She outlines the two phases of the Scottish Wars of Independence, ensuring that even in this brief account she refers to the nuanced nature of the wars, rather than the populist view of antagonism between England and Scotland. Although the resources featuring women are limited, her narrative history with its focus on women provides yet another example of the importance of writing women into history. The previews are useful and what follows fulfils their promise.Books: Reviews

Olapeju Simoyan Girls Become Doctors and Much More Inspiring Stories of Women in Medicine Victory Editing NetGalley Co-op, September 2025.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

This book presents a refreshing range of stories, told by the author. The object of illustrating the wide range of activities that women whose first profession is medicine pursue, support and mentor is something that is new. Rather than contribute only to the literature that shows women’s fortitude in entering ‘men’s’ professions and excelling there, Olapeju Simoyan has brought a further perspective to such women’s lives and their aspirations. For a patient, the realisation that the professional woman she may face during times of great stress, or even for a perfunctory visit to the surgery, has a range of interests, enhances the professional face. The stories told here raise the possibility that other women doctors replicate them and their diverse interests. See Books: Reviews for the complete review.

American Politics

Bob McMullan

Charting trump’s decline

There has been a significant and measurable decline in Americans’ assessment of President Trump.

I am not referring to his mental decline. Many have commented on his rambling speeches and press conferences and his apparent pattern of falling asleep during meetings. But I am not equipped to assess the reality of allegations of mental decline.

I am not even referring to apparent signs of physical decline. The mystery MRI has not been explained. Swollen ankles, bruised hands and other signs may be significant, but there is not sufficient evidence to draw a conclusion from this distance.

Rather, I am referring to the incontrovertible evidence of decline in the level of voter support for Donald Trump so early in his second term.

The early election results certainly point to a serious problem for Republicans. In the recent round of elections, it was not just the resounding victories for Democrat candidates in the big contests for Governor of Virginia and New Jersey and the Mayor of New York city but also a staggering array of victories in election contests for school boards and a broad range of other less important positions across the country.

However, the more compelling and measurable evidence about future prospects can be found in the analysis of voter approval ratings overall and in key policy areas.

The absolute polling numbers are bad for Trump.

The trend should be even more alarming to his team.

Since July Trump’s overall approval rating as measured by the Real Clear Politics Poll of Polls has been in negative territory. It currently stands at -13.1%.

The alarming trend for him is a story of continuing decline in approval from -3.3% at 7 July to -6 at 16 August, -6.1% on 12 September and -13.1% at 23rd November.

The decline can also be seen in some of the most politically significant policy areas. It is not uniform, as you would not expect it to be, but there are noticeable negative trends in some of the most significant and politically sensitive policy areas.

The most outstanding numbers can be found in the assessments of Trump’s performance in handling inflation. This is significant because inflation is widely regarded as among the most potent election deciding issues in most western countries. including in Trump’s 2024 victory.

In July voters had a negative perception of Trump’s handling of inflation by more than 19%. This was a really bad assessment, but it has continued to get worse. By November the measure was negative more than 25%!

After regularly attempting to turn the numbers around by asserting that prices were actually falling the recent removal of tariffs on food as a response to concerns about prices is a very significant backdown and an indication of deep concern in the administration about consumer prices.

The underlying significance of the tariff cuts, as they convey the clear reality that Trump’s assertion that tariffs will not increase prices because they will be paid by foreign suppliers is utterly bogus, may be missed by average voters, but it is a very significant backdown for the President.

A similar pattern of decline in approval from bad to even worse can be seen in the numbers for economic policy, foreign policy in general, and his handling of Russia/Ukraine in particular. (It is important to note that these numbers pre-date the recent “peace initiative”).

It is important to note that the very controversial issue of immigration, which was central to Trump’s 2024 election campaign and represents much of the public face of the administration also reflects declining approval. However, the decline is smaller, from -2% to -3.7%, and the absolute number is much less negative than most other areas.

There are two policy areas which do not fit with this overall assessment.

One, Trump’s handling of crime reflects the decline in approval seen elsewhere, but his November net approval rating was 0, not negative.

The one area in which Trump’s approval ratings have very significantly improved is his handling of the Israel/ Hamas conflict. From July to September the approval rating fell from -7.4% to -13.4%. However, by 23 November approval of his handling of this issue had improved to +2.8%.

It is clear that this improved assessment on the Middle East has not been sufficient to outweigh the various factors contributing to an overall very significant decline in support.

What is the significance of this measurable decline?

First, it suggests that the Democrats should have a very good chance of winning control of the House of Representatives next November and an outside chance of winning control of the Senate. I don’t take very seriously the attempted gerrymanders. I suspect that there is a very real chance that this effort will backfire.

Second, the decline and its possible electoral consequences in 2026 may well lead to further fraying of the MAGA universe.

Third, it suggests that Trump will not win a third term. I am confident that if he thinks he could win Trump will endeavour to manufacture a case for a third term. I have seen Steve Bannon’s confident assertion that Trump ’28 will definitely happen. The reason I don’t believe it will happen is that unless the Democrats perform spectacularly badly in the House from 2026 or err in their selection of a presidential candidate I don’t think Trump can win an election in 2028 if he was to run.

That is a glimmer of light at the end of a long dark tunnel.

Heather Cox Richardson from Letters from an American <heathercoxrichardson@substack.com> 

Forwarded this email? Subscribe here for more November 25, 2025

Last week, a poll conducted for Global EV Alliance, made up of electric vehicle driver associations around the world, found that 52% of Americans would avoid buying a Tesla for political reasons.

Tesla chief executive officer Elon Musk pumped more than $290 million into electing President Donald J. Trump and supporting the Republicans in 2024. After taking office, Trump named Musk to head the “Department of Government Efficiency,” a group that slashed through government programs and fired civil servants.

In response, protesters organized “Tesla Takedowns,” gathering at Tesla dealerships to urge people not to buy the vehicles. The protests spread internationally. In March, Trump advertised Teslas on the South Lawn of the White House to try to help slumping sales, to no avail.

In September, consumers flexed their muscle over parent company Disney’s suspension of Jimmy Kimmel’s late night talk show on ABC after pressure from Federal Communications Commission chair Brendan Carr over Kimmel’s comments following the murder of right-wing activist Charlie Kirk. About three million subscribers canceled Disney+ in September, while Hulu, which Disney owns, lost 4.1 million. Monthly cancellations previously had averaged 1.2 million and 1.9 million, respectively. While not all of those cancellations could be chalked up to consumer anger over Kimmel’s suspension—Disney subscription prices went up at around the same time—Kimmel was back on the air in five days.

Every day, I am struck by all the ways in which we are reliving the 1890s.In that era too, consumers organized, using their buying power to affect politics. As the first general secretary of the National Consumers League, Florence Kelley, put it: “To live means to buy, to buy means to have power, to have power means to have responsibility.”

After the Civil War, an economic boom in the North combined with the loss of young men in the war to make education more accessible to young white women. By 1870, girls made up the majority of high school graduates. Fewer than 2% of college-age Americans went to college; women made up 21% of that group. Away from the confines of home, these privileged young women studied social problems and the means of addressing them while they developed friendships with like-minded classmates.

In the mid-1880s, those women began to experiment with using their talents and newfound friendships to repair the nation’s social fabric that had been torn by urbanization and industrialization. To recreate a web of social responsibility in the growing industrial cities, young middle-class women moved into ethnic working-class neighborhoods to minister to the people living there. Jane Addams, who opened Chicago’s Hull-House with Ellen Gates Starr in 1889, rejected the idea of a nation divided by haves and have-nots. She believed that all individuals were fundamentally interconnected. “Hull-House was soberly opened on the theory that the dependence of classes on each other is reciprocal,” Addams later wrote.

The people who lived in these “settlement houses” dedicated themselves to filing down the sharp edges of industrialization, with its tenement housing, low wages, long hours, child labor, and disease, along with polluted air and water and unregulated food. They turned their education to addressing the immediate problems in front of them, collecting statistics to build a larger picture of the social costs of industrialization, and lobbying government officials and businessmen to improve the condition of workers, especially women and children.

They soon discovered a different lever for change.

In the midterm election of 1890, politicians recognized the power of women to swing the vote for or against a political party. When Republicans got shellacked, their leaders blamed women, who were increasingly the family shoppers, for urging their husbands to vote against the party that had forced through the McKinley Tariff of that year, raising tariff rates and thus raising consumer prices. Thomas Reed, the Republican speaker of the House, complained the party had been defeated by “the Shopping Woman.”

Historian Kathy Peiss notes that between 1885 and 1910, the six women’s magazines known as the “big six” were founded, including Ladies Home JournalMcCall’s, and Good Housekeeping. By 1895, advertisements were strategically placed near recipes throughout the magazines, and brand names were scattered through their stories, a recognition of women’s role as shoppers.

Increasingly, reform-minded women were turning to women’s roles as consumers to reshape American industrialism. They came to believe that the “ultimate responsibility” for poor conditions “lodge[s] in the consumer.” Leveraging the power of consumption could force employers to pay higher wages, establish better conditions, and protect workers. In 1891, Josephine Shaw Lowell, whose brother Robert Gould Shaw had commanded Black soldiers in the Massachusetts 54th in the 1863 Second Battle of Fort Wagner, helped to form the Consumer’s League of the City of New York (CLCNY), patterned after a similar English organization, to rally consumers to support better conditions for the workers who made the goods they bought.

In 1899, Lowell and Jane Addams founded the National Consumers League, with Florence Kelley at its head. The organization worked to combat child labor and poor working conditions and, in an era when milk was commonly adulterated with chalk and formaldehyde and candies were decorated with lead paint, lobbied for government regulation of food and drugs.

Today, the relationship between consumption and reform has taken on heightened meaning after the Tesla and the Disney boycotts. The day after Thanksgiving is the start of the holiday shopping season, and like their predecessors of a century ago, reformers are focusing on consumers’ power to push back on the policies of the Trump administration, launching a campaign they call “We Ain’t Buying It.” “We aren’t just consumers; we’re community builders,” their website says. “We’re driving the change we want to see, and demanding respect.”

As Joy-Ann Reid put it in an Instagram video: “Dear retailers who’ve decided you don’t like diversity, equity, and inclusion, or you really love ICE and you have no problem with them busting into your establishments to drag people away: Here’s the thing. We ain’t buying it. I mean, for real, for real, we ain’t buyin’ it.”

She explained: “We’re gonna spend our money with businesses who actually respect our dollars, respect our communities, and respect our diversity, equity, and inclusion. We are going to buy from people who respect immigrants, who respect immigrants’ rights, and respect freedom and liberty. We are going to buy from establishments that respect our right to vote and our right to live in a free society. And if you ain’t that, we ain’t buying it.”

“Let’s show them our power,” she told listeners. “Let’s show them what we can do together.”—

Notes:https://www.cnn.com/2025/02/01/politics/elon-musk-2024-election-spending-millionshttps://www.msn.com/en-xl/africa/kenya/study-finds-41-of-ev-drivers-would-avoid-tesla-over-politics/ar-AA1QFM05https://www.nbcnews.com/tech/elon-musk/trump-musk-tesla-white-house-showroom-buys-car-rcna195905https://www.theguardian.com/us-news/2025/sep/18/jimmy-kimmel-protest-disney-abc-burbankhttps://www.nytimes.com/2025/10/20/business/media/disney-subscription-cancellations-kimmel.htmlhttps://variety.com/2025/tv/news/jimmy-kimmel-returns-late-night-disney-tuesday-1236525670/https://www.albany.edu/jmmh/vol1no1/peiss-text.htmlJane Addams, Twenty Years at Hull-House (The Macmillan Company, 1912), at: https://digital.library.upenn.edu/women/addams/hullhouse/hullhouse.html, p. 227.https://weaintbuyingit.com/Instagram:p/DRMD3B1DeHs/Bluesky:peggystuart.bsky.social/post/3m6fsaf2j7s2wterilg.bsky.social/post/3m6fsd5hogc2q

Cindy Lou enjoys her first meal at Azima

This restaurant, complete with Lebanese chef, is a wonderful find. We chose a hommos Beiruti w/ Onion, Parsley, Cumin, Tomato dip with bread, with much more bread on offer, and a vegetarian platter. The vegetarian items were generous and varied – fried cauliflower, beetroot humous, the best eggplant I have eaten since a meal in Izmir, pickled vegetables, potato harra, tabouli, falafel and another dip with the amount of chili that makes it delicious rather than inedible. Mint tea and a delicious mint lemonade accompanied the meal. We needed to take a box away – and plan a family dinner there in the near future.

Australian Politics

Anthony Albanese and Jodie Haydon wed in secret, private ceremony at The Lodge

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Inside Prime Minister Anthony Albanese’s wedding to Jodie Haydon

“Did I see my life panning out this way? Absolutely not”

Profile picture of Kylie WaltersKylie Walters

It’s not every day that there is a wedding at The Lodge.

In fact, until Anthony Albanese and Jodie Haydon tied the knot there on November 29, the site had never hosted such an occasion, with this being the first time an Australian Prime Minister has wed while in office.

Under a bright and sunny Canberra sky, the bride, 46, made her way down the grassy aisle at the official residence of the Prime Minister in a contemporary long-sleeved gown from Sydney’s Romance Was Born label, which was embroidered with Australian natives.

Carrying a bouquet of yellow roses, white orchids and eucalyptus leaves, the financial advisor was accompanied by her parents, Bill and Pauline, to the tune of Ben Folds’ song ‘The Luckiest’.

Having given his speech writer the day off, Albanese, 62, pledged vows that he’d prepared himself.

“We are absolutely delighted to share our love and commitment to spending our future lives together, in front of our family and closest friends,” the newlyweds shared in a statement afterwards.

Who attended Anthony Albanese’s wedding?

The big day was an intimate affair with just 80 members of their families and close friends in attendance. Treasurer Jim Chalmers, Finance Minister Katy Gallagher and Foreign Affairs Minister Penny Wong also watched on.

Toto and Jodie's flower girl
Ella walked Toto down the aisle. (Credit: Getty )

How did Anthony Albanese meet Jodie Haydon?

The fairytale romance between the pair started in 2020 when they met at a function and bonded over their love of the South Sydney Rugby League Club. Albanese told 60 Minutes she “had him at “‘up the Rabbitohs!’”

The PM proposed to Haydon on the balcony at the Lodge on Valentine’s Day in February 2024, with a bespoke ring from Nicola Cerrrone he designed for the occasion.

While celebrities and foreign world leaders failed to make the cut, Anthony’s dog Toto was the ring bearer. The sweet cavoodle donned a white lace dress that matched with Haydon’s niece Ella, 5, who was her flower girl.

During their reception, the pair shared their first dance to Frank Sinatra’s ‘The Way You Look Tonight’. Anthony’s son Nathan, who he shares with ex-wife Carmel Tebbutt, gave a speech.

The couple is understood to have paid for the nuptials themselves. They spent the days following their “I do’s” honeymooning at an undisclosed location within Australia.

During their years together, Jodie has accompanied Anthony across the world.

Jodie was hosted at the White House by then US President Joe Biden and his wife Jill. She was also a guest at the coronation of King Charles in 2023.

She also previously taken on roles associated with being the partner of the Prime Minister such as being the Patron of the National Portrait Gallery, which will now likely increase.

“Did I see my life panning out this way? Absolutely not,” she told 60 Minutes.

Opposition Leader Sussan Ley weighs in on Prime Minister Anthony Albanese and Jodie Hayton’s wedding.

“I wish Anthony and Jodie every happiness,” Ms Ley told Sky News Political Editor Andrew Clennell.

“A wedding day is a very special day indeed.

Nationals’ leader David Littleproud said he was happy to see the PM tie the knot, noting that Ms Haydon was already representing the nation by Albanese’s side. “It’s great to see the PM has someone who loves him and will be with him. It is a tough and lonely job, let alone prime minister,” he told ABC’s Insiders “Jodie has already stepped up on the international stage and represented us in such a classy way for some time and now they’ve solidified their partnership with marriage, and I think good on him.

Labor strikes deal with Greens to overhaul environment laws

Ronald Mizen

Ronald MizenPolitical correspondent

Nov 27, 2025 – 9.36am

Prime Minister Anthony Albanese has struck an eleventh-hour deal with the Greens to pass Labor’s overhaul of Australia’s environment laws before parliament breaks for the summer recess.

Albanese and Environment Minister Murray Watt on Thursday morning outlined a series of concessions to the Greens to strengthen protection of native forests and bushland, and to carve out fossil fuel projects from fast-track and national interest approval pathways.

Under the changes, regional forestry agreements in NSW and Tasmania and high-risk agricultural land clearing will be brought under the Environment Protection and Biodiversity Conservation Act from July 1, 2027.

The move will anger farmers and some forestry groups, but Labor tried to sweeten the deal with a $300 million forestry fund, which Albanese said would deliver a “bigger” and more sustainable logging industry.

Outside the EPBC Act, the Greens also secured an additional $50 million for the public broadcaster ABC to produce Australian content.

The prime minister also revealed that a series of changes would be made to appease business concerns.

Specifically, the government will make clearer a power that would allow the minister to kill off projects that are deemed to have “unacceptable impacts” before they are fully assessed.

Labor will also impose stricter conditions on the powers of a new National Environmental Protection Agency, imposing a 14-day limit on stop-work orders and requiring the NEPA to have more evidence before such orders can be imposed.

It will also clarify the definitions for a clause that requires projects to have a “net gain” for the environment.

The new NEPA will come into effect from July 1, 2026, and the government hopes to have agreements in place with states by thethat will allow them to assess projects against state and federal standards concurrently.

The unacceptable impacts test and net gain test will come into effect from July 1, 2027.

“When we came to government, we promised we would reform Australia’s broken environmental laws,” Albanese told a press conference in Canberra. “Today, we deliver that promise … These sensible, responsible and balanced laws are good for business and good for the environment.”

But the Coalition will attack Labor for carving out gas projects from the new national interest test.

Greens leader Larissa Waters said her party was “determined to get shit done” and the deal with Labor was a sign of that.

However, she criticised Labor for refusing to make carbon emissions part of the considerations for whether a project should be approved. Under the current proposal, projects that produce more than 100,000 tonnes of emissions each year have to report their emissions profile and abatement strategies, but these do not form part of the assessment process.

“The government refused to include climate considerations in the act, and that is why we need Greens in parliament, and that is what we will keep fighting for,” Waters said. “Our laws should protect us from the climate crisis, and we will keep pushing on that.”

The Australian Financial Review on Wednesday revealed that Waters and the Greens environment spokeswoman, Sarah Hanson-Young, were meeting with Albanese to hash out the final terms of an agreement.

The new laws seek to accelerate approval of major projects such as renewables and housing, while also giving a national environmental protection agency powers to prevent the destruction of nature and to punish lawbreakers with fines of up to $825 million or a percentage of revenue based on any damage caused.

The government on Tuesday released 11 amendments it was willing to make to get the laws passed through the Senate, where Labor does not hold a majority and needs either Coalition or Greens votes for legislative changes.

Sources familiar with negotiations but not authorised to speak publicly were insisting late Wednesday that a deal could be with the Greens or the Coalition, and it would go down to the wire.

Staffers from all sides were working well into Wednesday night, with many skipping Christmas parties. The Coalition was still sending proposed changes at 10pm, according to sources.

Opposition Leader Sussan Ley on Tuesday demanded to elevate negotiations to the leader level, but Albanese said she had rejected his request to meet in person to talk about a deal.

“I offered to meet with Sussan Ley, and that wasn’t taken up,” Albanese said, though this was refuted by the Coalition.

Ronald Mizen is the Financial Review’s political correspondent, reporting from the press gallery at Parliament House, Canberra. Connect with Ronald on Twitter. Email Ronald at ronald.mizen@afr.comSave

The Saturday Paper logo

Paul Bongiorno
Inside Murray Watt’s environmental deal

Parliament’s last sitting week for the year was an intense guessing game, as Environment Minister Murray Watt haggled with competing sides on how best to reform Australia’s environment laws.

Watt had put everything on the line politically, creating a deadline to finalise what was in fact a five-year journey to reach a destination everybody agreed was needed, namely the implementation of recommendations proposed by businessman Graeme Samuel after his review of a framework that had been in place for 25 years.

Watt, the ebullient Queenslander, who has become Anthony Albanese’s chief fixer, delivered the government a significant win after convincing the 10 Greens he needed in the Senate that the perfect no longer needed to be the enemy of the good.

The demands of the Greens’ environmental protections lead negotiator, Sarah Hanson-Young, weren’t quite as robust as some of her colleagues would have liked, but, in the end, Hanson-Young viewed the amended bill as a vast improvement on the version that was originally presented.

Coal and gas projects would no longer be fast-tracked and, critically, there was significantly less delay in ending the logging of native forests. There was also more protection of the natural environment and endangered species.

Earlier in the week, Opposition Leader Sussan Ley suspected Watt and Albanese were about to do what she described as a “dirty deal” with the Greens. Her concerns were principally over the fate of natural gas projects, which she claims are essential to providing affordable energy.

The Coalition was most unhappy about the proposed environment protection agency and its ability to heavily fine industry for flouting environmental safeguards.

This was a key recommendation of the Samuel Review and gives Australia for the first time what Albanese says is a strong independent regulator. Samuel told the prime minister he is elated his reforms have finally been implemented.Watt had put everything on the line politically, creating a deadline to finalise what was in fact a five-year journey to reach a destination everybody agreed was needed, namely the implementation of recommendations proposed by businessman Graeme Samuel after his review of a framework that had been in place for 25 years.

The truth is the Coalition was struggling to present consistent demands. Watt says he was dealing not only with shadow minister Angie Bell but also with “multiple Coalition frontbenchers” who had come to him with their own thoughts. It was “quite difficult to then work out who was the actual negotiator and what is their position”. He said he had meetings with Coalition representatives who would say they’ve “got their final list of demands, and then we meet with someone else, and they’ve got other demands”.

Watt bristled at Ley’s criticism of him for “mismanag[ing] this entire process” and, she says, endangering the resources sector that is critical for “our national income”.

Watt says the reformed Environment Protection and Biodiversity Conservation Act strikes the right balance between conservation and project developments, which includes housing.

During the tense negotiations this week senior ministers were very nervous about concluding a deal with a fractious Coalition. One cited the Carbon Pollution Reduction Scheme in 2009, signed off by then Liberal leader Malcolm Turnbull. Ultimately, that deal was broken, the leader was dumped and the vote failed in parliament.

That has not been Ley’s fate, although the parliamentary year ends with her being regarded as a seat warmer, waiting for one of her conservative rivals to strike.

Things are much more settled under the leadership of Larissa Waters in the Greens party room. A cabinet minister observed:
“The Greens all have their say in their party room, but they trust their negotiator, Hanson-Young, and once they have made a decision, stick with it.” The Greens insisted more notice be taken of the potential climate change impact of any environmental or development projects, a view with considerable support, according to the latest Essential Report.

However, the Coalition’s abandonment of the net zero target and the rise of support for One Nation, an even more strident critic of climate science and action, appears to have taken a toll. Polling shows an erosion in the number of Australians who accept climate change is happening and caused by human activity. It now stands at 53 per cent, down from a high of 64 per cent eight years ago.

According to the same poll, 36 per cent of people believe Australia is not doing enough to address climate, against 20 per cent who think it is doing too much.

The opposition seems hell-bent on representing this minority. Rather than welcome Climate Change and Energy Minister Chris Bowen taking an active international role as president of policy negotiations for next year’s COP31 in Türkiye, advancing the net zero target set in Paris in 2015, it accuses him of abandoning his portfolio responsibilities.

On Monday, the Coalition came up with the glib phrase that Bowen was now a “part-time minister, full-time president”.

Of course, this is a ridiculous characterisation of the position. Bowen cited a number of examples of ministers in other countries simultaneously carrying out their COP roles while retaining their domestic portfolios. He told parliament that to suggest his new role is a full-time job “is a complete and utter invention, it is a fantasy”.

Ley’s first question to the prime minister on Monday scoffed at government claims that Bowen’s role gave “unprecedented influence” on important international emissions reduction efforts. “Why isn’t this part-time minister, full-time president” using his “unprecedented” influence to lower energy bills for Australians, she asked. The cynicism is breathtaking.

Albanese accused the opposition of “talking Australia down” and ditching bipartisan support for Australians playing key international roles, such as former Liberal finance minister Mathias Cormann, who is now the secretary-general of the Organisation for Economic Co-operation and Development. Cormann has been reappointed for a second term, with the government’s support.

Albanese accused the Coalition of failing to address energy shortages and price rises when in government and said their current plan would lead to higher prices because of its negative impact on investment in cheaper renewable energy projects.

The opposition’s other refrain for the week was to ask the government, repeatedly, “When will energy prices come down?” It is a question they cannot themselves answer in regard to their “affordable energy plans”.

Everyone knows the transition to renewables is unavoidably expensive, made worse by almost a decade of Coalition government doing nothing to replace ageing coal-fired power stations.

Ministers avoided providing assurances of early price relief, although Bowen did point to the successful home battery uptake and the way solar panels substantially cut electricity costs for households.

Midweek the new, expanded basket of goods and services included in the monthly consumer price index showed a 0.0 per cent change. That owed more to the fact it was the first in the new series than anything else. More worrying was the annual rate to October rose 3.8 per cent. In Question Time, the opposition avoided tackling Treasurer Jim Chalmers and directed its sole question on the rise in the cost of living to Albanese. It was a curious strategy that suggests it is gun-shy of Chalmers.

Ley reminded the prime minister that earlier in the year he had “promised the Australian people” the country had “turned the corner on inflation” and that the treasurer assured them the government had “inflation under control”.

Albanese is acutely aware of the potency of living costs for voters and accepted that the latest figures “confirm” households are still facing pressures. He noted the withdrawal of state energy subsidies was a contributing factor, but said his government was focused on relief measures and wanted to give assistance.

Chalmers said any decision to continue federal energy bill relief will be made closer to the midyear fiscal review but they can’t be a “permanent feature”. Blunting the opposition’s criticism was its failure at the May election to support the rebates and tax cuts.

Speaking at the National Press Club, shadow treasurer Ted O’Brien attempted to distance the survivors in the Coalition from its ill-fated election policies. He is promising tax cuts next time. His press club address was widely seen as an audition to keep his job should there be a change of leader in the new year.

Cost-of-living issues weren’t worrying Pauline Hanson on Monday night when she served Barnaby Joyce wagyu steaks that retail for about $145 a kilogram. Making the steaks more delicious for both politicians, no doubt, was the fact they came from Gina Rinehart’s cattle company.

Admiration for Australia’s richest person is only one of the things the two right-wing rabble-rousers have in common.

Why Joyce is continuing his flirtation with One Nation and its leader after Hanson’s disgraceful repeat of her burqa stunt in the Senate has his Nationals colleagues shaking their heads. She donned the garment after the Senate refused to allow her motion to ban Muslim face coverings.

This outraged the Senate, particularly its Muslim members. When the Senate resolved to eject Hanson from the chamber, she refused to leave, causing a two-hour suspension of proceedings.

This contempt of the chamber led to Labor, the Greens and some of the cross bench voting to suspend her from the Senate for seven days – a rare event – and from representing the Senate on parliamentary delegations.

The government’s Senate leader, Penny Wong, said Hanson had “been parading prejudice as protest for decades”. Unrepentant, the Queensland senator says she will run again and “the people will judge me at the next election”.

Joyce quit the Nationals on Thursday to sit as an independent for the rest of this term. He is widely expected to head One Nation’s New South Wales Senate ticket at the next election.

This article was first published in the print edition of The Saturday Paper on November 28, 2025 as “Murray Watt’s environmental factors training”.

Literature Cambridge

Some highlights coming up in 2026

Katherine Mansfield: Stories of Love. Live online course March-April 2026.

Join us for a new course on Katherine Mansfield (1888-1923), one of the greatest short story writers of the twentieth century. In this course, we will explore her stories about love, its many shapes and its hopes, disappointments, and betrayals.

Six sessions, weekly on Thursdays, 19 March to 23 April 2026, 6.00-8.00 pm British Summer Time. Further information and booking page.

• Shakespeare and Euripides: Romance Plays

Live online course with Cambridge scholars Dr Fred Parker and Dr Jan Parker. Tuesdays, weekly, 20 January to 24 February 2026, 6.00-8.00 pm UK time. Live online.

We will study Shakespeare’s Pericles, All’s Well that Ends Well, The Winter’s Tale and The Tempest; plus Euripides’ Alcestis and Ion. A rare chance to study these brilliant, intriguing plays together.

Toni Morrison Course. A new course studying four novels by Nobel Prize winning writer Toni Morrison. May-June 2026

Literary Gardens. We repeat this hugely popular course which studies gardens in literature from Alice in Wonderland to The Waste Land. January-March 2026.

Doris Lessing: Women and Destiny. We repeat this superb course on four powerful novels by Doris Lessing. September-October 2026.

There are many other online courses coming up; please see our website for details.

Dervla McTiernan’s email are always interesting. This is part of her most recent:

I’ve been telling you the story of the writing of my new novel. I started off, in September, telling you about the three ideas I sent to my editors way back in February 2024, and then last month I told you which idea my editors had chosen (the same idea you had chosen by overwhelming majority!)*

Obviously, once the idea is nailed down, I have to go off and write the book. In this case, I wrote three drafts before I sent the book off to my editors.

So … what did they think? And what did I do from there? Here’s a bit of a step by step of how I like to edit a book, starting from my editors’ notes.

Let’s start with an extract from the notes sent by my editors. I’ve redacted any key information here that would run the risk of spoiling the book for you.

My first step after I receive the editorial letter is usually to go for a long walk (or three) and really think about how I want readers to feel when they read this book, from the beginning to the end. Then I write my own summary of the notes, in my own words. At this point I’m often making decisions about how I’m going to fix any problems my editors have identified. Here’s part of the summary I made for the edit of this book:

My next step is to do a chapter-by-chapter breakdown. This is where I break out the specific changes that need to be made to every chapter to give effect to the changes I’ve decided need to be made to the book, based on the editorial notes and the decisions I’ve made. I’m sharing this so that you can see the format, but obviously here I’ve really had to redact a lot, or risk ruining this book for you.

And the last step is to do a daily work plan that lays out all the work and when I’m going to do it, right up to my deadline.

After that, I get down to the writing. First in my notebook (there’s just something about pen and paper that helps the ideas flow), and then back into Scrivener when I’m fully warmed up. After that, I get down to the writing. First in my notebook (there’s just something about pen and paper that helps the ideas flow), and then back into Scrivener when I’m fully warmed up.

This is what the layout of my Scrivener project will usually look like when I’m really getting into the edit. The label colour on the far right tells me the status of the chapter. Green is done, red means a full rewrite is needed, and orange a lighter rewrite.

And that’s it! When the book is finished (again) I compile the Scrivener manuscript into a Word document, and share it with my editors. For this book, we did three rounds of edits before we were all really satisfied and happy to send the book into copyediting. That’s a LOT of work, but for me, it’s the only way I can put this book in your hands, knowing I’ve done everything I can for the characters and for you as a reader.

*Dervla McTiernan’s previous email provided recipients with a list of three possibilities for her next novel. People voted on these.


British playwright Tom Stoppard, who won Oscar for ‘Shakespeare in Love,’ dead at 88

By Max Saltman

Tom Stoppard speaks at The Hay Festival in Wales in June 2010.

Tom Stoppard speaks at The Hay Festival in Wales in June 2010. David Levenson/Getty Images

The award-winning British playwright and screenwriter Tom Stoppard has died, according to his talent agency United Agents. He was 88.

Stoppard, who was born in Czechoslovakia, was perhaps best known in the US for his Oscar-winning screenplay for the 1998 film “Shakespeare in Love,” which he co-wrote with Marc Norman.

More recently, he won his fifth Tony Award in 2023 for his play “Leopoldstadt.” He won his first Tony in 1968 for “Rosencrantz and Guildenstern Are Dead,” his metatheatrical spin on “Hamlet.”

Norman told CNN in an email that Stoppard was “a joy to work with.”

“He understood that Shakespeare, that icon, was an entertainer just like we were, and that spirit drove our screenplay,” Norman said. “My thoughts go out to his family.”

In a statement posted to its website, United Agents said: “We are deeply saddened to announce that our beloved client and friend, Tom Stoppard, has died peacefully at home in Dorset, surrounded by his family.

“He will be remembered for his works, for their brilliance and humanity, and for his wit, his irreverence, his generosity of spirit and his profound love of the English language,” the statement continued. “It was an honor to work with Tom and to know him.”

King Charles III, whose mother Queen Elizabeth knighted Stoppard in 1997, said in a statement Saturday that he and Queen Camilla were “deeply saddened to learn of the death of one of our greatest writers, Sir Tom Stoppard.”

“A dear friend who wore his genius lightly, he could, and did, turn his pen to any subject, challenging, moving and inspiring his audiences, borne from his own personal history,” Charles wrote. “We send our most heartfelt sympathy to his beloved family. Let us all take comfort in his immortal line: ‘Look on every exit as being an entrance somewhere else.’”

Born Tomas Straussler in Zlin, in what is now the Czech Republic, Stoppard was from a secular Jewish family who fled the Nazi invasion of the country in 1939, first to Singapore, then to Australia and India. Many of Stoppard’s extended family members were murdered in the Holocaust.

After young Tomas’ father died when the Japanese sank his boat off the Singaporean coast, his mother married an Englishman, Kenneth Stoppard, and the family moved to the United Kingdom. Tomas Straussler became Tom Stoppard.

Stoppard, who briefly worked as a journalist before his success in theatre, had a wide oevre. Alongside his many plays, he wrote radio dramas, satirical films like Terry Gilliam’s “Brazil,” as well as film adaptations of books, including his 2012 screenplay for “Anna Karenina” and his 1987 adaptation of JG Ballard’s roman-a-clef “Empire of the Sun.”

The playwright wrote in a 2024 essay published by the Huntington Theatre company that while he was born a Czech Jew, his life in Britain and his English stepfather had turned him into an “honorary Englishman.”

“I knew I was – used to be Czech, but I didn’t feel Czech,” Stoppard wrote. “I felt about as English as you could get.”

Later in life, Stoppard began to explore his personal history through his work. His most recent play, “Leopoldstadt,” traces a Jewish family in Vienna from the 1890s through World War II, obliquely referencing his family’s story.

“It’s been at the back of my mind,” Stoppard said of his family history in a 2022 interview. “It’s something I’ve never used. It felt like unfinished business.”

CNN’s Max Foster contributed.

See review of Hermione Lee Tom Stoppard A Life Knopf Doubleday Publishing Group, 23 Feb 2021, on my blog of 2 March 2022.

Tom Stoppard’s Ordinary Magic

Henry Oliver from The Common Reader <commonreader@substack.com>inbox

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Tom Stoppard’s Ordinary Magic“The ordinary-sized stuff which is our lives…”Henry Oliver Nov 30 

And so a genius is dead. Tom Stoppard was the most accomplished English playwright since George Bernard Shaw. He had more memorable wit, ideas, and drama in every page than most writers manage in a lifetime. He revived the artful art, the conscious artifice of theatre, drawing into his circle of dramatic magic all the oppositional forces of the modern stage and summoning from them something greater than had been imagined possible. He was the true impresario, able to enchant with words that seemed so plain and expected, one was always truly shocked at how unexpected he made them. He could do everything from absurdism to glee, from the philosophical to the zany.

Stoppard’s genius was to make a confluence of the highbrow and the lowbrow. Jumpers is a satire of academic philosophy, written in the sort of dialogue critics inevitably call dazzlingly clever; but it contains a set of gymnasts, who make human pyramids on stage, and, at one point, the philosopher opens the door with half his face covered in shaving cream with a tortoise under his arm and a bow and arrow in his hand.

Such moments are the essence of farce, which demands the question: “how did we get here?” See Television,Film and Popular Culture: Comments for the complete article.

Week beginning November 26, 2025

 John Willingham The Last Woman TCU Press Adult historical fiction, October 2025.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

The Last Woman is based on the real Frenchy McCormick who lived from 1852 to 1941, eventually becoming the sole resident of Tascosa, Texas.  She remained there for thirty years after the death of her partner, Mick McCormick, with whom she had travelled from Dodge City to Texas. Earlier, as Catherine McCain, she had travelled from Baton Rouge to St. Louis and then to Dodge City. From this sketchy history, John Willingham became interested in developing a story around Catherine’s journey from Baton Rouge to Tascosa in the 1880s, leading to the creation of a fictional version of Frenchy, whose life might well have been close to the one he depicts in The Last Woman. Willingham has used his knowledge of the social and economic environment of the time to weave a story that provides an explanation for the impetus for Frenchy’s various moves and final desire to remain in Tascosa. This story becomes one of three women, only one of whom survived, dealing with not only the inhospitable landscape, but the need to support themselves in a masculine environment in which the church and its teachings held sway, women’s truth giving way to the power of the law and the church working against them in unison. See Books: Reviews for the complete review.

SJ Bennett The Queen Who Came in from the Cold Book 2 of Her Majesty The Queen Investigates, Crooked Lane Books, November 2025.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Although a murder has its complications, not least that to make a novel based around such a crime fun as well as an exercise in sleuthing, SJ Bennett has achieved this with elegance. The Queen Who Came in from the Cold is such an entertaining read, beginning with its references to Mrs Jones’ foibles – and, of course, Princess Margaret was indeed Mrs Jones, albeit one with a title and tiara – the introduction of Queen Elizabeth chattering with the Duke of Edinburgh while trying to accomplish her work in the royal Daimler and the intricacies of the phone and speaker which mysteriously disconnects as Henry Coxon regales Pavel Michalowski with his royal gossip.

Queen Elizabeth is to be taken from her customary lifestyle, the Royal Train, the Royal Yacht Britannica, Buckingham Palace, gracious international encounters, replete with comforting protocol to a world in which she indeed must encounter vastly different aspirations. Some threaten the Royals’ beloved protocol, and possibly even more beloved, the Royal Yacht Britannica. See Books: Reviews for the complete review/

Michelle Salter Murder in Trafalgar Square Boldwood Books,
September 2025.

Thank you, NetGalley and Boldwood Books, for this uncorrected proof for review.

Cosy murder mysteries are not my favourite, and that is possibly why I found the beginning of this novel a little slow. However, I had been tempted by the suffragette aspect of the work and quickly found that my enthusiasm for that theme was justified by the way in which it was developed. However, my appreciation of Michelle Salter’s murder mystery does not rely upon my initial interest.

This novel highlights characterisation through both historical figures like the Pankhursts and fictional suffragists, illustrating the diversity of the women’s movement. Historical events, such as the repudiation of their aims by politicians initially seen as sympathetic to their cause, violent and sexually motivated treatment of the women as they demonstrate, and the range of activities through which they attempted to bring their cause to public notice are informative. Alongside a murder mystery, unfolds a thoroughly researched story of the suffragists, their aims, and the range of ideas and backgrounds that informed their cause. The police are given a human face through Detective Inspector Flynn and his relationship with his sixteen-year-old daughter whose interest in the WSPU is a source of concern. Journalists’ perspectives are also explored, all these aspects ensuring that the story presents a balanced view. See Books: Reviews for the complete review.

Banijay U.K. Signs Development Deal With Ellie Wood’s Clearwood Films, Sets Adaptation of Barbara Pym Novel ‘Excellent Women’ as First Project

By Alex Ritman

Banijay U.K. has signed a development deal with award-winning producer Ellie Wood (“The Dig,” “Stonehouse”) and her company Clearwood Films and, as the first project, acquired rights to Barbara Pym’s classic 1953 novel “Excellent Women” with an option to develop further Pym books.

Under the terms of the deal, Clearwood will have access to funding to develop ideas and treatments as well as support from central Banijay U.K. resources including finance, legal and business affairs. Once greenlit, Clearwood has the option to partner with Banijay U.K. companies to co-produce. It follows on from a first look deal between Banijay Rights, Banijay’s distribution arm, and Clearwood Films, which ran from 2019. Banijay Rights will continue to distribute Clearwood projects.

Added Wood: “I’m thrilled to be working with Patrick and continuing Clearwood Films’ partnership with the wider Banijay family. I’m particularly excited to be developing the novels of one of my favourite authors, the inimitable Barbara Pym. Just as Jilly Cooper’s Rivals gave us a ‘Cooperverse’, I look forward to creating a ‘Pymverse’ and bringing this iconic author’s uniquely British tales of comic observation and unrequited love not only to her legions of fans but also to a wider TV audience.”

Upcoming Clearwood projects include an as-yet unannounced single scripted project for a linear broadcaster while Wood is executive producer on Film4‘s adaptation of Deborah Levy’s novel “Hot Milk,” starring Emma Mackey, Fiona Shaw and Vicky Krieps, which recently premiered at the Berlinale. Meanwhile, “49 Days,” a political drama by acclaimed writer John Preston, based on the tumultuous short-lived premiership of Liz Truss, backed by Banijay is also in development.

Wood previously produced the multiple BAFTA-nominated Netflix film “The Dig,” starring Carey Mulligan, Ralph Fiennes, Lily James and Johnny Flynn. In 2023, she produced “Stonehouse,” starring Matthew MacFadyen and Keeley Hawes, for ITV/Britbox.

Barbara Pym’s Quartet in Autumn to be staged in 2026 – email from The Barbara Pym Society

This spring (7 May – 13 June 2026) in London, you can see the first ever stage adaptation of Barbara Pym’s Quartet in Autumn. Directed by Dominic Dromgoole, former artistic director of Shakespeare’s Globe and the Bush Theatre, and adapted by Samantha Harvey, whose novel Orbital won the 2024 Booker Prize, the play will feature in Arcola Theatre’s Spring 2026 programme.

The production “brings to life a wry, poignant and hopeful meditation on later life through the lives of four Londoners on the verge of retirement. A rallying cry against loneliness, this is an ode to ageing, friendship and the strange poetry of everyday life,” says the Arcola, one of London’s leading off-West End theatres.

ATV Today

Barbara Pym to be adapted for the stage for the first time, with Samantha Harvey debuting as playwright

By Doug Lambert

Published on November 23, 2025

A Quartet in Autumn …

Barbara Pym, long cherished as a novelist of the quietly seismic, is heading to the stage for the first time. Quartet in Autumn, her 1977 tale of four London office workers edging towards retirement, will receive its world premiere at the Arcola Theatre this spring in a new adaptation by 2024 Booker prize winner Samantha Harvey. The production, directed by former Globe and Bush Theatre artistic director Dominic Dromgoole, runs from 7 May to 13 June.

Harvey, whose novel Orbital was widely acclaimed last year, makes her playwriting debut with the project. She describes Pym’s novel as a work of “humour and sadness, which exist brilliantly at once in every sentence”, adding that its quartet of characters “live enclosed lives that unfold as if on a stage”. The result, she says, was “a burning thought” she had never experienced before: to turn the book into a play.

Set in 1970s London, Quartet in Autumn follows Letty, Marcia, Edwin and Norman – four colleagues whose lives are as circumscribed as they are quietly yearning. Marcia hoards tins and withdraws from the world; Letty toys with dreams of elsewhere; Edwin takes refuge in liturgy; Norman grumbles at the onrush of modernity.

Between them is a kind of fragile social contract, a way of getting through the days as the city shifts around them. Harvey calls it “a tender portrait of loneliness in a changing world… and the grace that can be found in the ordinary”.



Jane Austen’s Families

We are delighted to offer a new course on Jane Austen’s Families, a live online course with Dr Tom Zille, University of Cambridge.
This course will examine how the lives of characters in four of Austen’s novels are shaped by family.  
This was an age when the role of the family was changing under the influence of imperialism, the enlightenment, and industrialisation. We will consider the ways in which Austen’s portrayal of families was shaped by her own life experience and circumstances.
Lecture list
• Dependents: Sense and Sensibility (1811)
• The Family Circle: Pride and Prejudice (1813)
• Distant Relations: Mansfield Park (1814)
• The Smooth Surface of Family Union: Persuasion (1818)
Saturdays, 11 April to 23 May 2026 live online
18.00-20.00 British Summer Time
19.00-21.00 Central European Summer Time
Morning/lunchtime in the Americas
Dr Trudi TateDirector, Literature Cambridge Ltd
www.literaturecambridge.co.uk

The Economist November 12 2025

The Gilded Age holds lessons for today, says Richard White

The professor of American history at Stanford University considers what might come next

By Richard White, emeritus professor of American history at Stanford University

In 1894, over the objection of the governor and the mayor, President Grover Cleveland sent American soldiers into Chicago and then invoked the Insurrection Act to suppress strikes and protests. His move precipitated the violence it was supposed to prevent. Two years later, Cleveland, the only president before Donald Trump to win a second term after losing a re-election bid, had become a pariah. A bitter presidential election between William Jennings Bryan and William McKinley underscored the deep divisions and glaring problems of the Gilded Age. The era was coming to an end, but not as the result of McKinley’s victory. It sank under its own weight of accumulated problems and aborted solutions.

What lessons does that period hold for today? The 1894 moment resonates in this second Gilded Age. Yet these two eras are not doppelgangers—they have distinct and important differences. Both came at the end of great struggles: the American civil war and the cold war. Victories over rival systems produced euphoric predictions of hegemony and consensus, but the ensuing Gilded Ages instead became revolutionary periods without either revolutionary politics or any dominant social vision. Both transformed the economy. The first turned a nation of independent producers and slaves into a nation of discontented wage labourers. The second shredded the social safety-net that arose in the 20th century and ushered in the gig economy with its associated precarity.

And both eras were periods of technological progress, economic growth and rough parity between parties. Mass immigration produced a diverse population and compensated for declining birth rates. But festering beneath the gilded surface that gave the eras their name lurked political paralysis, corruption, gross economic inequality, a distrust of politicians and institutions, racial conflict and declining material well-being.

In each period intense partisanship produced few lasting political accomplishments. Obamacare may be the only successful constructive rather than destructive legislation of the second Gilded Age. America had its age of Jackson and Roosevelt, but there was no age of Cleveland, and I doubt there will be an age of Trump.

The politics of both periods were backward-looking. Anti-monopolism, present in both political parties, astutely assessed the problems of the first Gilded Age, but was ultimately reactionary, longing for an earlier world of free labour, small producers and Protestant values. The MAGA movement and legal originalists also envisage a return to an earlier America. The legacy of both periods was, and is, their problems—not their solutions.There are no laws of history, except one: it does not go backwards

Charles Francis Adams, president of the Union Pacific Railroad, described the 19th-century tycoons he knew in a way that resonates today. They were “big financially”, but were “mere money-getters and traders” who were “unattractive and uninteresting”. 

In the first Gilded Age solutions percolated to the surface only to be blocked by the courts. But they resurfaced later. In the 20th century, new bureaucracies gained power and autonomy. A producer-based economy yielded to a consumer-based one. Overcoming the courts required constitutional amendments: to shift taxation from tariffs to income taxes, institute direct election of senators and enfranchise women.

In the current Gilded Age, attempts are being made to smash some of those reforms—and indeed even some older reforms from the Reconstruction era. But whatever short-term success they achieve, they will ultimately fail. There are no laws of history, except one: it does not go backwards.

For clues to America’s future, consider its problems. There is surprising consensus across the political spectrum on some of them: the struggle to make ends meet for many citizens, corruption, and political and economic unfairness. Other challenges, such as climate change and the difficulty of funding the government, cannot be avoided by denying them.

The Progressive era that followed the first Gilded Age was flawed—it betrayed black Americans and immigrants—but it was forward-looking. It drew upon ideas from both parties and emphasised creating institutions rather than destroying them. The current Gilded Age will end when a new movement abandons today’s politics and tackles the all-too-obvious problems of the past half-century. Periods that follow Gilded Ages are eras in which politics catches up with revolutionary change. ■

📸: Getty

After democrats, a small number of Republicans have come to Mark Kelly’s defense. Alaska Senator Lisa Murkowski, *who voted to convict Trump in his second impeachment trial and later won re-election in 2022 against a Trump-endorsed challenger, expressed her support for Kelly in a post on Tuesday.

“Senator Kelly valiantly served our country as an aviator in the U.S. Navy before later completing four space shuttle missions as a NASA astronaut,” she wrote.

“To accuse him and other lawmakers of treason and sedition for rightfully pointing out that servicemembers can refuse illegal orders is reckless and flat-out wrong. The Department of Defense and FBI surely have more important priorities than this frivolous investigation.” Murkowski added.

  • See my review of Senator Lisa Murkowski’s autobiography, Far from Home An Alaskan Senator Faces the Extreme Climate of Washington, D.C. Penguin Random House Christian publishing | Forum books, June 2025, in the blog of 22 October 2025.

Australia and India formalise new screen partnerships, including major theatrical pathway for Australian films

An Australian delegation fronted by Rachel Griffiths and Lion director Garth Davis is attending the International Film Festival of India (IFFI) this week, where several agreements between the countries are being formalised, including a new theatrical pathway that aims to give Australian films a more consistent presence across India’s cinemas.

Leading the Australian presence in Goa is the Indian Film Festival of Melbourne (IFFM), under director Mitu Bhowmick Lange, who also heads distributor Mind Blowing Films. Both organisations will sign an MOU (memorandum of understanding) with IFFI and India’s national screen agency, the National Film Development Corporation (NFDC).

Separate agreements will also be signed between Deakin University and India’s premier film schools, the Film and Television Institute of India and the Indian Institute of Creative Technologies, as well as between Mind Blowing Films and PVR INOX, India’s largest cinema chain.

The agreements land at a time of rising collaboration between the two territories. India became Australia’s newest official co-production partner in November 2023, and although no projects have yet been delivered under the treaty, there are understood to be several projects in development. Indian cinema is also booming in Australia, with a recent report finding it now consistently outranks local film at the box office.

Speaking to IF, Lange says the three MOUs have been intentionally designed to touch all points along the creative pipeline, from students, established storytellers and audiences.

“India and Australia, we’ve never been closer,” she says, speaking both politically and culturally.

“I feel this is the right time for such ambitious and historic MOUs to be signed, because it’s going to create these incredible pathways.”

The deal with PVR INOX will see the multiplex chain become the “home of Australian cinema in India”. The country is the world’s largest English-language content market, yet releases of Australian films have so far been sporadic. With more consistency, Lange says the benefit will be proper audience data for the first time, such as what location responds, which demographics show up and what kind of titles resonate.

“Once we start releasing films, we will have this precious data, and we’ll be able to do more. The marketing will be more strategic,” she says.

While there is no formal commitment as yet to the volume of titles PVR INOX will show or the kind of screen space they will get, Lange says the intent is to build a clear pathway for Australian distributors and filmmakers. Mind Blowing is also in discussion with Screen Australia about how they can add support.

Lange released anthology My Melbourne in India earlier this year, and is enthusiastic about the potential of Australian films to resonate. The Aussie version of Masterchef was for a long time one of the most popular shows on Indian television, outperforming the local version. Similarly, she grew up in India watching films like Crocodile Dundee and Picnic at Hanging Rock on public broadcaster Doordarshan.

“The good thing about India is that even a small audience in India is a big audience,” she says.

“If we have the films coming in, slowly and surely, audiences will come. It just needs to be a sustainable collective effort. We are opening that door… and I feel very optimistic.”

In a statement, PVR INOX CEO Kamal Gianchandani said he was excited to showcase fresh Australian storytelling in India.

“There is a growing appetite among Indian audiences for global content, and Australian films bring a unique voice and cultural richness,” he said.

“This partnership marks the beginning of what we hope will be a long and meaningful exchange between our markets.”

The MOU between IFFM, IFFI and NFDC establishes deeper festival and market collaboration, including mutual showcases and expanded opportunities for creatives to meet and exchange ideas. Waves Bazaar and IFFM will also establish a co-distribution fund to see South Asian films reach wider audiences in India and Australia through selective financing and shared risk.  

From this year, IFFI will spotlight Australian cinema for three consecutive editions, with five to six Australian films programmed annually. IFFI will also bring a formal industry delegation to Melbourne each August during IFFM.

“The point is to have a platform where we all can meet, explore ideas and see the possibilities,” Lange says.

Deakin University’s agreement with Film & Television Institute of India and the Indian Institute of Creative Technologies will see curriculum collaboration, student and faculty exchanges, joint workshops, and new training pathways. Deakin has an established campus in Gujarat International Finance Tec-City (GIFT City).

The uni’s vice president (global engagement) and CEO South Asia Ravneet Pawha said the MOU reflected the institution’s commitment to building bridges between the two countries and enabling young creators to contribute to rapidly evolving creative economy.

 “India and Australia are entering a new phase of heightened cross-cultural and multi-sector knowledge engagement. This is especially through creative and digital tech cooperation, where our shared strengths in innovation, technology and education can shape the industries of the future,” he said.

ndian–Australian collaboration is already part of the workflow at Framestore, which operates studios in both Melbourne and Mumbai. The two outposts recently collaborated on pipelines for Ted season 2 and How to Train Your Dragon, and are gearing up to work together on the upcoming sequel of the latter.

Framestore Melbourne head of animation Nicholas Tripodi is among the Australian delegates at IFFI, keen to build stronger ties with India’s rapidly expanding talent base. He will speak at the festival about India’s creative boom and how Australia can be involved in that growth.

“Traditionally, VFX in India has been a bit more about the prep departments – roto, tracking, things like that. Framestore is going about it a bit differently. We’re trying to hire great artists across all departments and really foster that ability for them to take on much more complex parts of the pipeline,” he tells IF.

“That was evidenced on Ted season two, where we had quite a large animation team working hand in hand with our animators locally.”

Other Australian delegates at IFFI include See Pictures producer Jamie Hilton; Alan Dickson, producer of Indo-Australian animation series Smick and Willow; Chris Watson  producer, InterWeaver Films,; Sarini Kamini, producer and writer, SKPL; Ana Tiwary, producer; and The Voice 2024 winner, Reuben De Melo. The Lord Mayor of Melbourne, Councillor Nick Reece, is also in attendance.

Delegates will be involved in panels and masterclasses at IFFI, while Griffiths will walk the red carpet for a retrospective screening of Muriel’s Wedding, newly restored in 4K.

Lange is optimistic the next few years will see greater awareness of Australian cinema in India. Further, with the co-production treaty now in place, she believes the goodwill and appetite on both sides creates the strongest conditions yet for collaboration to accelerate.

“The two industries are raring to go. There’s no reason why it shouldn’t take off,” she says.

“Australia has such a huge Indian diaspora as well. There are so many stories that we can tell together; I just hope that we are all able to tell our shared stories – not in a niche way, but in a more mainstream way.”

Week beginning November 19 2025

Valerie Keogh, His Other Woman, Boldwood Books, November 2025.

Thank you, NetGalley and Boldwood Books, for this uncorrected proof for review.

Valeria Keogh’s books always have a twist that logically follows the storyline, rather than emerging from nowhere; she always has an intriguing plot; and her writing is always not only engaging but grammatical. Certainly, she stands out from the crowd with these features. But where she truly excels is in her character development. Keogh is brilliant at developing unpleasant characters, seemingly with little to redeem them. However, somehow these flawed beings become people with whom one wants to engage, to see where their flaws lead them with the hope that they will redeem themselves. Vain hope though this usually is, they almost become people for whom one wishes a positive result. Sometimes, as awful as they undoubtably are, there is no doubt that one wishes them well! See Books: Reviews for the complete review.

Keith Warren Lloyd The War Correspondents The Incredible Stories of the Brave Men and Women Who Covered the Fight Against Hitler’s Germany The Globe Pequot Publishing Group, Inc. | Lyons Press, October 2025.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

This is a somewhat sprawling memorial to the Second World War correspondents, with its combination of detailed historical events as well as the stories of those who covered them – the war correspondents. The latter includes work undertaken by correspondents in general, and those who are named. There are correspondents whose platform was the print media, others who filmed events, photographers, and graphic artists. Named correspondents include Ernie Pyle, John Steinbeck, Walter Cronkite, Edward R. Murrow, Ernest Hemingway, Bill Mauldin, Robert Capa, Margaret Bourke-White, Andy Rooney, Martha Gellhorn and Richard Tregaskis. See Books: Reviews for the complete review.

Set Menus On London Rooftops

London’s packed with incredible rooftop restaurants that allow you to see the Big Smoke in all its glory, with everything from a tropical paradise sitting 14 floors up to terraces with insane views of St Paul’s Cathedral. 

Better yet, a lot of these incredible sky-high eateries offer a delicious set menu, meaning breaking the bank isn’t necessary. Here is our guide to the best set menus at rooftop restaurants in London. Last edited by Lisa Moore Last updated on 21st May 2025

Perched on the roof of No.1 Poultry, Coq D’Argent …commands spectacular views across the City and landmarks such as St Paul’s Cathedral, Mansion House, Monument and the Bank of England…[serving] delicious French cooking…an impressive wine and cocktail list…

Set in a prime location just off Regent Street and with a stunning covered rooftop terrace, Aqua Kyoto …Serves deliciously unique Japanese dishes alongside carefully crafted cocktails…[presenting] a combination of omakase sushi and sashimi, alongside signature dishes including the mouth-watering rock shrimp tempura and specials from the robata grill. The selection of bento boxes are the perfect pick-me up whilst shopping in the West End, whilst the popular free flow brunches on Saturdays and Sundays needs to be booked well in advance.

https://www.designmynight.com/london/bars/city-of-london/wagtail-rooftop-bar-restaurant

Welcome to Wagtail, our Rooftop Bar and Restaurant, nestled in the eaves of one of the City’s grandest art deco buildings…escape to the skies with unparalleled views, fine wine, exquisite cocktails and delicious food – morning, day, and night. Experts in curating merriment, mischief, and memorable moments. Our late-night license, and resident DJ evenings are the perfect excuse to stay and relax until the early hours.

Based on the top of the suave Novotel Hotel in Canary Wharf, Bōkan is an elegant restaurant-bar that’s spread across three opulent floors and boasts a stunning roof terrace… Of course, the food and drinks menu is everything here. Offering both light bar nibbles and belly-filling main dishes, the chefs have curated a menu of classic European dishes, each of which have had a British twist added to them. From flavoursome cheese boards and charcuterie, to mains such as seasoned Lamb shank and line-caught British Cod, the menu caters for whatever mood you might find yourself in. Rounding things off nicely, the talented mixologists hope their array of cocktails prove to be the perfect companion for a serene night on the roof terrace. With views overlooking the whole of London, it’s the ideal spot to unwind and escape the ever-humming city below.

Nestled atop the Page 8 Hotel in the heart of London’s vibrant West End, Kitty Hawk invites you to an extraordinary escape from the city’s dynamic pace. Here, every detail is crafted to create an unforgettable experience, where the energy of London below meets the serenity of an elegant rooftop retreat.

Whether guests are indulging in an exquisite pre-theatre menu, embracing the weekend with a luxurious free-flowing brunch, discovering a new go-to spot for socialising, or simply unwinding with a signature cocktail expertly crafted by our mixologists, Kitty Hawk transforms each moment into a lasting memory…

There are few places in London to watch the glorious sunset with 360° degrees of the City…Searcys Helix restaurant at The Gherkin, pairs high-end design with contemporary cooking and Champagne, all while enjoying panoramic views from the top of one of London’s most iconic skyscrapers, offering seasonal set dinners and a sky-high afternoon tea that’s not to miss…

Listed as one of the 50 Most Beautiful Cafes by Chris Moss. Another Pym moment –

Kardomah, Swansea

Story by Chris Moss

Not the original Swansea Kardomah – Hitler put paid to that in 1941 – but it feels and looks like it. Opened in 1957, this wonderful, spacious, family-friendly café-restaurant still has original wood panelling, tiled floor and deco-ish reliefs, providing a nostalgia fix for its many senior clients. As further proof that caffs are about time-travel, Doctor Who used the Kardomah as a location and Russell T Davies has been spotted sipping here. The old Castle St “Kardomah Gang” included Dylan Thomas, Alfred Janes and Vernon Watkins; this one is frequented by the people they wrote about and painted.

Morris Buildings, 11 Portland St (kardomahcafe.com)

Our Story

Welcome, at the Kardomah Cafe we have a long history of excellent service, great food and wonderful coffee. We are an independent, established, family run business of nearly 50 years. Traditional values are important to us and have helped us create a warm and friendly atmosphere, which is seen by many of our customers as an important part of their lives, a place to meet their friends, whilst enjoying quality food and drink.

Australian Politics

On November 11, 1975 I watched history being made, from the best seats in the house By Michelle Grattan From The Conversation

Michelle Grattan press gallery
“Those of us in the parliamentary press gallery knew we had front-row tickets for the biggest show in our federation’s history,” writes veteran journalist Michelle Grattan.  (AAP: Lukas Coch)

In his just-released memoir, historian and former diplomat Lachlan Strahan recalls being picked up from his Melbourne primary school by a neighbour on November 11 1975, the day Gough Whitlam was sacked as prime minister. His politically active mother “was so upset she didn’t trust herself behind the wheel”.

Journalist Margo Kingston was a teenager and not political at the time. She remembers going to bed that night, pulling the covers over her head and listening on the radio. The next day, she organised a march around her Brisbane school.

The Dismissal is one of those “memory moments” for many Australians who were adults or even children when it happened. They can tell you what they were doing when they heard the news. It was an event that embedded itself in the mind, like news of US President John F. Kennedy’s assassination more than a decade earlier.

This was a life-changing day for many who worked in Canberra’s Parliament House. For Labor politicians and staffers, it bordered on bereavement. Excitement and elation fired up the other side of politics. Those of us in the parliamentary press gallery knew we had front-row tickets for the biggest show in our federation’s history.

50 years ago, a stalemate led to a unique event in Australian politics (Laura Tingle)
Pressure points were everywhere

The Dismissal didn’t come out of nowhere. It followed extraordinarily tense weeks of political manoeuvring, after the opposition, led by Malcolm Fraser, blocked the budget in the Senate in mid-October, and Whitlam refused to call an election.

Pressure points were everywhere. Would Whitlam give in? Would some Liberal senators crack? What would happen if there was no resolution before the government’s money ran out? Would Governor-General John Kerr intervene?

On the morning of Remembrance Day, Whitlam prepared to ask Kerr for an election. Not a general election, but an election for half the Senate — a course that would have little or no prospect of solving the crisis. But Whitlam had fatally misjudged the man he’d appointed governor-general. Kerr was already readying himself to dismiss the prime minister. He gave Whitlam his marching orders at Government House at 1 pm.

That afternoon Whitlam, eyes flashing, deployed his unforgettable rhetoric on the steps of parliament house. “Well may we say God Save the Queen, because nothing will save the governor-general”, he told the crowd, denouncing Fraser as “Kerr’s cur”.

Demonstrators were pouring into Canberra; shredders were revving up in parliamentary offices. That night at Charlie’s restaurant, a famous Canberra watering hole, the Labor faithful and journalists gathered. Many still in shock and emotional, patrons were packed cheek by jowl. See Further Commentary and Articles arising from Books* and continued longer articles as noted in the blog. for the complete article.

The New Daily

Conservative parties should not offer cover for racists

Craig Emerson
Sep 08, 2025, updated Sep 08, 2025

Among all the differences between Australia’s conservative and progressive parties, conservative parties too often have purposefully or unwittingly provided shelter for racists.

One of the first laws passed by the new Australian parliament in 1901 was the Immigration Restriction Act, which implemented the White Australia Policy. It enjoyed the support of all the major political parties for decades, until Liberal prime minister Harold Holt began dismantling it in practice.

His good work was followed by that of John Gorton and Billy McMahon. In 1973, Labor prime Minister gough Whitlam removed it from the statute books.

Yet from time to time, Coalition parliamentarians have sought political advantage in reviving race-based politics.

Most recently, Senator Jacinta Nampijinpa Price – who contested the deputy leadership of the Liberal Party only a couple of months ago – claimed the Albanese government had favoured Indian migrants because they tended to vote Labor.

Despite retracting these comments under pressure from within her own party, Price has refused to apologise for them.

To their great credit, Liberal leader Sussan Ley and Senator Dave Sharma repudiated Price’s comments. Indeed, there is no suggestion that Ley is racist. On the contrary, she seems a very decent person.

Whatever Price’s motivations in singling out Indian nationals in Australia’s immigration program, she has succeeded only in infuriating the Indian community.

Behind India, our next-largest source country for migrants is China. Again, leading Coalition parliamentarians have managed to insult Chinese Australians.

During the recent federal election campaign Liberal shadow minister Jane Hume remarked that there “might be Chinese spies handing out” how-to-vote cards for Labor minister Clare O’Neil.

A video of these remarks was reportedly viewed on WeChat up to 500,000 times in just 24 hours.

Many in the Chinese community appeared to draw the conclusion that the Liberal Party just didn’t trust them. Labor held all its seats with large Chinese Australian enrolments and won at least one (Menzies) from the Liberals.

The Hume and Price controversies might be considered isolated incidents. But they are not. At the 2025 election the Liberal Party did a preference deal with One Nation.

Back in 1988, John Howard had told radio talkback hosts that he considered the rate of Asian immigration too high.

At the time I was a staffer to Bob Hawke. Hawke’s anger with Howard was palpable. Howard repeated his comments over several days, hoping to gain a political advantage for himself and the Liberal Party.

Hawke considered Howard’s opening of a political battlefront based on race reprehensible. He drafted a resolution to be debated in Parliament reaffirming its commitment to a non-discriminatory immigration policy.

The resolution acknowledged that a Liberal government, under Holt’s leadership, had been the first Australian government to adopt the principle of non-discrimination based on race.

Hawke asked me to sit in the advisers’ box as he spoke. I listened to his passionate speech as he expressed his deep beliefs, engendered in him by his father, Clem, a Christian preacher.

Three Liberals crossed the floor to vote with Labor, including a backbencher, Philip Ruddock, who later became immigration minister in the Howard government.

Add to this episode the false claims during the 2001 election campaign that asylum seekers had thrown their children overboard.

Howard insists he was not told before polling day that the claims were incorrect. But Liberal ministers were told. It didn’t suit them to correct the record.

In 2018, then home affairs minister Peter Dutton, who years earlier had left the chamber ahead of the apology to the Stolen Generations, inserted himself into the Victorian state election campaign by claiming that Victorians were scared to go out to restaurants because of “African gang violence.”

Not just gang violence but African gang violence.

All these interventions and remarks can be viewed in the context of the recent anti-immigration marches.

Public discussion about the level of immigration is perfectly legitimate and, indeed, desirable. But rally organisers handing their microphones to neo-Nazis is not.

Yes, there has been a lift in migrant arrivals, peaking in 2023 but subsequently subsiding. This was a catch-up for the Covid-period border closures.

Looking at migrant arrivals in the four pre-Covid years to the end of June 2020, they averaged 531,000 – under a Coalition government.

In the subsequent four years for which data is available, they averaged 495,000 – a reduction on the pre-Covid years.

Australia doesn’t have an immigration program purely out of good heartedness. We need migrants to freshen up the age profile of our population so that we don’t have too few young people earning the incomes and paying the taxes to support older Australians in retirement. Successive intergenerational reports released by Coalition and Labor governments have told us that.

And we need younger migrants to fill skill shortages, such as nurses, physiotherapists and aged-care workers, as well as carpenters, electricians, plumbers, bricklayers and welders to build apartments and houses.

So, let’s discuss the size and skills composition of our immigration program but also try to make it an informed discussion. And may the discussion not be a ready-made platform for white supremacists and other assorted racists.

And let’s give credit where it is due. Among other Coalition leaders who have repudiated the use of race as a political weapon and have supported multiculturalism are Tim Fischer, Malcolm Turnbull and David Littleproud.

Craig Emerson is managing director of Emerson Economics. He was a minister in the previous Labor government and an adviser to prime minister Bob Hawke.

‘Definitely positives and negatives’: Industry considers details of local content quota legislation

Sean Slatter· NewsTV & Streaming ·November 14, 2025

The industry is dissecting the details of the government’s proposed local content obligations for streaming services, following the legislation’s introduction to Parliament last Thursday, expressing cautious optimism while acknowledging the limits of the proposed framework.

After a surprise Melbourne Cup Day announcement that the government would be moving ahead with a long-held promise from its Revive National Cultural Policy, Arts Minister Tony Burke tabled the Communications Legislation Amendment (Australian Content Requirement for Subscription Video On Demand (Streaming) Services) Bill 2025 two days later, setting up a potential vote during the final parliamentary sitting week at the end of this month.

The framework would require services with more than 1 million subscribers to commit 10 per cent of their total program expenditure for Australia on new Australian programming for their services. Alternatively, there is a voluntary option to calculate the obligation as 7.5 per cent of their Australian revenue.

To be eligible, a program must come under drama, children’s, documentary, arts, and educational genres, and be classified as an Australian program; a New Zealand program; an Australian/New Zealand program; or an Australian official co-production. The Act will make use of definitions set out in the Broadcasting Services (Australian Content and Children’s Television) Standards 2020.

In an echo of the previous government’s proposed Streaming Services Reporting and Investment Scheme, SVOD services would be required to submit annual reports to the Australian Communications and Media Authority (ACMA), which may administer civil penalties if requirements are not met. Services are allowed a three-year carry over period for the acquittal of program expenditure, while smaller services that have at least 250,000 subscribers must provide notifications to the ACMA. A statutory review is to be conducted four years after the requirements commence.

In introducing the legislation last Thursday, Burke said the legislation was “not a criticism of the streaming businesses in Australia”, but an “endorsement of Australian stories, a celebration of Australian creatives, and a show of respect for the Australian audience”.

“This bill will guarantee Australians will have access to Australian stories now and into the future,” he said.

“It will ensure that no matter which remote control you are holding, Australian stories will be at your fingertips. Australians will see themselves, know each other, and the world will meet us.”

Only one major SVOD service, Paramount+, has commented on the bill so far, while it was widely welcomed by the industry guilds when first announced last Tuesday.

RMIT Digital Communication lecturer Alexa Scarlata was among those to speak out following the legislation’s introduction to parliament, describing it as a “positive step” but noting that it did not set out a specific quantity of content that streamers will be required to make, or outline any local content promotion requirements – provisions that appear in similar legislation in territories like Canada.

Speaking to IF, Scarlata said the prominence question would need to be tackled “a couple of years down the line” with further clarity around eligible programs “priority number one”.

‘Once they start making things and we start doing research about how visible they are to Australians and whether or not they’re actually buried, that’s when we can deal with prominence,” she said.

“I think the key issue right now is the interpretation of eligible programs. It’s great that they’re focused on key genres, but how much do they have to actually make within those genres? Do they have to make one of everything? Do they have to, or can they just fulfill their obligation producing one documentary or one kid’s show?”

In its Explanatory Memoranda for the bill, the government outlines how a 10 per cent programming expenditure model might operate, using a simplified example of an SVOD with 1 million Australian subscribers generating $150 million in annual revenue, of which around $60 million (40 per cent) is typically spent on programming.

While noting this would vary from company to company, depending on the scale of operation, ownership structure, programming strategies, the memorandum estimates that applying this 10 per cent requirement across all major SVODs would result in a total annual spend of $175-$200 million on new Australian content. It argues this would be “consistent with the current expenditure for Australian adult drama, children’s and documentary programs by SVODs, which is an average of $193.4 million”.

Maintaining the status quo is unlikely to satisfy parts of the sector, many of whom have reported a decline or disruption to their levels of work after the initial deadline for the legislation lapsed.

Screen Producers Australia (SPA) has been at the forefront of the industry’s lobbying efforts, something that was acknowledged by Burke during his speech on Thursday.

CEO Matthew Deaner said there were “definitely positives and negatives in the bill for Australia’s screen businesses”.

“This is a very important step forward for our industry, one we’ve been advocating for over a decade, but on its own it’s not going to address the decline in commissioning of Australian screen stories that has resulted from the delayed legislation,” he said.

“On the positive side, the bill in large part delivers on the government’s commitment to audiences and industry in our National Cultural Policy, Revive. But like all complex reforms, the implementation will matter. SPA will be closely examining this and identifying areas for further action.”

“This legislation creates a framework where streaming platforms finally have quite specific obligations to contribute meaningfully to commissioning Australian content, but it’s only a small but important part of what is needed to rebuild a thriving screen sector.

“The data that will be generated from this regulation will be the start of a new phase of accountability where the real test will be how these rules work in practice and whether they genuinely bring more Australian stories to screen.”

It’s a question also being posed by independent MP Zali Steggall, who conducted a roundtable with industry members earlier this year and has since been a key advocate for the Save Australian Stories campaign.

In a statement to IF, she said she would “continue to advocate strongly to ensure Australian culture, creativity and national identity remain prominent on our screens”.

“I’m pleased the Albanese government has moved to ensure global streaming giants are legally required to invest in Australian stories,” she said.

“Details of the requirements to be imposed on streaming companies are yet to be worked out. I have sought a meeting with Arts Minister Tony Burke to ensure the final legislation delivers for the Australian screen industry and audiences. I look forward to discussing with the Minister the percentage of revenue and expenditure streamers would be required to invest locally, and how these calculations were reached.”

American Politics

An opinion on the re-opening I find plausible below:

Juliet Castille-Cooke
“Before going ballistic about the reopening agreement please read this 

 Meg Rodham Wolfers:
“It looks like a key group of Senate Democrats are closing a deal to end the shutdown in return for an agreement from Majority Leader Thune to hold a vote on extending the ACA expanded subsidies in December.
At first glance, this may provoke a “Hunh? What are they thinking?”
But whenever the House or Senate Democrats do anything that doesn’t look quite right to me, I dig deeper to figure out the reason for it. Because I don’t automatically assume that the Dems are weak or complicit or stupid. I figure there’s something deeper at play – and more often than not, I’m right.
And it looks like they could be the case here
Some folks are already melting down and accusing the Dems of caving because they say they get nothing out of a deal that includes
“Everyone knows the vote will fail, so they get nothing!!! Dems caved again!”
But wait – let’s do a deeper dive. You will see that that getting that agreement is a brilliant strategic move, even if the vote fails.
Consider:
1. The ACA enhanced subsidies are set to automatically sunset in December if no Congressional action is taken to extend them. If there is no deal before then, they just go away on their own.
2. There was no way in hell the Republicans were going to agree to extend the subsidies, no matter how firmly the Democrats held their ground.
3. If the Democrats insisted on keeping the government closed in order to protect the subsidies, at the end of December, the subsidies would have gone away, the Dems would have gotten nothing, and people would have suffered an extended shutdown without getting anything in return.
And this would have happened without the Republicans having to do anything and bearing no responsibility for the subdidies’ disappearance.
4. When the subsidies disappeared in December, people who are affected would have blamed the Democrats, not the Republicans.
5. By exacting an agreement from Thune for a vote to extend the subsidies, the Democrats are now forcing the Republicans to AFFIRMATIVELY end the subsidies rather than just letting them die a natural death. Every Republican will have to go on record, while every Democrat can be on record voting “YES.”
6. While it is possible that every Republican will vote no, it is possible that the Dems could peel off enough Republicans to vote to extend the subsidies. It would only take a couple and if they put the pressure on over the next few weeks, that could actually happen.
7. If the Democrats can get enough Republicans votes to save the subsidies, that will be a huge win.
8. If the Republicans stand firm and vote no, THEY will own the expiration of the subsidies, not the Democrats.
The bottom line is that the subsidies were going to end in December, no matter what the Dems did. But now, if this deal goes through, if they do end, it will be because the Republicans voted not to extend them, not because they quietly went away. And if they can get enough Republicans on board – which is more possible than it was even just a week ago – they will save the subsidies
The vote will ensure that either the subsidies are extended or the Republicans’ fingerprints are all over the expiration – neither of which could happen without holding a vote.
So, I think we need to back off of the condemnation and attacks and shift our focus toward what we can do to help the Democrats get the Republican votes they need to extend the ACA enhanced subsidies.
Of course, I could be completely wrong in my analysis. I don’t yet know what the underlying reasons are or the ramifications will be.
But drawing the conclusion that the Democrats are operating with a smart strategy is far more logical than assuming they are clueless traitors.
I have more than enough reason to give them the benefit of the doubt.
I think we all should.” 

Heather Cox Richardson from Letters from an American <heathercoxrichardson@substack.com> 14 Sept 2025, 16:34

President Donald J. Trump has been trying to remove Federal Reserve governor Lisa Cook from the board of governors, alleging she lied on a mortgage application by claiming two homes as primary residences, which could garner a lower interest rate. Yesterday Chris Prentice and Marisa Taylor of Reuters reported that documents show that, in fact, Cook told the lender who provided a mortgage that a property in Georgia for which she was obtaining a loan would be a “vacation home.”

It appears the documents that director of the Federal Housing Finance Agency Bill Pulte used to accuse her of mortgage fraud were standardized forms that her personal application specifying the house was a second home overrode. It also appears that Cook never applied for a primary residence tax exemption for the Georgia home and that she referred to the home on official documents as a “2nd home.”

In contrast, Reuters reported last week that unlike Cook, Pulte’s own father and stepmother claimed primary residence tax exemptions for two homes in different states. When that news broke, one of the towns in which they reside removed their primary residence exemption and charged them for back taxes.

Trump hoped to use the allegations against Cook to advance his control of the Federal Reserve. Now the revelation that those allegations appear to be false highlights the degree to which this administration is attempting to achieve control of the country by pushing a false narrative and getting what its officers want before reality catches up. Senator Joe McCarthy (R-WI) pioneered this technique in the 1950s when he would grab media attention with outrageous statements and outright lies that destroyed lives, then flit to the next target, leaving fact checkers panting in his wake. By the time they proved he was lying, the news cycle had leaped far ahead, and the corrections got nowhere near the attention the lies had.

While McCarthy eventually went down in disgrace, the right wing adopted his techniques of controlling politics by creating a narrative. Spin turned into a narrative that denigrated opponents as anti-American, and then into the attempt to construct a fictional world that they could make real so long as they could convince voters to believe in it. In 2004, a senior advisor to President George W. Bush told journalist Ron Suskind that people like him—Suskind—lived in “the reality-based community”: they believed people could find solutions based on their observations and careful study of discernable reality. But, the aide continued, such a worldview was obsolete.“That’s not the way the world really works anymore,” the aide said. “We are an empire now, and when we act, we create our own reality. And while you’re studying that reality—judiciously, as you will—we’ll act again, creating other new realities, which you can study too, and that’s how things will sort out. We’re history’s actors…and you, all of you, will be left to just study what we do.”But once you have untethered the political narrative from reality, you are at the mercy of anyone who can commandeer that narrative.

In the wake of the murder of right-wing activist Charlie Kirk in Utah on Wednesday, the radical right is working to distort the country’s understanding of what happened. Long before any information emerged about who the shooter was, the president and prominent right-wing figures claimed that “the Left,” or Democrats, or just “THEY,” had assassinated Kirk.

White House deputy chief of staff Stephen Miller posted an attack on his political opponents on social media: “There is an ideology that has steadily been growing in this country which hates everything that is good, righteous and beautiful and celebrates everything that is warped, twisted and depraved. It is an ideology at war with family and nature. It is envious, malicious, and soulless. It is an ideology that looks upon the perfect family with bitter rage while embracing the serial criminal with tender warmth. Its adherents organize constantly to tear down and destroy every mark of grace and beauty while lifting up everything monstrous and foul. It is an ideology that leads, always, inevitably and willfully, to violence—violence against those [who] uphold order, who uphold faith, who uphold family, who uphold all that is noble and virtuous in this world. It is an ideology whose one unifying thread is the insatiable thirst for destruction.”But in fact, the alleged shooter was not someone on the left. The alleged killer, Tyler Robinson, is a young white man from a Republican, gun enthusiast family, who appears to have embraced the far right, disliking Kirk for being insufficiently radical.Rather than grappling with reality, right-wing figures are using Kirk’s murder to prop up their fictional world. Briefly, they claimed Robinson had been “radicalized” in college. Then, when it turned out he had spent only a single semester at a liberal arts college before going to trade school, MAGA pivoted to attack those who allegedly had celebrated Kirk’s death on social media.

This morning, Miller posted: “In recent days we have learned just how many Americans in positions of authority—child services, law clerks, hospital nurses, teachers, gov[ernmen]t workers, even [Department of Defense] employees—have been deeply and violently radicalized. The consequence of a vast, organized ecosystem of indoctrination.”

Today, billionaire Elon Musk, who just months ago was a key figure in the White House, reposted a spreadsheet of “people who’ve said vile things” about Kirk’s murder. Over the list, he wrote: “They are the ones poisoning the minds of our children.” “So far, teachers and professors are by far the most represented,” the author of the list wrote.

Across the country, educators have been suspended or fired for posting opinions on social media that commented on Kirk’s death in ways officials deemed inappropriate. Legal analyst Asha Rangappa noted that “Americans are being conditioned to be snitches on their fellow citizens who don’t toe a party line on what is ‘allowed’ to be expressed. And employers are going along. It’s the new secret police.”

The deliberate attempt to create a narrative centering around “us” and “them” and to mobilize violence against that other was on display today when Musk told a giant anti-immigrant rally in the United Kingdom: “You’re in a fundamental situation here…where whether you choose violence or not, violence is coming to you. You either fight back or you die. You either fight back or you die. And that’s the truth.”

Of course, that is not the truth. It is a classic case of dividing the world into friends and enemies—a tactic suggested by Nazi political theorist Carl Schmitt—and inciting violence against newly identified enemies by claiming it is imperative to preempt them from using violence against your friends. Miller has vowed to use the power of the government not against the far right, where the violence that killed Kirk appears to have originated, but against MAGA’s political enemies. Flipping victims and offenders, he called his political opponents “domestic terrorists” and warned: “[T]he power of law enforcement under President Trump’s leadership will be used to find you, will be used to take away your money, take away your power, and, if you’ve broken the law, to take away your freedom.”

Where that kind of rhetoric takes a society showed on the Fox News Channel’s Fox & Friends Friday, when host Brian Kilmeade suggested the way to address homelessness was through “involuntary lethal injection. Or something. Just kill them.” When asked “why did we have to get to this point,” he answered: “we’re not voting for the right people.”

And that’s the heart of it. The radical right is frustrated because a majority continues to oppose them. According to Elliott Morris of Strength in Numbers, Trump’s job approval rating is just 42.3% with 53.6% disapproving, and more people disapprove of all of his policies than approve of them. Unable to control the country through the machinery of democracy when it operates fairly and afraid voters will turn them out in 2026, Republicans are working to make the system even more rigged than it already is: just yesterday, Missouri lawmakers approved a mid-decade gerrymander to turn one of the state’s two Democratic seats into a Republican one.

Right now, Trump and his loyalists control all three branches of government, but Trump is not delivering what his supporters believe his fictional vision of his presidency promised. Trump telegraphed great strength and vowed he could end Russia’s war against Ukraine with a single phone call, for example. When he failed to get any buy-in at all from Russia’s president Vladimir Putin for his proposals, Trump threatened to impose strong new sanctions against Russia. This afternoon he backed away from that altogether, saying he would issue sanctions on Russia only after all NATO nations stopped buying oil from Russia and placed 50% to 100% tariffs on China. “This is not TRUMP’S WAR (it would never have started if I was President!), it is Biden’s and Zelenskyy’s WAR,” he posted.

This latest retreat from his threats against Russia after all his previous empty threats makes Trump’s claims of strength ring hollow. Russia is increasing its attacks on Ukraine, and today NATO member Romania scrambled jets when a Russian drone breached its airspace. Polish and NATO aircraft were deployed today to protect Polish airspace as well.

As Trump’s narrative falters on this and so many other fronts, MAGA is moving to the violence of the far right to achieve what he cannot. In that, they are fueled by the right-wing disinformation machine that is whitewashing Kirk’s racism, sexism, and attacks on those he disagreed with and instead portraying Kirk simply as a Christian motivational speaker attacked by a rabid left wing. Trump’s vow to award Kirk the nation’s highest civilian honor, the Presidential Medal of Freedom, posthumously reinforces that image.

The refusal of Republican lawmakers to challenge MAGA’s creation of its own reality has opened the way for believers to try to put that world into place through violence. Their victory would end the rule of law on which the United States was founded and base the government on the whims of an authoritarian cabal.

It would make the United States a country in which people who stand in the way of the regime—people like Lisa Cook—would be at the mercy of hostile officials who allege they are committing crimes in order to get rid of them.—

Notes:https://www.reuters.com/world/us/fed-governor-cook-declared-her-atlanta-property-vacation-home-documents-show-2025-09-12/https://www.reuters.com/world/us/bill-pulte-accused-fed-governor-lisa-cook-fraud-his-relatives-filed-housing-2025-09-05/https://kyivindependent.com/romania-scrambles-jets-poland-closes-airport-over-russian-drone-alerts/https://www.wsj.com/world/these-charts-show-how-putin-is-defying-trump-by-escalating-airstrikes-on-ukraine-f7eee47b?mod=hp_lead_pos5https://www.politico.com/news/2025/08/26/clearly-a-low-moment-u-s-india-relationship-sours-as-new-tariffs-kick-in-00527196https://www.motherjones.com/politics/2025/09/stephen-miller-charlie-kirk-tyler-robinson-extreme-rhetoric-id/https://www.gelliottmorris.com/p/datahttps://www.npr.org/2025/09/12/nx-s1-5537977/redistricting-midterms-trump-missourihttps://www.nbcnews.com/politics/donald-trump/trump-says-will-posthumously-award-charlie-kirk-presidential-medal-fre-rcna230581Bluesky:atrupar.com/post/3lypzw476j723wartranslated.bsky.social/post/3lypphezqak2spaleofuture.bsky.social/post/3lyqfcyxgjk2ajsweetli.bsky.social/post/3lyqs7kehqc22asharangappa.bsky.social/post/3lyre7fpuzc2hthe-ronin.bsky.social/post/3lypnusdo5s2hclairewillett.bsky.social/post/3lyqpmvctj225

Cindy Lou has a casual meal at one of her favourite coffee cafes – Kopiku

Kopiku at O’Connor is an excellent place to enjoy a coffee. Mine is always made to order – with plenty of froth for Leah to enjoy, and enough coffee for me. On this occasion we took advantage of the late-night opening for dinner on a Thursday evening. We both ordered from the Indonesian menu, which is not all chili dominated, to my delight. The Nasi Goring was plentiful, flavoursome, and accompanied by prawn crackers which Leah liked. The prawns that I ordered a while ago, are extremely spicy, great for the chili lovers. However, I took them home and enjoyed them in very small portions.

Cindy Lou eats with friends at the China Tea Club

The service is excellent, the ambience pleasant, and the food delicious and plentiful. Dine in or take away, this Chinese restaurant provides the best Chinese food I have had for a long time. Mee Sing, formerly in Lyneham, having closed needed to be replaced, and The Chine Tea Club in Lyneham has done that – thank goodness. Particularly flavoursome is the Egg Plant and Chicken dish. The duck pancakes, prawn and ginger dumplings, prawn cutlets and white bait are delicious. Sizzling beef is served with the right ratio of beef to noodles, and the other meat and prawn dishes met everyone’s satisfaction depending on their dietary requirements.

Cambridge Literature Courses


Literature Cambridge Ltd is an independent educational organisation providing top-quality courses on the best of Classical literature and literature in English. Our courses are taught by leading academics and are open to all.
Email us: info@literaturecambridge.co.uk


Online Study Sessions

We offer live online courses (4 to 6 sessions) on particular writers and themes: on George Orwell, Doris Lessing, Iris Murdoch, Elizabeth von Arnim, Greek and Shakespearean drama, Katherine Mansfield, the Bloomsbury Group, Literary Gardens, mid-20thC Women Writers, and many others.


2025

  • Women Writers Season, January 2025 to January 2026, from Mary Shelley to Zora Neale Hurston..
  • London in Literature I with Angela Harris, September-November 2025
  • Women and Power in 20thC Fiction: 1950s-1980s with Miles Leeson, September-November 2025.
  • Close Reading the Poetry of Keats with Mariah Whelan, November 2025. Nearly sold out.
  • George Orwell: Power, Freedom, Decency with Lisa Mullen, November-December 2025.
  • Elizabeth von Arnim: Men, Women and Dogs with Isobel Maddison and Juliane Römhild, October-December 2025.
  • Lecture on Thackeray, Vanity Fair with Clare Walker Gore. Sunday 7 December 2025.
  • Lecture for Peace: Trojan Women with Jan Parker, 14 December 2025.
  • Close Reading Poems about Winter, with Mariah Whelan, 14 and 21 December 2025.

2026

Virginia Woolf Season, September 2025 to June 2026.

Shakespeare and Euripides: Romance Plays with Fred Parker and Jan Parker, January–February 2026

• Close Reading Emily Dickinson with Mariah Whelan, January 2026

Literary Gardens Course I with Karina Jakubowicz, January–March 2026.

• Close Reading Walt Whitman with Mariah Whelan, February 2026

Iris Murdoch and the Natural World Course with Miles Leeson, March–May 2026

Katherine Mansfield Course: Stories of Love, March-April 2026

• Close Reading Terrance Hayes with Mariah Whelan, April 2026

Jane Austen’s Families Course with Tom Zille, April-May 2026

• Odysseus the Storyteller: trials and return with Jan Parker, May 2026

Toni Morrison Course with Alex Calder, May-June 2026

• Close Reading Seamus Heaney, June 2026

• Chekhov Course: Stories and Plays with Claire Davison and Trudi Tate, autumn 2026

Doris Lessing Course with Anne-Laure Brevet, September-October 2026

• Close Reading Shelley Course 2 with Mariah Whelan, September 2026

• Literary Gardens Course 2 with Karina Jakubowicz, September-November 2026

• Brontes Course (to be confirmed)

Dr Trudi Tate Director, Literature Cambridge Ltd
www.literaturecambridge.co.uk

On Barbara Pym, Author… and Stalker?

Evangeline Riddiford Graham Considers the Unrequited Loves of the Celebrated Novelist

Evangeline Riddiford Graham November 17, 2025

Barbara Pym, a novelist sometimes described as the twentieth-century Jane Austen, was a stalker. Her diaries describe her methods of “finding out” her objects of interest in vivid detail: looking them up in directories, “tailing” them across town to discover their home addresses and workplaces and places of worship, staging “chance” encounters, and collecting their “relics.” She invented “sagas,” games of investigation and fantasy that could last several years. Most of her victims were men; they were, to varying degrees, unavailable. Several of them were gay.

Throughout the 1950s, Pym had portrayed the love and labor of “excellent women”—spinsters cooking dinner for curates, bored wives matchmaking, girlfriends helping academics cross-reference the index—with screwball pathos. Praising her second novel as “a perfect book,” the poet John Betjeman wrote, “Excellent Women is England, and, thank goodness, it is full of them.” All of Pym’s respectable women indulge in some form of obsessive love. Her most mild-mannered heroines snoop through curtains and hedges; at their most audacious, her spinsters whip out binoculars and sneak uninvited into other people’s homes. (The men barely notice.)

It wasn’t until The Sweet Dove Died (written between 1963 and 1969, and reissued this September by New York Review of Books), that Pym began to reckon seriously with the impact that unrelenting womanly “devotion” might have on the beloved one—and on the spinster herself. In A Sweet Dove Died, stalking a gay man is rendered not as the expression of unrequited love but as the determined assertion of one woman’s ego.

In swinging sixties London, an elegant middle-aged woman named Leonora swoons in an auction room and is picked up by an antiques dealer and his nephew. The uncle, Humphrey, is solicitous, but Leonora prefers the nephew, James, who is golden-haired, malleable, and of uncertain sexuality. A series of emotional bidding wars ensue. Humphrey takes Leonora to an exhibition of historic portraits; she invites James into her exquisite flat, feeds him pâté, and presents him with her Victorian flower book. “Pink convolvulus,” he reads. The flower signifies “Worth sustained by Tender and Judicious affection”—a principle for which none of the protagonists of The Sweet Dove Died show much regard. See Television,Film and Popular Culture: Comments for the complete article. See also Robin R. Joyce The Reality Behind Barbara Pym’s Excellent Women The Troublesome Woman Revealed and “Another Barbara: New Insights into Barbara Pym”.

Week beginning November 12 2025

John Bassett, Rachel Crothers Broadway Innovator, Feminist Pioneer, Bloomsbury Academic, August 2025.

Thank you, Net Galley and Bloomsbury Academic, for this uncorrected proof for review.

This book is not only about an intriguing and successful professional woman but written by someone who genuinely seems to admire her. John Bassett’s commitment to Rachel Crothers permeates the writing, making it a sheer joy to read. Bassett corrects some misconceptions but explains how they might have come about. His comic touch in reference to those about Crothers age, appears in an aside after his serious discussion of this anomaly and augers well for the way in which he approaches his material. His disappointment that Crothers’ work has almost disappeared, certainly from the stage, and from academic works and books for some time, does not impede his positive approach. He wastes little time on criticising; his reflections are illuminating, but he never diverts from his purpose. This is to redeem the oversight. His enthusiasm to ensure that Rachel Crothers and her work does become known makes this a thoroughly readable book. Bassett has written about Crothers in a work to savour as well as to inform.

The extensive detail provided about Crothers’ plays offers readers an experience akin to being part of her audience. Through this attention to the work, and Crothers’ reaction to reviews together with analysis of the critical reception of her work they exhibit, she emerges as a known figure. One that is a pleasure to know, written about by someone who also feels this way. See Books: Reviews for the complete review.

Thomas P. Slaughter The Sewards of New York A Biography of a Leading American Political Family Cornell University Press, October 2025.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Thomas P. Slaughter has written an incredibly dense informative book about the Seward family. To assist in finding the various family members who appear in typically detailed and insightful accounts, a list of the main characters and a family tree for both the Sewards and the Millers are provided at the front of the book. Some of the stories about family members are intriguing, particularly when they are juxtaposed with alternative perspectives from other family members, or Slaughter’s almost intuitive asides. One such story is that of Henry Seward, and we are left wondering whether his actions are a justifiable rebellion at his father’s harsh parenting, or whether he was as shameful a character as some of the material suggests. It is this level of intrigue and alternative explanation that kept me reading, even though for me, at times the narrative lagged. Despite this and the density of the material, and its dependence on family narrative, with the political narrative taking a second place, I found it tempting to keep returning to read more. For the reader keen to garner new information about this political family and the times, rather than the academic studying the period, this is possibly the best, if not only way, to approach the material. I found it worthwhile doing so. See Books: Reviews for the complete review.

I was sent a kindle copy of this novel by Dervla McTiernan and BookFunnel. However, the only copy I can find for sale is this audible, reviewed on Good Reads. It seemed worthwhile posting my review here.

Dervla McTiernan, The Fireground, BookFunnel, 2025.

I found this novel a departure from Dervla McTiernan’s other work and took some time to appreciate it. However, I then read it in a night, as I became attached to the characters, and wanted to know how their lives developed from the damaging events with which the book begins. When I finished, I felt that I would like to know more about Flynn, Noah, and Kaiya – is there going to be a follow up, Dervla McTiernan?

Flynn and Kaiya are sisters, and must navigate their lives as school students, at risk from predatory relatives and juggling domestic, educational, and work priorities after their parents are killed in a car smash. Noah is an indifferent student, and his mother is a perpetual victim of his stepfather’s violence. Until this violence reaches a shocking conclusion, Noah’s father has been absent. See Books: Reviews for the complete review.

American Politics

November 5, 2025

Heather Cox Richardson from Letters from an American <heathercoxrichardson@substack.com> 

New York City mayor-elect Zohran Mamdani, a member of both the Democratic Party and the Democratic Socialists of America, began his victory speech last night with a nod to Eugene V. Debs, labor organizer and Socialist candidate for president at the turn of the last century.“

The sun may have set over our city this evening, but as Eugene Debs once said: ‘I can see the dawn of a better day for humanity.’”The 34-year-old mayor-elect’s speech went on to deliver something that was more than a victory speech. It marked a new era much like the one that had given rise to Debs himself. After more than forty years in which ordinary Americans had seen the political system being stacked against them and, over time, forgotten they had agency to change it, they had woken up.

Mamdani began by lifting up New York City’s working people, noting that “[f]or as long as we can remember,” they “have been told by the wealthy and the well-connected that power does not belong in their hands…. And yet,” he said, “over the last 12 months, you have dared to reach for something greater.”

“Tonight,” he said, “against all odds, we have grasped it. The future is in our hands.” New York, he said, had delivered “[a] mandate for change. ​​A mandate for a new kind of politics. A mandate for a city we can afford. And a mandate for a government that delivers exactly that.”

Mamdani thanked “the next generation of New Yorkers who refuse to accept that the promise of a better future was a relic of the past.” And that was the heart of his message: that democracy belongs to ordinary people. “We will fight for you,” he said, “because we are you.”

He thanked “Yemeni bodega owners and Mexican abuelas. Senegalese taxi drivers and Uzbek nurses. Trinidadian line cooks and Ethiopian aunties.” He assured “every New Yorker in Kensington and Midwood and Hunts Point” that “this city is your city, and this democracy is yours too.”

Mamdani celebrated the hard work of democracy in his win. It was a victory not just for all those who make up New York City, he said, but also for “the more than 100,000 volunteers who built this campaign into an unstoppable force…. With every door knocked, every petition signature earned, and every hard-earned conversation, you eroded the cynicism that has come to define our politics.”

With that base of Americans engaged in the work of democracy, Mamdani welcomed a new era. “There are many who thought this day would never come, who feared that we would be condemned only to a future of less, with every election consigning us simply to more of the same,” he said. “And there are others who see politics today as too cruel for the flame of hope to still burn.”

But in New York City last night, he said, “we have answered those fears…. Hope is alive. Hope is a decision that tens of thousands of New Yorkers made day after day, volunteer shift after volunteer shift, despite attack ad after attack ad. More than a million of us stood in our churches, in gymnasiums, in community centers, as we filled in the ledger of democracy.”

“And while we cast our ballots alone, we chose hope together. Hope over tyranny. Hope over big money and small ideas. Hope over despair. We won because New Yorkers allowed themselves to hope that the impossible could be made possible. And we won because we insisted that no longer would politics be something that is done to us. Now, it is something that we do.”

Mamdani promised a government that would answer to the demands of the people. It would address the city’s cost-of-living crisis, invest in education, improve infrastructure, and cut bureaucratic waste. It would, he said, work with police officers to reduce crime while also defending community safety and demanding excellence in government.

Mamdani pushed back not just against the smears thrown his way during the campaign, but also against the deliberate division of the country that has been a staple of Republican rhetoric since 1972, when President Richard Nixon’s vice president Spiro Agnew embraced his role as the key purveyor of “positive polarization.” In its place, he called for community and solidarity.

“In this new age we make for ourselves,” Mamdani said, “we will refuse to allow those who traffic in division and hate to pit us against one another…. Here, we believe in standing up for those we love, whether you are an immigrant, a member of the trans community, one of the many Black women that Donald Trump has fired from a federal job, a single mom still waiting for the cost of groceries to go down, or anyone else with their back against the wall. Your struggle is ours, too.”

Mamdani, who is Muslim, promised to “build a City Hall that stands steadfast alongside Jewish New Yorkers and does not waver in the fight against the scourge of antisemitism. Where the more than 1 million Muslims know that they belong—not just in the five boroughs of this city, but in the halls of power.”

He called for a government of both competence and compassion. “For years,” he said, “those in City Hall have only helped those who can help them. But on January first, we will usher in a city government that helps everyone.”

Mamdani took on the problem of disinformation in modern politics, noting that “many have heard our message only through the prism of misinformation. Tens of millions of dollars have been spent to redefine reality and to convince our neighbors that this new age is something that should frighten them.” He laid that disinformation at the feet of the very wealthy in their quest to divide working Americans to make sure they retain power. “[A]s so often occurred,” he said, “the billionaire class has sought to convince those making $30 an hour that their enemies are those earning $20 an hour. They want the people to fight amongst ourselves so that we remain distracted from the work of remaking a long-broken system.”

Mamdani urged New Yorkers to embrace a “brave new course, rather than fleeing from it.” If they do, he said, “we can respond to oligarchy and authoritarianism with the strength it fears, not the appeasement it craves.”

Mamdani identified the popular momentum to defeat President Donald J. Trump, but made the point that the goal is not simply to stop Trump, but also to stop the next Trump who comes along. While Mamdani’s prescription focused on the avenues of resistance open to New York City government, he emphasized that for the president “to get to any of us,” he will have to “get through all of us.”

Mamdani called for New Yorkers to “leave mediocrity in our past,” and for Democrats to “dare to be great.” When Mamdani said, “New York, this power, it’s yours,” and told New Yorkers, “[t]his city belongs to you,” millions of Americans heard a reminder that they, too, are powerful and that the government of the United States of America belongs to them.Mamdani won election yesterday backed by just over half the city’s voters, in an election characterized by extraordinarily high turnout. Andy Newman of the New York Times noted yesterday that in the last four New York City mayoral elections, fewer than a third of registered voters turned out. Yesterday, more than 2 million voters voted, the highest turnout for a mayoral election since 1969.And that turnout is a key part of the story of yesterday’s Democratic wave. As Mamdani said, American voters appear, once again, to be aware of their agency in our democracy.—

Notes: https://www.theguardian.com/us-news/2025/nov/05/zohran-mamdani-victory-speech-transcripthttps://www.thecity.nyc/2025/11/04/record-voters-ballots-cast-mamdani-cuomo-sliwa/https://www.nytimes.com/2025/11/04/nyregion/nyc-mayor-election-turnout.html


Abigail Spanberger’s speech*

Brandon Jarvis

Nov 05, 2025

Gov.-elect Abigail Spanberger


Thank you. Thank you. Thank you all so much.

My fellow Virginians. Tonight, we sent a message — we sent a message to every corner of the Commonwealth; a message to our neighbors and our fellow Americans across the country; we sent a message to the whole world — that in 2025, Virginia chose pragmatism over partisanship. We chose our Commonwealth over chaos.

You all chose leadership that will focus relentlessly on what matters most: lowering costs, keeping our communities safe, and strengthening our economy for every Virginian — leadership that will focus on problem solving, not stoking division.

You chose leadership that will always put Virginia first. And Virginia, I cannot wait to get to work for you.

Tonight, we turned a page. We turned that page by listening to our neighbors, focusing on practical results, laying out a clear agenda, and leading with decency and determination.

To everyone who helped us achieve this win — from the bottom of my heart — I thank you for the trust you have placed in me and it is the honor of my lifetime to be elected the 75th Governor of the Commonwealth of Virginia!

I would like to thank my opponent for a hard fought race.

The Lieutenant Governor’s story, her military service, and her years of service to Virginia — deserve our respect. I ask you join me in wishing her and her family well.

I also know that her supporters are disappointed today — and to those Virginians who did not vote for me — I want you to know that my goal and intent is to serve all Virginians and that means I will listen to you. I will work for and with you. That is the approach I’ve taken throughout my whole career. I have worked with anyone and everyone — regardless of political party — to deliver results for the people that I serve.

That’s because I believe in this idea: that there is so much more that unites us as Virginians and as Americans than divides us. I know in my heart that we can unite for Virginia’s future and we can set an example for the rest of the nation.

Our founders understood this from the very beginning. They didn’t choose to call Virginia a “Commonwealth” by accident. They chose it to signify that our government would be based on the power of the people united for a common good. Not for a political party. Not for a President. Not for a monarch. But for a common good. Together.

And tonight, Virginia proved that tradition is alive and well. We are still a Commonwealth in every sense of the word. We are built on the things we share, not the things that pull us apart, and I’m proud that our campaign earned votes from Democrats, Republicans, Independents, and everyone in-between.

That’s the Virginia I know. That’s the Virginia I love. And that’s the Virginia I will have the honor of serving as your next Governor.

I want to thank so many people for the support they’ve given to our campaign. Thank you for your work.

Thank you to our tireless volunteers — to those who have believed in me — thank you for devoting your time your energy, your conviction to this campaign. Thank you for braving the heat, then the cold, then the rain, then the sun. Thank you.

Thank you for talking to your neighbors about the importance of this race. Thank you for recognizing that when we went person to person engaging, we could bring people not just into supporting our campaign, but engaging in our democracy.

We won this race because of you.

To our campaign team — you are the best team in the country. Every single one of you worked tirelessly for the change, the progress, the policies, the connection, and the respect that you want to see in our communities.

Thank you for working so hard. Thank you for giving people hope. Thank you for knocking doors in the sweltering heat. Thank you for showing kindness. Thank you for showing up in every corner of Virginia. Thank you for diving deep on policy. Thank you for capturing moments and the essence of our campaign. Thank you for reaching voters everywhere, and thank you for believing that Virginia could and would send a hopeful and joyful message.

Thank you for giving everything, everything to this campaign — and then some.

And thank you to my family [husband, daughters, sisters]… friends…

I’ve talked a lot throughout this campaign about the importance of service and how it’s shaped my life and my approach to public office. That all came from my parents.

But this commitment to service isn’t unique to my family — it’s engrained in so many Virginia families. It’s part of Virginia’s story.

Here, in Virginia, this is where American democracy was born, and where we’re still working to perfect it today.

Where James Madison built the framework for our Constitution to protect us from tyranny.

Where Washington and Jefferson fought to establish a government of, by, and for the people.

It’s also where Barbara Johns — a 16-year-old student from Farmville — led a walkout of students that would be part of the Brown v. Board of Education case to integrate public schools.

Barbara Johns never gave up and she showed us that no matter your age you can be part of the change and progress that you want to see here in Virginia and across the nation.

We were a nation founded on ideas — but we are a country where it is up to us — the citizens — who must put those ideas into action. It is us — the citizens who work to make change and progress — and built upon the foundation laid out over so many years. Now, Virginia, it is our time to lead…

It is a big deal that the girls and young women I have met along the campaign trail now know with certainty that they can achieve anything. It is a big deal to the woman older than I am — who forged the path in dreams, hard work, and belief that change and progress would be possible so many of us could follow in your footsteps — in any career, any role, any challenge.

The history Virginia is making tonight is yours — and I thank those who have come before me — and Mary Sue Terry in particular. She was the first woman elected statewide in Virginia, and because of her and the continued work of so many, there will be many more women to come for generations to come.

So, now that the campaign is over — the real work begins.

Because this was never just about winning an election. It was about what comes next. It is about the governing.

Virginia voters made their choice tonight. And that choice was loud and clear:

We’re going to lower the cost of renting, buying, or staying in your home. We are going to cut red tape and build homes families can actually afford.

We’re going to lower healthcare costs. We are going to crack down on predatory pharmaceutical practices and surprise billing.

We’re going produce more energy and we’re going to lower energy costs. We are going to produce more energy here in Virginia and make sure that data centers pay their fair share.

We’re going to grow Virginia’s economy by investing in the apprenticeships and job training of the future. We are going to leverage AI and cutting-edge manufacturing to bring more capital investment into our Commonwealth.

We’re going to take politics out of our schools. We are going to make sure that teachers are well paid and well respected, so that our students can focus on actually learning and so parents know that their child will succeed.

And we’re going to make our communities safer, by providing the training, pay, and support that our law enforcement community needs and deserves.

These aren’t slogans on a bumper sticker. They are actionable policies I’m ready to implement on day one. And starting now, that work begins.

So as we begin this transition to a new administration, I want to be absolutely clear about a couple of things:

First: Virginia is the only state in the South that hasn’t restricted women’s reproductive rights since the Dobbs decision. And under my watch, it will stay that way.

In Virginia, healthcare decisions about contraception, fertility treatments, and reproductive care will continue to be made between women and their doctors — not by politicians. That’s a promise I’ve made, and it’s a promise I intend to keep.

Second: I will always stand up for Virginia workers. Always.

Right now, our federal workforce is under attack. And the chaos coming out of Washington is killing Virginia jobs and creating economic uncertainty for tens of thousands of families, government employees, government contractors, small business owners who are impacted by the chaos coming out of Washington.

Virginia’s economy doesn’t work when Washington treats our workers, Virginia workers as expendable.

To those who have been impacted by the mass layoffs, please know that I will direct the full power of the Governor’s Office to support you.

And to those across the Potomac who are attacking our jobs and our economy: I will not stand by silently while you attack Virginia workers. I will fight every single day for every single Virginia job. The ones we have now and the ones we will have in the future. I will stand up to you — and to anyone who tries to harm our economy and the livelihoods of our Virginians.

As Governor, my job is to put Virginia first. Full stop.

And tonight, as the Governor-elect, I call on Congress — Republicans and Democrats — and our President to make real progress on bringing this shutdown to an end. The Virginians, the Americans who work tirelessly for their fellow citizens deserve nothing less.

I know we’re living in a time filled with chaos. We live in a time marked by uncertainty. And along the way, we do our best to try to explain it to our kids.

I know that the list of challenges we are facing is long. But I also know that the only way we’re going to solve these problems is by tackling them together.

Democrats, Republicans, Independents — all of us.

Because that embodies the message we sent tonight. That is what being a Commonwealth is all about: standing united for our future.

That is what Virginia is about!

Let’s show the world what we’re made of. Let’s get to work!

Thank you all very much.

Follow up to the recent USA elections from special correspondent Joanne Clark

Joanne’s information is valuable to people interested in American politics but are only able to source news highlights. Joanne says: “There were 465 (or thereabouts) elections across the country on Tuesday, and the Republicans won………..eleven percent! ” Further, School boards have been shedding their MAGA members in favor of Democrats, with Virginia’s change in 2024 making a positive change for schools there.

The Washington Post

Democrats swept elections far beyond the big races in referendum on Trump

By Naftali Bendavid

From clerks to coroners, Democrats on Tuesday flipped city councils, school boards and county commissions.

In Pennsylvania’s Bucks County, voters elected a Democratic district attorney for the first time since the 1800s, part of a Democratic sweep of every county office, including controller and recorder of deeds.

In Georgia, Democrats ousted two Republicans on the Public Service Commission, the party’s first capture of a nonfederal statewide office in Georgia since 2006. In Connecticut, Democrats took control of 28 towns from the GOP. In New Jersey, Democrats won their biggest majority in the General Assembly since the Watergate era. See Further Commentary and Articles arising from Books* and continued longer articles as noted in the blog. for the detailed article.


Nancy Pelosi Retires As The Most Important Woman In US Political History

Nancy Pelosi was a role model for what a Speaker of the House should be. As she announces her retirement, let’s honor the most important woman in US political history.

Jason Easley

Nov 07, 2025

It could be argued that Nancy Pelosi is the most important political figure in the United States over the last 40 years. Throughout presidential administrations, Pelosi has navigated key legislation and led critical fights for the American people in the House.

During the Clinton administration, she championed the Ryan White Care Act that expanded Medicaid to cover HIV/AIDS care and established the national care system for HIV and AIDS. Pelosi was vital to changing the way that HIV is cared for and the she changes she brought about through legislation saved lives.

During the Bush administration, she led the opposition to the Iraq War. The national oppostion to the Iraq War led to a blue wave in 2006 that led to Pelosi making history as the first woman Speaker of the House in 2007.

During her first stint as speaker, Pelosi got the response to the Great Recession through the House that included saving the US auto industry.

Pelosi’s greatest and most important achievement legislatively as speaker was the years-long effort to pass the Affordable Care Act. Americans often forget how intense of a battle it was to get the healthcare legislation through the House. It ended up costing Pelosi her first speakership, but she got legislation passed that would improve and forever change the US healthcare system.

Pelosi became the first person in more than six decades to return as speaker in 2019. Her second term as speaker was defined by passing the American Rescue Plan to respond to the COVID pandemic, and House passage of the most consequential infrastructure legislation in forty years.

Nancy Pelosi kept House Democrats unified and together. Younger House Democrats complained that she ruled the Democratic caucus with an iron fist and the opportunities were limited. but her influence can be seen all over the next generation of House Democrats, from Hakeem Jeffries to Alexandria Ocasio-Cortez.

Rep. Pelosi has remained an advisor to House Democrats even after stepping down from leadership. *

*The remainder of this article is available on the Politicususa substack – eventually I might manage to get this! However, the above is an indication of the valuable contribution Nancy Pelosi has made to USA political life, and the way in which Politicususa acknowledges this.

John Stoehr

John Stoehr is the editor and publisher of the Editorial Board. Find him @johnastoehr.

Voters are acting like they were scammed — they should know Trump wasn’t alone

November 7, 2025 8:39AM ET

  1. It’s a good thing when the Democrats win. There are some who would have you believe the opposite is true. As the New York Times Pitchbot said: “Zohran Mamdani won. So why does it feel like he lost.” He didn’t lose. Neither did statewide Democratic candidates in Virginia, Georgia and New Jersey. Neither did Democrats in towns and cities across America. It was a blue wave that suggests more blue waves to come. Democrats won by unexpected margins and in unexpected places (eg, Bristol, Connecticut). That’s good. Don’t let anyone tell you otherwise.
  2. Those who would have us doubt the goodness of electoral victory are typically invested in the idea that there are deep, perhaps irreconcilable, differences between Democratic factions. Though the Republicans got shellacked, they are not being asked to rethink their futureAxios reported that it’s the Democrats who must settle a “civil war over the best way to move forward after its crushing losses in 2024.” Do they choose to moderate Democrats or “leftwing” Democrats? It sounds reasonable. It might even sound noble. It’s not. It’s phony.
  1. Zohran Mamdani, the mayor-elect of New York, and Abigail Spanberger, the governor-elect of Virginia, are very different Democrats who certainly disagree on policy. That is not a weakness. It’s the strength found in a multi-racial ideologically heterodox organization like the Democrats. Each candidate amassed winning coalitions according to the conditions of their constituencies. That’s all they were thinking about. That’s all any of the winners was thinking about. No one was thinking about whether they speak for the entire Democratic Party in its fight against Donald Trump. That Axios is pretending otherwise is why its reporting about “civil war” is actually concern-trolling.
  2. I would guess, if left to their own devices, a moderate like Spanberger and a progressive like Mamdani could work things out if given sufficient motivation. I think the problem comes when Democratic leaders stop listening to each other and start privileging the perspectives of people who do not have the interests of their party, or those of the people they represent, foremost in their minds. By that, I mean a Washington press corps that has internalized the idea that the Republicans are the only legitimate leaders as well as the idea that the Democrats, even after they win, must seek the Republicans’ consent before using the power they have legitimately earned.
  3. Some centrist Democrats confuse compromise with consent. This prevents them from using the power they have to solve problems that they have told voters they would solve. That, in turn, makes them look weak in comparison to Republicans, who never seek the consent of the Democrats, which in turn, triggers a crisis of faith. Donald Trump has created conditions in which fighters ranging from Mamdani to Spanberger are trusted while middle-of-the-road centrists who can’t decide whether to join the fight open themselves up to contempt from both sides.
  4. Some centrists, and perhaps some progressives, believe they will benefit from a backlash. They will interpret last night’s results as what political scientists call “thermostatic politics” (think: pendulum swing). But the intensity of the blue wave suggests something else. Many voters seem to be reacting as if they were scammed. Every single county in Virginia shifted left, even the whitest, western-most ones. In New Jersey, the Democratic candidate wiped out gains Trump made with Black and Hispanic voters. G Elliott Morris said the best explanation is “that voters didn’t know what they were getting with Trump 2.0 last November, but now they do — and they don’t like it.” But they didn’t know because our media has been so thoroughly corrupted. It sold them vibes. What they got was fascism.
    Pollster Tom Bonier put it this way: “None of this is complicated. The GOP ran on affordability in 2024. They gave sanctimonious lectures on cable news on election night about how ‘the silent working class majority’ had spoken. Then they governed as reckless authoritarians, punishing the working class.”
    But it is complicated. If voters really are punishing the Republicans for breaking their promise, they would have wanted to know that Joe Biden presided over the world’s greatest recovery from the covid. Wages were up, debts were down, employment was rarely higher. They would have wanted to know the cost of food and energy was getting back to normal. (Perhaps they would have wanted to know more about Kamala Harris’ plan to prosecute price-gouging.) They would have wanted to know, but didn’t, because they could not hear over the din of Trump’s lies or the media’s obsession with a recession that never came (not to mention reporters making fetish of Joe Biden’s age). If voters are acting like they were scammed, they should know Trump wasn’t alone. The media scammed them, too. And the Democrats should never play nice with scammers.
    If what we are seeing were normal “thermostatic politics,” we could expect Trump to modulate. He won’t. He’s going to break more laws, steal more power, take more bribes and keep grinding the working class to dust. His party won’t back off, either, not when it can cheat. (“We have a very favorable election map on the Republican side,” Mike Johnson said today, “And it will be more favorable when all the redistricting stuff is done.”) Voters held Trump and the Republicans accountable last night but they are now pretending voters did no such thing. And as they have since Trump came on the scene, reporters are going to play along. That’s why it’s the Democrats, not the Republicans, who must rethink their future. Failure isn’t a problem for the GOP, but victory is for the Democrats.

Rebecca – Melbourne Theatre Company

Before the show we ate in the very attractive precinct around the theatre – an easy tram ride from the centre.

I, unlike the critics and everyone on Facebook, found the production disappointing. The new Mrs. de Winter was dressed in the dreary pale blue cardigan and frock one might expect. However, little sandals and socks? Too much naivety, in my view. Her passion for Maxim, at least in her imagination, was, to be fair, wonderfully at odds with this image. Pamela Rabe, as Mrs. Danvers was excellent. She downplayed her antagonism beautifully – such a splendidly subtle approach which contrasted with the almost comedy act of Rebecca’s cousin. The comedy was misplaced, and, with the choppiness of the first half of the play, added to my disappointment. Mrs. Danver’s and Mrs. de Winter’s interaction in the second half of the play saved it, and I could sincerely join the clapping at the end. The disappointing life led by the couple after Mrs. de Winter becomes complicit in Maxim’s crime was a sensitive start to the production, and I wish the values expressed there had been visible throughout the production.

The Conversation

Article republished here under Creative Commons License.

Why Jim Henson should be recognised as one of the foremost creators of fairytales on screen

Published: November 7, 2025 12.53am AEDT

In March 1955, an 18-year-old Jim Henson built a puppet from his mother’s old coat, a pair of blue jeans and some ping pong balls. The lizard-like creation first appeared on Afternoon, a television series on Washington D.C.’s WRC-TV, but became a regular on the five-minute Sam and Friends puppet sketch comedy show from May 1955. Over 70 years, the creature evolved into Kermit. The bright green frog now is a cultural icon.

To mark 70 years of The Jim Henson Company, the company has curated an auction of official memorabilia, including puppets, props, costumes and artwork. In a specially-recorded promotional video, Brian Henson, Jim’s son, provides a useful reminder that his father’s legacy is far greater than The Muppets.

Indeed, Henson made a significant contribution to the screen fairytale, a genre all too often dominated by Disney. To encourage fans and viewers to think beyond The Muppet Show and Disney, I offer a reappraisal of his career in my book The Fairy Tales of Jim Henson: Keeping the Best Place by the Fire.

By far the biggest section of the auction is made of items created for the productions and publicity from The Dark Crystal (1982) and the revival Netflix series The Dark Crystal: Age of Resistance (2019). The original fantasy evolved from an idea Henson had to create a story around an anthropomorphised reptilian race, which eventually became the formidable Skeksis.

His collaboration with the British artist Brian Froud led to the evolution of the intricate world of The Dark Crystal. The film follows Jen (voiced by Stephen Garlick), a delicate, fey-like creature from the nearly-extinct Gelfling race. Jen embarks on a quest to save the planet Thra by healing the Dark Crystal. He must complete his mission before the “great conjunction”, an event that would give the evil Skeksis power over the fragile world forever.

This ambitious endeavour was not the first time that Henson had used a fairytale-inspired story or aesthetic. As early as 1958, following a trip to Europe, he began to develop a version of Hansel and Gretel. Although it remained unfinished, fairytales became an established strand in Henson’s work.

This included two unaired pilots called The Tales of the Tinkerdee (1962) and The Land of Tinkerdee (1964), as well as the three television specials that make up Tales from Muppetland (1969-72). The latter are playful, gentle parodies and a Muppetisation of the well-known stories Cinderella, The Frog Prince and The Bremen Town Musicians.


Fairytales even inspired two of Henson’s mid-1960s commercials for The Compax Corporation’s Pak-Nit and Pak-Nit RX – preshrunk fabrics used to make leisurewear. The ads were titled Shrinkel and Stretchel and Rumple Wrinkle Shrinkel Stretchelstiltzkin. Fairytale themes also appeared from time to time in segments of Sesame Street (1969-present) and The Muppet Show (1976–81).

Henson’s film Labyrinth (1986) is a beguiling blend of well-known coming of age fairy stories, most overtly Alice’s Adventures in Wonderland (1865) and The Wonderful Wizard of Oz (1900). These references are combined with original and innovative puppetry and design, and, of course, David Bowie as the charismatic Goblin King.

One of Henson’s final projects was the imaginative and technically inventive television series Jim Henson’s The Storyteller (1987-89). Inspired by her folklore studies at Harvard University, Lisa Henson encouraged her father to develop a show based on the rich European folk tale tradition, importantly, one that avoided the best-known tales, in favour of more the more unusual and challenging.

Fairytales are an important – and often overlooked – part of Henson’s legacy, from the final productions made during his lifetime to The Jim Henson Company’s later output (for example, Jim Henson’s Jack and the Beanstalk: The Real Story in 2001 and The Dark Crystal: Age of Resistance). Fans are also consistently teased with rumours of a Labyrinth sequel or reboot. Most recently, Robert Eggers is reported to be directing.

Henson should be considered one of the foremost creators of screen fairytales of the 20th century. As his fans celebrate the 70th anniversary of his creations, it’s time for the world to rediscover his magical body of work, beyond the much-beloved Muppets.

This article features references to books that have been included for editorial reasons, and may contain links to bookshop.org. If you click on one of the links and go on to buy something from bookshop.org The Conversation UK may earn a commission.


I find the Agatha Christie Newsletter a bit of fun – excerpts below

January Netflix Release | Christmas Shop | Activities

The Agatha Christie Newsletter <generalenquiries@agathachristie.com

The new series starring Mia McKenna-Bruce, Helena Bonham Carter and Martin Freeman debuts 15 January worldwide. Along with the release date, Netflix have also shared first look images and a thrilling new teaser. Read more


Explore our November Read Christie pick
Cat Among the Pigeons blends murder mystery with international espionage, making it an ideal fit for our November spies theme. When a teacher is found dead in a prestigious school, suspicion spreads and Poirot is called on. Find out more

“What is three quarters of a million or some such sum in comparison with human life?” Agatha Christie, Cat Among the Pigeons

 
The After School Detectives Club is now out in the US, and to celebrate we’ve shared a few printable pages from the book. It’s the perfect autumn activity for children aged 8+. Is your child as perceptive as Poirot? Download the PDFTrial our courtroom-themed word search


Last week marked 72 years since Witness for the Prosecution first opened on the stage in London, and to celebrate we created a new word search! Can you find all the hidden words and phrases related to the play? Test your skills

The World of Agatha Christie
Read about all things Christie in the tenth edition of our free magazine, packed full of puzzles, extracts and trivia for fans to enjoy. In this edition, we’re focusing on spies, lawyers and more in Christie’s stories. Download your PDF copy

Stories featuring spies “Bundle” Brent uncovers a secret society that could help solve a murder involving a missing clock. Read more

A wounded spy enters Victoria Jones’s hotel room in Baghdad and utters his final words… Read more

The young, bereaved Hilary is persuaded by a secret agent to undertake a risky mission. Read more


© 2025 Agatha Christie Ltd, All rights reserved.

Our mailing address is: Agatha Christie Ltd
Imperial House
8 Kean Street
London, WC2B 4AS
United Kingdom

Week beginning 5 November 2025

Victoria Scott The House on the Cliff Boldwood Books, October 2025.

Thank you, Boldwood Books and NetGalley for providing me with this uncorrected proof for review.

The House on the Cliff is the fourth of Victoria Scott’s novels that I have enjoyed. However, although there is much to admire, I felt a little disappointed. The pacing was slow at times; the writing would have benefitted from being sharper and more focussed. Also, although I was impressed with Scott’s exploration of the nature of perimenstrual impact on women and their relationships, this was a little overworked. The positive feature of the way in which Scott dealt with this issue was that the difficulties were validated, and their influence on the present-day main character’s relationships did not dismiss the real challenges she faced and had to reconcile with her marriage, her changing responsibilities and even the seemingly simple task of leaving a familiar environment for an new future. See Books: Reviews for the complete review.

Roxanne Gregory, A History of Women in Piracy Life under the Black Flag, Pen & Sword| Pen & Sword History, August 2025.

Thank you, NetGalley and Pen & Sword, for providing me with this uncorrected proof for review.

There remains a role for writing women into history despite the numerous works that have undertaken this task so admirably. Roxanne Gregory has assembled short pieces about women who were pirates, restoring them as actors in what has been largely seen as men’s history. Female pirates have appeared in fiction, and they and their male counterparts have provided dynamic narratives in which their escapades are often romanticised. With such a background, Gregory has a difficult job in providing a true picture of the women she chooses to portray, while maintaining some of liveliness that readers have been led to expect from the fictional accounts of piracy. See Books: Reviews for the complete review.

Claire Allan People Don’t Just Disappear Boldwood Books, November 2025.

Thank you, Net Galley and Boldwood Books, for this uncorrected proof for review.

Initially, this appears to be a harrowing story of abduction and cruelty, with a somewhat weak premise. A prologue introduces a man reacting strongly to wailing and lamenting to which he feels unjustly subjected. After all, as he tells a child playing with his toys, none of this is his fault, the woman knows the rules and if she had obeyed, she would not have been punished – he is fair. Like those before her, it is she who lets him down, her punishment is her fault, not his. In chapter 1, a small boy appears at Bronagh’s front door, crying and enticing her to accompany him to where she finds a barely alive woman in an abandoned car. She appears to be the victim of an accident, until Bronagh is hit on the head, and much later awakes in a dirty, cold bedroom. Here she is variously tormented by her captor, the cries of the child who claims that she is his mother, and another woman who is fearful, but possibly part of the kidnapping. See Books: Reviews for the complete review.

Cindy Lou has several breakfasts,brunches, and some tapas at Degraves Espresso in Degraves Lane, Melbourne

Degraves Espresso was a terrific find. We stopped for tapas soon after our arrival – and returned for breakfasts and brunches. The tapas menu is excellent, and we chose our favorites from the experience of eating at La Tasca, a wonderful chain in London that unfortunately has closed – prawns and sour dough, patatas bravas, slow roasted leeks and albondigas (see previous post for photos). The staff at Degraves Espresso is friendly and the meals generous, delicious and interesting. The coffee is good. We shall be pleased to return on our next Melbourne trip.

Cindy Lou eats in a posher lane

This was not as positive experience as Degraves Espresso. Although the cafe was attractive and the coffee served in large cups was good, the salads were overpriced and ordinary. The prosciutto was supposed to be served with figs – a lovely combination- but they were replaced with strawberries (with no explanation or apology) – and although the salmon was pleasant enough the whole meal was not particularly stunning.

Cindy Lou eats at D.O.C. Lygon Street

The environment was terrific, and the food plentiful and flavoursome. However, the silky pasta that I experienced years ago at a meal in Bagni di Lucca seems to be unavailable in Australia even in restaurants with a splendid pasta reputation.

Bar Idda with family

Bar Idda is a Sicilian restaurant which was extremely successful the last time we visited. They were so accommodating, managing to fit eleven people reasonably comfortably around a table made for a smaller number. On this occasion we had the same table for a smaller number, and would have preferred something smaller so that we could talk and hear comfortably over the loud music. My recall was a meal that I could not resist trying again. I found some of the food excellent, and lamb eaters were very enthusiastic about the lamb. On Fridays and Saturdays only the chef’s menu is available, and there is little information before the dishes arrive. The attention to special meals, such as gluten free and vegetarian was amazing. So, a good night, with wonderful staff and pleasant enough food. Less noise and more information about the menu would have been an improvement.

I can see by the photos I must have enjoyed it more than I thought!! Empty plates everywhere.

National Gallery of Victoria

This gallery is always worth a visit. On this occasion I took only a few photos, and they do not do the gallery justice. I enjoyed the time looking instead as my phone needed charging. I chose the Christian Dior exhibition, and a display of chairs instead of the usual paintings I feature in this blog.

American Politics

Good results for Democrats in races for Governor, Lt. Governor and Attorney General in Virginia, New Jersey, and New York. The referendum in California (see article below) which also took place was a win for Democrats.

This whole referendum in California is kind of complicated. Here’s what residents are voting on

Story by Arit John, CNN

One of the most consequential elections this year isn’t between a Democratic and Republican candidate, but over a ballot initiative in California.

Proposition 50 would allow California Democrats to replace the state’s congressional maps with ones the party hopes will help them to flip five GOP-held seats.

Democrats launched their redistricting push, led by California Gov. Gavin Newsom, after Texas Republicans redrew their maps to create five new seats that will favor the GOP at the behest of President Donald Trump.

Newsom has made himself the face of the effort, investing his own political capital into his party’s efforts to win back control of the US House next year.

But while Texas Republicans were able to pass new maps through the legislative process, California Democrats had to first seek voter approval. That’s because Californians amended their state Constitution in 2010 to give an independent redistricting commission the power to set congressional lines.Expand article logo  Continue reading

Proposition 50 would give lawmakers the right to temporarily override that map through the 2030 election, after which the commission would draw the next decade’s maps.

Supporters of the measure have argued it will level the playing field ahead of the 2026 midterm elections, when Democrats hope to retake control of the US House, and serve as a check on the Trump administration. If passed, it would help Democrats neutralize much of the advantage Republicans have gained after redrawing congressional maps in Texas, Missouri, Ohio and North Carolina.

“The essence of Prop 50 is to say that if you are going to play that game, then we are going to try to counteract that abuse of the system,” said former President Barack Obama, who has thrown his support behind getting the measure approved, during a virtual event with Newsom last month.

Critics, however, say Proposition 50 would undermine the nationwide effort to promote nonpartisan redistricting, and they have said Democrats may be reluctant to relinquish the power to draw the congressional map in the next decade and cede seats back to Republicans. Several Democrats have already announced their plans to challenge incumbent Republicans in the proposed new districts.

“There’s this war going on all over the United States. Who can out cheat the other one?” former Republican Gov. Arnold Schwarzenegger, who served from 2003 to 2011, told CNN’s Jake Tapper in October. “Texas started it. They did something terribly wrong. And then all of a sudden California says, ‘Well, then we have to do something terribly wrong.’ And then now other states are jumping in.”

Newsom and other Democrats backing the measure have stressed that Proposition 50 reaffirms the state’s general support for independent redistricting, despite the current attempt to gerrymander the state.

British Politics

Labour Rosette

It is an honour to introduce this edition of The Labour Rosette in recognition of Black History Month. Last month, we paid tribute to the contribution of our Black community in this country, both in our past and in our future.

If one moment has come to symbolise that story, it is the arrival of the Empire Windrush in 1948. The Windrush generation, who came on that ship and others thereafter, left the Caribbean for Britain. Here, they helped a Labour Government build a New Jerusalem from the ashes of the Second World War. When we needed them, they were there for us.

Many years later, after decades contributing to this country, the last Conservative Government had the chance to stand by them. Instead, they abandoned them. People who had given so much to our country, over so many years, were treated as illegal immigrants in their own home. The Windrush scandal will forever be a stain on our history, and on the legacy of the last Conservative Government.

For those affected, the delays, the uncertainty, and the injustice have caused immense pain. Now, I am determined to put things right – and not just with words, but through action.

We have re-established a dedicated Windrush Unit in the Home Office to ensure support reaches those who need it most. We have also now launched a £1.5 million advocacy fund, to ensure the voices of those affected are always heard.

Crucially, we are paying compensation to those affected. In the last few weeks, I announced that Windrush victims can now receive most of their compensation upfront. Elderly and vulnerable claimants will be prioritised for rapid support. We are also extending the scheme to cover lost pension contributions, for those who had to withdraw their savings to fund their quest to prove their lawful immigration status.

The harm that was done to the Windrush generation can never be fully undone. But we can and must do everything in our power to right this historic wrong. That is what this Labour Government is doing. That is the difference a Labour government makes.

In contrast, Reform is now threatening to pursue the path of the Windrush scandal all over again. Their divisive plans to strip people of their settled status – which allows them to live in this country for good – is a gross betrayal of who we are in this country. It would tear families apart, separating children from their parents. It would do untold harm to our public services, not least the NHS. And it would cause untold damage to our communities. It is the action of those who seek a littler England, not a greater Britain.

Labour will always fight for those who have been left behind. We will always deliver justice where it has been denied.

In this edition of The Labour Rosette, you will read more about the work Labour is doing to fight for national renewal and build a Britain for all. I am proud to play my part in that effort as your Home Secretary. 

Thank you,

Shabana Mahmood
Secretary of State for the Home Department 

Fairer future for renters with Labour’s Renters’ Rights Act

Labour’s historic Renters’ Rights Act has received Royal Assent meaning it is now law, securing a fairer future for 11 million private renters in England. In the coming weeks, Labour Ministers will outline how these reforms will be rolled out.

The landmark legislation will abolish Section 21 ‘no fault’ evictions and rebalance landlord-tenant relations across England as part of the Government’s Plan for Change.  

What does this mean?

  • This Act abolishes Section 21 ‘no fault’ evictions – a practice that has pushed thousands into homelessness.
  • Tenants will also be able to challenge unfair rent increases and ask to keep a pet – something landlords can’t say no to without a good reason.
  • The Renters’ Rights Act will also tackle discrimination head-on, banning landlords and agents from refusing tenants because they have children or receive benefits and bringing the Decent Homes Standard and Awaab’s Law into the private rented sector for the first time.  

Why this matters:

  • The Renters’ Rights Act delivers on Labour’s manifesto commitment to level the playing field between landlords and tenants.  
  • The Conservatives did nothing to protect England’s renters during their 14 years in office, and they voted against the Renters’ Rights Act in Parliament. Nigel Farage’s Reform Party also voted against Labour’s measures to protect renters. Only Labour is on the side of working people. 

Prime Minister Keir Starmer said: 

“Every family deserves the dignity of a safe and secure home.

“For too long, millions of renters have lived at the mercy of rogue landlords or insecure contracts, with their futures hanging in the balance. We’re putting an end to that.

“A secure home isn’t just bricks and mortar – it’s the foundation for opportunity, safety, and a better life. No child should grow up without one.” 

Australian politics

From Women and literature

7 Novels That Explore Motherhood’s Complexities – Donna Frietas

In the opening pages of The Paper Palace, the protagonist has a thought that made me want to throw the book across the room, not to mention scream bloody murder: “The best lesson my mother ever taught me: there are two things in life you never regret—a baby and a swim.”

It’s tossed out as though it’s a given for everyone—and I suppose to many people, it is. But for me? That single sentence pushed hard into the deepest button I’ve got. It prompted me to stop reading the book. I couldn’t bear it. Throwaway statements (and beliefs) like these assumed to be universally true for women are what steal a woman’s real feelings from her own mouth, and forbid her from speaking them out loud. (My emphasis).

I knew from the time I was very young that I didn’t want children. Yet once I reached my 30s everyone was pushing me to ignore my gut and have a baby anyway. The cacophony of voices arguing that if I didn’t overcome my resistance I’d eventually regret the decision for the rest of my life was relentless. Ruthless even. Yet not a single person worried about the other possible outcome: that if I ignored my gut and became a mother, I might regret having had the baby.

Beliefs like these and the way I was hounded are what compelled me to write The Nine Lives of Rose Napolitano about a woman who doesn’t want children, whose marriage has come to rest on whether she’ll change her mind.

They’re also behind my forthcoming thriller, Her One Regret, about a woman (Lucy) who vanishes from a parking lot, leaving her baby behind in a shopping cart—everyone assumes she was taken. We soon learn that maybe Lucy wasn’t kidnapped after all—that maybe she planned her own disappearance because she regrets becoming a mother.

Her One Regret hinges on that question: Was Lucy taken or did she run?

I’ve come to think of Her One Regret as “The 10th Rose.”

In The Nine Lives readers see Rose’s life twist and turn depending on whether she has a child even though she doesn’t want one, or whether she stands her ground and doesn’t become a mother. But the version of Rose I was too afraid to write was the one based on my own greatest fear: the Rose where she has the baby and then regrets it.

To be frank, I thought if I wrote that Rose, the novel would not get published, because openly discussing motherhood regret is still so taboo. Yet after many emails from readers who wanted to know why I hadn’t given them a Rose who regrets—I finally decided to write that story. It emerged as a crime and suspense novel, Her One Regret, that turns on Lucy Mendoza’s disappearance.

Times have changed even in the last few years, and we are having many more complicated conversations about being a mother, and about choosing not to become a mother, and even (yes, at least a little) about regretting having children. But we still have a long way to go. Here are seven of my favorite books/series that offer portraits of very complicated motherhood.

Begoña Gómez Urzaiz, The Abandoners

Ashley Audrain, The Push

Lionel Shriver, We Need to Talk About Kevin

Rachel Yoder, Nightbitch

Elena Ferrante, The Neapolitan Quartet

Doris Lessing, The Fifth Child

Week beginning 29 October 2025

Lona Bailey Wicked Witch of the West The Enduring Legacy of a Feminist Icon Bloomsbury Academic, October 2025.

Thank you, NetGalley and Bloomsbury Academic for providing me with this uncorrected proof for review.

Lona Bailey has produced a tremendously readable account of the feminist underpinnings of the wicked witch of the west, and more. This is not to suggest that the book is not an academic exercise; it has all the accoutrements of academic work – citations, an index, a bibliography, and of course is based on an immense amount of research. Where enthusiasm for a topic meets academic excellence and engaging writing, a reader is fortunate. I felt more than fortunate when reading Wicked Witch of the West The Enduring Legacy of a Feminist Icon. Bailey combines such academic excellence and engaging writing around a topic that has been an enduring interest. Popular culture, feminism, the Wicked Witch of the West in her various manifestations, from The Wizard of Oz to the musical, Wicked, further novels and television programs are gathered to produce an engrossing study. I read the book over a day and, happily woke during the night to continue to the end. This is a thoroughly enthralling read.

Bailey begins with Frank Baum’s novel, The Wonderful Wizard of Oz, in which the wicked witch is not the green visaged apparition of the film fame. This is a particularly illuminating chapter, with its reflections on why villains may be appealing, and the powerful aspects of the wicked witch of the west. Baum’s witch becomes the source of analysis of the feminist aspects of the witch, the appearance of the original, the actor who played her years later and the changes to her appearance that took place, as well as events on the set of The Wizard of Oz. The latter is very illuminating indeed.  So, too is the discussion of Baum’s background and speculation on his intentions on developing this character. See Books: Reviews for the complete review.

Edward Biddulph, The James Bond Lover’s Guide to Britain, Pen & Sword | White Owl, October 2025.

Thank you, NetGalley and Pen & Sword, for providing me with this uncorrected proof for review.

Guides to travelling around Britain with a purpose are always attractive and The James Bond Lover’s Guide to Britain is abundantly so. Following James Bond resonates with suggestions of spies, drama, duplicity, and death, and in his discussion of the films as well as the locations Edward Biddulph has imbued his guide with enough of the James Bond aura to tempt Bond enthusiasts. He makes the point that there are over 150 Bond related British sites, including principal locations as well as stand ins for overseas settings, in almost all Bond films and Ian Fleming’s novels. A surprising thought, and one which adds to the enticing nature of this guide. However, the guide could also appeal to those who are just keen to give their travels a focus and, as Biddulph tells it, Bond is a figure who can carry readers all over Britain. To travel with a purpose from Scotland to Cornwall is an intriguing prospect enhanced by Biddulph’s archaeological investigation of the sites, maps and archives that provide historical information about where Bond ventured in a rather different landscape from the modern one that readers will follow. Further, for the person who is not necessarily a huge Bond fan Biddulph shows that many of the Bond sites coincide with those that any tourist may want to visit – restaurants, historic houses, museums, and other attractions. He states that the book reflects his interests of history, archaeology, and cuisine – some universal interests there! See Books: Reviews for the complete review.

Australian Politics

Launch of ‘Gough Whitlam: The Vista of the New’

Speech : Transcript:Check against delivery: Friday 24 October 2025 Sydney

The Hon Anthony Albanese MP

Prime Minister of Australia

I acknowledge the traditional owners of the land on which we meet and I pay my respects to their elders past, present and emerging.

It is a great honour to be with you all for the launch of an outstanding new addition to Australian political biography and indeed Australian history.

Among many distinguished guests, can I acknowledge all the members of the Whitlam family joining us here today.

Including Tony Whitlam, who I learned from this book was very nearly blessed with the name ‘Justinian Dovey Whitlam’ to achieve what Gough called a ‘crescendo effect’.

The tremendous interest surrounding this book speaks for Gough Whitlam’s powerful and enduring hold on the affections and imaginations of so many Australians.

Not just the true believers who have ‘maintained their enthusiasm’.

But all of us whose aspirations, communities and lives have been shaped by the Whitlam legacy.

All of us who have drawn inspiration from Gough’s essential optimism.

From his determination to liberate the talents and uplift the horizons of our citizens, through access to free education and universal healthcare.

From his reimagining of Australia’s place in the world.

From his assertion of equality for women: in our economy, our laws and our society.

From his leadership on land rights.

And from his defining belief that it is the mission of Labor Governments to reject the ‘habits and fears of the past’ and seize the opportunities of the future.

For any author to put forward a new account of the life of such a figure, is an act of real courage.

Especially when you consider that the first three people to write about the Whitlam Government in depth were Laurie Oakes, Graham Freudenberg and Gough Whitlam himself.

Think about that trio.

One of Australia’s best journalists.

Australia’s greatest political speechwriter.

And the Prime Minister at the epicentre of events.

It is a profound credit to Troy Bramston that his work not only belongs in such esteemed company – it actually adds to the picture those giants have painted.

Laurie Oakes gave us a portrait of a new-generation Australian politician, on the march to the Prime Ministership.

Graham Freudenberg wrote about Gough with the deep admiration and affection that characterised Ted Sorensen’s reflections on John F. Kennedy

And – in The Truth of the Matter – Gough was striving above all to set the record straight.

At the distance of 50 years, this book takes us beyond the consuming passions of those immediate political struggles.

And true to its title, offers us a ‘Vista of the New’.

Of course, the fresh insights in these pages are only possible because of the years of research that have been poured into this book.

Troy writes about the staff on Gough’s 1969 election campaign having to haul around a huge trunk filled with volumes of Hansard and a vast accumulation of newspaper clippings and index cards of policy proposals.

That’s also how I picture Troy’s process: part author, part archaeologist.

Sifting through a near-century of correspondence and archival material, as well as years of interviews he has undertaken with so many Labor legends, including, Gough himself.

If you want to know which registry office Gough’s grandmother was married in, or what his primary school maths report was like, or read extracts from the letters he wrote to Margaret during the war, all of that is in here.

But this book is more than the sum of its many parts, more than a mere catalogue or chronology.

In offering us a comprehensive account of Gough’s life before politics and a thoughtful examination of what drew him to parliament and the road he followed to the leadership, we gain a deeper understanding of the forces that shaped his character.

Growing up in Canberra, believing in the value and honour of public service.

His political awakening under Curtin and the 1944 referendum that inspired a lifetime obsession with reforming the Constitution.

His mastery of the House of Representatives, a reflection of his deep respect for that institution.

And that shyness some took as diffidence, which made him something of a solitary individual among the collective.

All this matters.

Because as the accounts of Cabinet and Caucus make clear, perhaps more than any other Government in Australian history, the Whitlam Government was made in its leader’s image.

It bore the imprint of its Prime Minister’s personality, in all its mercurial brilliance and all its crash-through-or-crash courage.

Paul Keating, who makes many insightful contributions to this book, once remarked that he gave more speeches about the Second World War than any Australian Prime Minister since John Curtin.

This was because his four years as PM, almost exactly tracked Curtin’s four years, half a century apart.

In reflecting on all those 50 year anniversaries, Keating said he felt:

“In the lee of Curtin’s trajectory”.

And that this enriched his understanding of the twists and turns of the Pacific war.

For my colleagues and me, our time in office has tracked the 50 year anniversary of the Whitlam Government.

On the 2nd of December 2022, I had the honour of being there in Cabramatta, as a Labor Prime Minister, for the opening of the newly-restored Whitlam family home.

The suburban backyard where people celebrated the ‘It’s Time’ victory, in the community that powered Gough’s passion for urban renewal.

When I travelled to China for the first time as Prime Minister in November 2023, that important step in the deliberate and patient stabilisation of our relationship also marked fifty years since Whitlam’s historic visit.

Penny Wong and I visited Beijing’s Temple of Heaven, the scene of that famous photo of Gough putting his ear to the curve of the Echo Wall.

That was our way of upholding the wisdom of that Chinese proverb: “when drinking water, do not forget those who dug the well.”

When we hosted the leaders of every member of ASEAN at a special summit in Melbourne in 2024, we commemorated a half-century of Australian partnership – an essential element of our engagement in the fastest growing region of the world in human history.

And last month in Port Moresby, we celebrated the golden jubilee of Papua New Guinean independence.

Just as Gough famously declared that independence for PNG ‘was an idea whose time had come’ I was proud to say to Prime Minister Marape that elevating our relationship with PNG to the status of an alliance was an idea whose time had come.

Each of those milestones – and so many more – inspire us and they remind us that Labor Governments are always at our best, when we build to last.

As I said in the House of Representatives, 11 years ago this week, when we came together as a Parliament to pay tribute to the life and service of Gough Whitlam:

“The legacy of our political contribution can be judged by its permanency.”

I do want to make this very personal point.

I love biographies but this is the first Prime Ministerial biography I have read while holding the title, it therefore became a very dynamic and intellectually challenging experience.

There is wisdom in here.

Do not ignore warning signs, engage and respect colleagues.

Understand the dialectical implications of decisions, and be orderly in your decision-making.

This book holds real, ‘contemporary relevance’ for anyone interested in politics or government or Australia’s place in the world.

And while The Vista of the New deals with the injustice of the Dismissal in a characteristically thorough way, importantly, it does not limit itself by looking at Gough Whitlam’s legacy purely through that prism.

It doesn’t diminish the performance of that Labor Government by dealing only with the drama and deception that brought about its downfall.

In the preface to this book, Troy recounts a moving moment in 2013 when Gough said to him:

“I want to be remembered as an achiever, not as a martyr”

This book honours that hope.

This is an account of profound achievements.

And its publication represents a significant achievement too.

It is my great pleasure to wish Gough Whitlam: The Vista of the New, all the very best.

PM&C acknowledges the traditional owners and custodians of country throughout Australia and acknowledges their continuing connection to land, water and community. We pay our respects to the people, the cultures and the elders past, present and emerging.

How the star of lost silent film Jewelled Nights went from the limelight to selling sweets for cinemagoers

Black and white photo of 1920s actress Louise Lovely
Louise Lovely starred in about 50 Hollywood films. (National Film and Sound Archive)
In short:

Tasmania’s early mining days were immortalised on screen in the 1925 film Jewelled Nights by Australia’s first Hollywood star, Louise Lovely, who hoped to take Tasmania to the world stage.

The silent film was a screen adaptation of a popular romance novel by Marie Bjelke-Petersen, the aunt of former Queensland premier Joh Bjelke-Petersen.

What’s next?

The silent film has inspired an art installation at this year’s The Unconformity festival, held at Queenstown. The artist is seeking a permanent home for the work.

It has been nearly 100 years to the day that Tasmania’s remote and rugged west coast played backdrop to an ambitious film project led by a Hollywood silent film starlet.

Considered a lost classic of Australian cinema, Jewelled Nights was mostly shot at Savage River, deep in the bush at an alluvial mine site.

At the time of its release, it was billed to be the making of Hobart as the “Hollywood of the south”, but its production ran overtime, the budget overblown and its star never went on to make another film.

As for Jewelled Nights, only remnants of the silent film remains.

a faded sheet music cover from a silent film
Only a few minutes of the silent film Jewelled Nights remains, but the musical score survived.

The film’s restorer, Bernard Lloyd, previously said filming at that location would have been an extraordinary feat at the time.

“There was no road then, no track there and so to bring this film crew down there, two hours down the gully and then back out again each day, it was a huge ask with the weather, the snakes,”

Mr Lloyd said.

The film featured leading lady Louise Lovely, an Australian darling who had starred in about 50 Hollywood films, mostly by major production companies Universal, Goldwyn Picture Company and 20th Century Fox.

Film historians have said Lovely was the first Australian actress to find success in America.

Black and white photo a woman in jodhpurs holding a pan and shovel
Louise Lovely played a female character who dressed as a man in order to try her luck at mining in the 1925 film Jewelled Nights. (Supplied: Tasmanian Museum and Art Gallery)

Marie Bjelke-Petersen — a prolific romance writer considered the Danielle Steele of her time — asked Lovely to star in and produce the film adaptation of one of her books.

At the time, both Lovely and Bjelke-Petersen were celebrities in their respective fields.

In an interview, Lovely said: “Everyone said that good pictures could not be made in Australia. I have set out to prove that they can.”

Only a few minutes of the film Jewelled Nights have survived.

Following its premiere in Melbourne in October 1925, Jewelled Nights reportedly screened to 350,000 people, more than a third of the city’s population at the time.

Its box office success propelled Tasmania and its dramatic landscape onto the big screen.

But now, only fragments of the silent film remain.

Film’s intrigue inspires artwork

The film’s allure has led local Tasmanian artist Jacqueline Dortmans on a deep dive.

Her installation at this year’s The Unconformity festival in Queenstown on Tasmania’s west coast was a homage to the film and Bjelke-Petersen.

“The biggest mystery for me is the film, having been lost, there’s no way to know how Louise Lovely [and her co-producer] told the story,”

Dortmans said.

“We can draw on the book, which tells the story clearly, but what’s unclear is how they told the story in silent film.

“Silent film is not that well understood as a format.

“When you look at other silent films you recognise that they have this way of delivering a punch line just through a couple of words on a screen.”

a close up of a woman's face with fringe
Jacqueline Dortmans says silent film is not a well understood format. (The Unconformity)

Dortmans said she leant heavily into that formula to convey her Jewelled Nights piece, a three-part journey into the book’s setting, the script and its creators.

“It celebrates not just the achievements of Louise Lovely with the film, and the history that the film and book is grounded in, which is the osmiridium mining, but Marie Bjelke-Petersen as a person who is someone who should be more known in the Tasmanian context,” she said.

“She was very forensic in her research.

“She spent time at Savage River and 19 Mile Creek talking to miners and gathering the information to allow her to write with quite impressive accuracy.”

a woman in a fur coat and cloche hat
Romance author Marie Bjelke-Petersen was a celebrity in her time. (Athol H Shmith)
Tasmanian mineral needed for fountain pens

The Jewelled Nights story begins with the fountain pen.

At the turn of last century, Tasmania was the world’s only mined source of osmiridium, a mineral needed for the production of fountain pen nibs.

For years, gold prospectors on the Savage River system thought of the alloy as a nuisance as they panned for the more precious mineral. But, later, as osmiridium’s value was realised, it fetched prices higher than gold.

a black and white photo of people around a hut in the landscape
The Burnt Spur mining site at Savage River has been given heritage listing. (Heritage Tasmania/JH Robinson)

Miners quickly switched their alluvial techniques of gold panning to the search for osmiridium.

They worked streams by diverting water onto dry beds through stone wall channels and dams, many of which survive today.

Rough huts were also set up to house the temporary workforce, including prospector Jos Hancock’s, at Flea Flat, which featured prominently in the film.

These early mining sites, Burnt Spur and Flea Flat, have recently secured permanent heritage listing with the Tasmanian Heritage Council.

a black and white photo of a miner's hut
Jos Hancock’s hut at Flea Flat featured in Jewelled Nights. (Heritage Tasmania/JH Robinson)

In its submission for heritage recognition, the mines were described as presenting “intact archaeological examples of alluvial mining features” and having a “special association with pioneering Australian actor and entrepreneur Louise Lovely”.

Speaking on ABC Radio Hobart, historian Nic Haygarth said of the location:

“Marie Bjelke-Petersen had this idea that Tasmania should be a second Hollywood as it had the wonderful scenery.

“She was a great advocate for Tasmania’s rainforests and the scenery of the west coast.”

Tasmania’s wildness critical to film

At its heart, Jewelled Nights was a love story.

One where Tasmania’s brooding landscape and expansive skies played a role in maintaining the romantic tension between the cross-dressing lead female and the miner she falls in love with.At home with Louise Lovely

A black and white photo of people making a film in the early 1900s

Listen to Chris Wisbey as he explores the house and garden of the former silent film star.

The lead character, Melbourne socialite Elaine Fleetwood, flees to the osmiridium mines of distant Tasmania after leaving her groom at the altar.

There, she dresses as a man in order to work the mines as she has heard there were riches to be made.

But as film restorer Bernard Lloyd said:

“On the mining fields, she finds something much more valuable — true love.”

When it opened, the film was well received by audiences.

But Lovely’s dream of putting Tasmania in the world film scene was crushed after the movie ran dramatically over budget.

“They had a budget of 8,000 pounds, and they only got 5,000 pounds back,” Mr Haygarth said.

Today, that would be a return of $500,000 from a $800,000 investment.

“That pretty much scuppered the deal. There were plans to make two more films, but it was pretty much the end of this idea of making Tasmania a second Hollywood.”

It proved to be Lovely’s final role.

She lived the last 32 years of her life in Tasmania, and some may remember her as the the lady who ran, with her husband, the lolly shop beside the Prince of Wales Theatre on Macquarie Street in Hobart.

A photo of a older woman throwing food for seagulls into the air
Louise Lovely lived the last 32 years of her life in Tasmania. (Supplied: National Film and Sound Archive)

Dortmans said following The Unconformity festival she would search for a permanent home for the artefacts she has amassed for the artwork.

What remains of the film screens regularly at Queenstown’s Gaiety Theatre.

“I dived deeply into silent film,” Dortmans said.

“There’s a confronting statistic that 90 per cent of all silent films are lost. Jewelled Nights is just one of many films that have been lost.”

American Politics

Why Trump Turned to the Sewer 

The president’s disturbing, excremental propaganda campaign 

By Anne Applebaum 

Lieutenant Colonel Harald Jäger was in charge of a Berlin Wall checkpoint on the evening of November 9, 1989, when a garbled televised press conference convinced thousands of East Berliners that they were allowed to cross into West Germany. People ran to the checkpoint. They started shouting at Jäger, telling him to open the barrier, even though no one had told him about any changes. 

Still, “when I saw the masses of East German citizens there, I knew they were in the right,” he told an interviewer, many years later. In another interview, he recalled, “At the moment it became so clear to me … the stupidity, the lack of humanity. I finally said to myself: ‘Kiss my arse. Now I will do what I think is right.’” He opened the barrier and people started walking through. 

Had these events taken place a few months earlier, Jäger might have kept the barrier shut. But the “masses of East German citizens” who had spent that autumn marching against dictatorship in East Berlin, Leipzig, and other East German cities had shaped his understanding of events. Watching them, he understood that most of his countrymen opposed the regime and hated the Wall. If everyone was against it, he no longer wanted to defend it. 

Quinta Jurecic: Resistance is cringe—but it’s also effective 

The differences between the “No Kings” demonstrations that took place across the United States on Saturday and the East German protests 36 years ago are too numerous to list. I saw no riot police at the protest I watched in Washington, D.C. Nor did the demonstrations in the autumn of 1989 feature animal costumes, cute homemade signs, or people dancing the Macarena. But they shared at least one goal: to remind the government’s supporters and enablers that the public is unhappy. The majority of Americans object to President Donald Trump’s politicization of justice, his militarization of ICE, and his usurpation of congressional power. Eventually some of those presidential supporters and enablers might, like Jäger the border guard, be persuaded to side with the majority and help bring this assault on the rule of law to an end. 

The people in the White House know this too, and they reacted accordingly. Trump, the successor to George Washington and Abraham Lincoln, posted an AI-created video of himself as a fighter pilot, wearing a crown, flying over an American city, and dumping shit onto American protesters. The point was not subtle: Trump wanted to mock and smear millions of Americans, literally depicting them covered in excrement, precisely so that none of his own supporters would want to join them. 

Cindy Lou eats with friends at The Constitution, the cafe at the National Archives of Australia

This is an easy place to enjoy a meal, with its varied menu, good coffees and a range of pastries. There is a need for more staff training as the service was friendly rather than efficient. However, the whole experience was pleasant, from the easy parking, scenery, and generous delicious meals. Although we were unable to visit the exhibitions on this occasion, The Constitution is a cafe to which I shall return, with plenty of time to see the other features offered at the Archives.

A Spanish meal in Melbourne for Cindy Lou

Degrave’s is in one of Melbourne’s lanes, near Flinders Street Station. It has a lovely atmosphere and great staff. The food was generous and flavoursome, but not to the level of the wonderful experiences we had at La Tasca in London. And Spanish food in Spain is another story, particularly when travelling with English friends for whom Spain was almost a second home. Nevertheless, I would eat there again for the atmosphere and the delicious leeks in particular.

A Statue Of Bridget Jones Is Being Unveiled In Leicester Square Soon – As The Iconic Character Becomes The Latest Addition To London’s Free-To-Visit Sculpture Trail

One of the most captivatingly chaotic characters in movie history is being immortalised in the form of a shiny new statue in the heart of London.

 Katie Forge – Staff Writer • 27 October, 2025

It’s been almost a quarter of a century since Bridget Jones first graced our cinema screens, woefully wailing ‘All By Myself‘ in her living room. And now, four films (and countless questionable decisions) later, our beloved Bridget is being immortalised in the form of a shiny new statue that’s mere moments away from being unveiled.

The statue in question has been designed by London-based studio, 3D Eye, and will feature the popular protagonist (portrayed by Oscar-winning actress, Renée Zellweger) in all her perfectly imperfect glory.

The sculpture will be permanently perched in the heart of Leicester Square, and is being revealed on November 17 at an unveiling ceremony. Renée Zellweger is set to be in attendance along with some of her Bridget Jones: Mad About the Boy co-stars, Sally Phillips, Chiwetal Ejiofor, and Leo Woodall.

The Bridget Jones sculpture being created
Credit: Scenes in the Square / Studio 3D

A teaser image has been revealed. And whilst we don’t know the age at which the character is set to be depicted, we do know that the statue will be wearing a necklace with a ‘D’ pendant, and clutching Bridget’s signature diary and pen.

Scenes in the Square

The showstopping statue is landing in London, courtesy of Leicester Square’s on-going sculpture trail, ‘Scenes in the Square’. Bridget Jones will be the first rom-com character to have earnt themselves a sought-after spot on the trail’s star-studded line-up. The free-to-visit trail is filled to the brim of cinematic icons. Bridget Jones will join the likes of Paddington Bear, Mary Poppins, Harry Potter, Batman, Gene Kelly, and Indiana Jones.

Helen Fielding, author of the Bridget Jones books, comments: “For Bridget to be honoured as a British Icon with her own statue alongside Paddington Bear, Mary Poppins and Admiral Lord Nelson (alright, he’s down the road a bit!) is a huge thrill and reason for everyone to raise a glass of Chardonnay to being ‘just as you are.’ I am touched and delighted for Bridget and Renée and hope that Bridget’s Mummy Pants will ensure a sleek silhouette for this exciting statue unveiling.”

Michael Morris, director of Bridget Jones: Mad About the Boy, says: “Bridget has always belonged to London – her mess, her magic, her heart. To see her immortalised here, in the middle of the city she’s stumbled through and loved so fiercely, feels like the perfect love letter to her and to everyone who’s ever cheered her on.”

Week beginning 22 October 2025

Lisa Murkowski Far from Home An Alaskan Senator Faces the Extreme Climate of Washington, D.C. Penguin Random House Christian publishing | Forum books, June 2025.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

My immediate interest in this book arose from Senator Lisa Murkowski’s vote on the recent ‘Big Beautiful Bill’ adopted by the Senate on the Republican 50/51 vote with Republican Senators, Susan Collins, Rand Paul, and Thom Tillis voting against. Senator Murkowski, having won benefits for her constituency, Alaska, supported the Bill. The fluidity of American voting patterns was an important part of political activity on the fictional The West Wing and has been apparent throughout the time I have been observing American politics via television. These patterns are very different from the Australian process, where an election would not be complete without policy statements, demands about ‘where is the money coming from,’ close media observation of how policies might be implemented and how they compare with alternative party policies. Having voted for a successful party, the Australian electorate understands that the promised polices will usually be implemented by the incoming Government. This underpins most Members of Parliament loyalty to their party and its promises during an election. The American context, however, is remarkably different and Senator Murkowski’s adherence to her constituency and its requirements, even when the bill was so manifestly egregious, is perhaps understandable. That three of her fellow Republicans did not support the Bill, and in my view her support was unacceptable, her decision made me to want to understand more about Murkowski. See Books: Reviews

Brandon Rottinghaus Scandal Why Politicians Survive Controversy in a Partisan Era Columbia University Press, November 2025.

Thank you, NetGalley, for this uncorrected proof for review.

I was interested in this book as a way of discovering what an academic approach to political scandal would be, the way in which various types of scandal would or could be measured and the public response to scandal. Rottinghaus has fulfilled my quest for information. However, I am left with a concern that in an era when the mainstream media appears to be numbing public response to egregious political behaviour, an academic work would risk doing so. There is certainly a role for a history of scandalising political behaviour – after all why not? A valid argument can be made that political life is not immune to the forces that impact other areas of society where scandalous behaviour occurs. I would have liked the work to have made it clear that political life and behaviour is not necessarily more prone to scandal than other areas of power. I would also have appreciated an approach that undermined the prevailing view that various examples of scandalous behaviour are equal. The moral imperative might be similar, but the outcomes for supporting and ensuring that a democratic society remains democratic are markedly different depending on the nature of the behaviour seen as scandalous.  

The publication features polling data that contributes to understanding definitions of political scandal, factors affecting perceptions of aversion, and the impact of partisanship. By using Watergate as a point of reference, it compares observer attitudes toward historic and more recent political events. An updated edition addressing commutations and Presidential pardons could offer further insight by contrasting current practices with those of the past, and there are additional topics relevant to contemporary politics that may warrant academic study. See Books: Reviews

Cindy Lou eats at Blackfire

I haven’t been to Blackfire for ages, and this evening really wanted the king prawns that they serve as an entree. Fortunately, we were able to get in, although the restaurant filled rapidly as it neared 7.00pm. I had smoked mussels on bruschetta tapas – very nice indeed, and the prawns as my main course. As the prawns come with a Chilli sauce, I always indulge myself with mashed potato – and this was served with green beans which was an added delight. My friend enjoyed the empanadas and found the lamb ragu pasta excellent – and very generous. The coffees made a pleasant finish to the meal as we can no longer indulge in desserts (although I would have liked a chocolate with mine).

American Politics

No Kings

Joyce Vance from Civil Discourse <joycevance@substack.com> 

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No KingsJoyce Vance Oct 18 

People are protesting. It’s a march for our love: Democracy.

“Do marches really work?” I was asked last night. Absolutely. And we are all out there today, proving it. We can’t expect instant results for years of relentless damage to our country. But we are continuing to come together to fix it.

Signs from some of my favorite places.

Send me your pictures and let’s share our experiences with each other in the comments. It is a good day for us.

We’re in this together,

Joyce

‘Huge’ and ‘Massive’ Crowds for No Kings Rallies

The Daily with Sarah Jones <politicususa@substack.com> Unsubscribe

Forwarded this email? Subscribe here for more; 18 October 2025.

News coverage of the No Kings rallies keeps repeating the words “massive” and “huge,” saying this is bigger than the June protest and “quite the scene.”

While it’s too early for official numbers, outlets are reporting “huge” and “massive” crowds for No Kings rallies in larger cities on the East coast, which doesn’t take into account the many smaller rallies that are taking place in red areas, which might make an even bigger political statement than actual numbers.

October 19, 2025

Heather Cox Richardson from Letters from an American <heathercoxrichardson@substack.com> 

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October 19, 2025Heather Cox RichardsonOct 20 

All last week, Republican leaders tried to portray the No Kings protests scheduled for Saturday, October 18, as “Hate America” rallies. G. Elliott Morris of Strength in Numbers partnered with Atlanta-based science newsroom The Xylom to estimate that as many as 8.2 million people turned out yesterday to oppose the Trump administration. The mood at the protests was joyful and peaceful, with protesters holding signs that championed American principles of democracy, free speech, equality, and the rule of law. As the Grand Junction, Colorado, Daily Sentinel put it in a front-page headline: “‘This is America’ ‘No Kings’ protests against Trump bring a street party vibe to cities nationwide.”

Then last night, after the protests, the president’s social media account posted an AI-generated video showing Trump in a fighter jet with “KING TRUMP” painted on the side. The president sits in the airplane in front of something round that could be seen as a halo. He is wearing a gold crown; weirdly, the oxygen mask is over his mouth and chin, rather than mouth and nose.

Once in the air, the plane drops excrement on American cities, including what seems to be New York City. The excrement drenches protesters, one of whom is 23-year-old liberal political commentator and influencer Harry Sisson. Journalist Aaron Rupar of Public Notice, who shares media clips that reflect politics, commented: “Trump posts AI video showing him literally dumping sh*t on America.” Historian Larry Glickman noted that media outlets make much of alleged Democratic disdain for ordinary Americans, but have had little to say about the disdain for Americans embodied by Trump’s video.

Several administration videos and images have responded to Americans saying “No Kings” by taking the position “Yes, We Want Kings,” an open embrace of the end of democracy. But they are more than simple trolling. Led by Trump, MAGA Republicans have abandoned the idea of politics, which is the process of engaging in debate and negotiation to attract support and win power. What is left when a system loses the give and take of politics is force.

The idea that leaders must attract voters with reasoned arguments to win power and must concede power when their opponents win has been the central premise of American government since 1800. In that year, after a charged election in which each side accused the other of trying to destroy the country, Federalist John Adams turned the reins of government over to the leader of the opposition, Thomas Jefferson. That peaceful transfer of power not only protected the people, it protected leaders who had lost the support of voters, giving them a way to leave office safely and either retire or regroup to make another run at power.

The peaceful transfer of power symbolized the nation’s political system and became the hallmark of the United States of America. It lasted until January 6, 2021, when sitting president Trump refused to accept the voters’ election of Democrat Joe Biden, the leader of the opposition.

Now back in power, Trump and his loyalists are continuing to undermine the idea of politics, policies, and debate, trying instead to delegitimize the Democratic opposition altogether. Yesterday, during the protests, President Donald Trump, Vice President J.D Vance, and the official White House social media account posted a video of Trump placing a royal crown on his head, draping a royal robe around his shoulders, and unsheathing and brandishing a sword (an image that raises questions about why Trump wanted one of General Dwight D. Eisenhower’s swords so badly that he had the museum director who refused to hand it over fired). In the video, Democratic leaders including former House speaker Nancy Pelosi (D-CA) and what appears to be Senate minority leader Chuck Schumer (D-NY) first kneel and then bow to Trump.

Administration imagery doesn’t simply insult opposition leaders; it undermines the idea of politics by suggesting that Democrats are un-American. Last night the White House continued its racist crusade against Democratic leaders by posted an AI-generated image of Trump and Vance wearing jewel-encrusted crowns positioned above an image of House minority leader Hakeem Jeffries (D-NY) and Senate minority leader Chuck Schumer (D-NY) wearing Mexican sombreros. The caption reads: “We’re built different.”

The administration’s hostility to loyal opposition is translating into direct assaults on our government. House speaker Mike Johnson is refusing to seat a member of the opposition. Voters chose representative-elect Adelita Grijalva (D-AZ) on September 23 to fill a vacant House seat, but Johnson has come up with one reason after another not to seat her. Until she is sworn in, she has no access to government resources and cannot represent her constituents. She also cannot be the 218th signature on a discharge petition that would force a vote on whether to demand the release of the Epstein files, the final signature needed.

Grijalva recorded a video reinforcing the political system, saying: “We need to get to work, get on the floor, and negotiate so we can reopen the government.”

But Republican congressional leaders are refusing even to talk with Democrats to reopen the government, let alone to negotiate with them. They are trying to force Democrats simply to do as they say, despite the fact that 78% of Americans, including 59% of Republicans, support the Democrats’ demand for an extension of the tax credit that lowers the cost of healthcare premiums on the Affordable Care Act markets. Lindsay Wise, Anna Wilde Mathews, and Katy Stech Ferek of the Wall Street Journal reported today that more than three quarters of those who are insured through the ACA markets live in states that voted for Trump.

A video of Trump in a bomber attacking American cities carries an implied threat that the disdain of throwing excrement doesn’t erase. This morning, Trump reinforced that threat when he reminded Fox News Channel host Maria Bartiromo: “Don’t forget I can use the Insurrection Act. Fifty percent of the presidents almost have used that. And that’s unquestioned power. I choose not to, I’d rather do this, but I’m met constantly by fake politicians, politicians that think that, that you know they it’s not like a part of the radical left movement to have safety. These cities have to be safe.”

That “safety” apparently involves detaining U.S. citizens without due process. On Thursday, Nicole Foy of ProPublica reported that more than 170 U.S. citizens have been detained by immigration agents. She reports they “have been dragged, tackled, beaten, tased and shot by immigration agents. They’ve had their necks kneeled on. They’ve been held outside in the rain while in their underwear. At least three citizens were pregnant when agents detained them. One of those women had already had the door of her home blown off while Department of Homeland Security Secretary Kristi Noem watched.”On Friday, the Trump administration pushed its attempt to use the military in Democratic-led cities, asking the Supreme Court to let it deploy troops in Chicago immediately. Chris Geidner of Law Dork notes that four judges, two appointed by Democrats and two appointed by Republicans, have rejected the administration’s arguments for why they must send in troops. Now the Department of Justice has appealed to the Supreme Court, asking for a decision on the so-called shadow docket, which would provide a fast response, but one without any hearings or explanation.

The administration’s appeal to the Supreme Court warned that there was “pressing risk of violence” in Chicago—a premise the judges rejected—and said preventing Trump from going into the city “improperly impinges on the President’s authority.”

How much difference will the No Kings Day protests, even as big as they were, make in the face of the administration’s attempt to get rid of our democratic political system and replace it with authoritarianism? What good is an inflatable frog against federal agents?

Scholar of social movements Lisa Corrigan noted that large, fun marches full of art and music expand connections and make people more willing to take risks against growing state power. They build larger communities by creating new images that bring together recognizable images from the past in new ways, helping more people see themselves in such an opposition. The community and good feelings those gatherings develop help carry opposition through hard moments. Corrigan notes, too, that yesterday “every single rally (including in the small towns) was bigger than the surrounding police force available. That kind of image event is VERY IMPORTANT if you’re…demonstrating social coherence AGAINST a fascist government and its makeshift gestapo.”

Such rallies “bring together multigenerational groups and the playfulness can help create enthusiasm for big tent politics against the monoculture of fascism,” Corrigan writes. “The frogs (and unicorns and dinosaurs) will be defining ideographs of this period of struggle.”—

Second “No Kings Day” protests the largest single-day political protest ever*, with 5.2-8.2 million participants

UPDATE 10:00 AM Oct. 19: After adding new data, our median estimate is 5.2 million, and the upper bound is 8.2. The numbers in this article have been updated. Future estimates will be updated on the spreadsheet, but not here…

The Daily
The Daily

Rachel Maddow Explains Why No Kings Could Soon Reach Critical Mass And Topple Trump

Rachel Maddow dove into the numbers behind what the No Kings protests mean and how they could topple Trump’s wannabe regime.

Sarah Jones & Jason Easley

Oct 21, 2025

It isn’t certain yet whether No Kings is a protest movement or a political movement. No Kings will need to transfer its momentum into electoral success to get results, but right now, No Kings is building fast towards critical mass.

Maddow said while discussing what makes No Kings different from other protests:

We’ve talked to them (Indivisible) a lot, many times going back years. You might also have noticed that every time we talk to the folks from Indivisible, going back to the very beginning, uh, they emphasize one specific thing. They emphasize thinking local. So for these No Kings protests, for example, they said if you have to travel more than an hour in order to get to your nearest No Kings protest, then don’t do that.

Don’t travel more than an hour.

If you have to go more than an hour to find one, that means you should be organizing your own wherever it is that you live. Now that is not generic protest advice, that is very specific to this movement and it has specific consequences in practical terms following that principle.

This weekend looked like this not one giant protest in one central place, even though there were some really big protests in some places. Instead though, it was, it was a gazillion different protests. Yes, in some big cities, but also in small towns, in every nook and cranny, all across this country.

Australian Politics


The Australian’s post
(from Facebook)


The Australian 

Yesterday at 07:34 ·

Opinion: Donald Trump has come through in spades for Anthony Albanese after locking in the $368bn AUKUS pact, signing-off on an $8.5bn critical minerals deal and waxing lyrical about the Prime Minister. Read more: https://bit.ly/4qs62tR

!!!!!

The post below is an interesting reflection on a song sung at many schools in Australia and the choice of our National Anthem. The writer refers to South Australians singing this song. However, it was also sung in Western Australian schools, and the Facebook comments recalling the song come from other states as well. They also suggest that it is preferred to the chosen national anthem.

Lainie Anderson Author’s post

South Aussies, who remembers Song of Australia?

There is a land where summer skies

Are gleaming with a thousand dyes,

Blending in witching harmonies, in harmonies;

And grassy knoll and forest height

Are flushing in the rosy light,

And all above is azure bright.

Australia, Australia, Australia!

I found it on my recent research trip to the West Terrace Cemetery, and it took me straight back to primary school in Port Vincent. The lyrics were written in 1859 by Adelaide poet and teacher Caroline Carleton, wife of the West Terrace Cemetery sexton (it’s believed she wrote the piece while sitting in the cemetery). The music was written by German immigrant and composer Carl Linger, who helped to create Adelaide’s first philharmonic orchestra.

Hugely popular in SA, it was sung in all public schools from the 1880s right through to the late 20th century. It was one of four songs put to a public vote to choose our official national song in 1977 (the others were God Save the Queen(!!), Advance Australia Fair and Waltzing Matilda). Song of Australia won the South Aussie vote but came fourth overall. Advance Australia Fair became the national anthem in 1984.

Brilliant and Bold – Bold and Brilliant

CONVERSATIONS WITH ‘ORDINARY’ & ‘EXTRAORDINARY’ WOMEN

This meeting on zoom was held on Sunday 19 October and is available on Jocelynne’s Scutt’s Facebook feed.

The flyer (edited) read:

International Struggles for Women’s Autonomy –
Iran, Nepal, and Women & Girls Living Under Occupation

Today, women of Nepal and women of Iran are focused on restoring democracy, freedom, security and peace to their respective countries.
Brilliant & Bold! has a prime opportunity this month of October 2025 to hear from women of the diaspora who are campaigning for democratic rights in Iran and Nepal, and to learn of a campaign for the UN to create the
post of Special Rapporteur for Women and Girls Living Under Occupation (WAGLUO).

The speakers were: Elahr Zibabi, from Iran, is living in London, and is a part of the Iranian diaspora campaigning for freedom, justice, security, democracy and peace for Iran. 

Benzu Laxmii Oli, from Nepal, is living in Perth, Western Australia, and engaged in activism directed toward ensuring that women and girls live with freedom and equality, secure in the knowledge that they are entitled to dwell in the land of their birth without fear.

Arising from the discussion, I heard about Sue Crampton’s book, Behind the Oleander, which I was able to purchase during the meeting on my kindle.

Week beginning 15 October 2025

Samantha Vérant The Writers’ Retreat Storm Publishing, July 2025.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

A thriller set around a writers’ retreat and writers? What could be a more enticing location and concept? Sadly, the premise promised by the title is not fulfilled. To be fair, it is established that the retreat is also a commercial enterprise selling perfumes, a unique alcoholic beverage and foodstuffs, and custom-made paper. Also, the cleverness of the novel revolves around writing, in this case a memoir and a novel based on events in each of the writer’s lives. This device sets the scene for the possibility that fiction will override fact, that a story can be embellished or even be lies, and that the protagonists whose firsthand accounts make up the chapters might be creating the dramatic effects which are the writer’s prerogative.

The narrative begins with a prologue in which an unnamed person provides advice about removing hurtful people. And perhaps this person has done so – there is a blade in their hand, and they wipe clean all the surfaces before departing. In the first of short chapters, Liv Montgomery introduces herself, her aspirations, her nemesis, Kat, and her successful submission of her thriller to an agent. The agent invites Liv to a writers’ retreat. Coincidently, or not, Miriam a woman from Liv’s past, is part of the agency’s team. Sienna, with a past and current hostile relationship with Liv, is also a participant. She is writing non-fiction which could suggest that her utterances are believable. However, with the twists and turns taken in The Writers’ Retreat this is not necessarily the case. See Books: Reviews for the complete review.

Kelly Oliver, The Case of the Body on the Orient Express, Boldwood Books, July 2025.

Thank you, NetGalley and Boldwood Books for this uncorrected proof for review.

What an absorbing and enjoyable read Kelly Oliver has served up, along with the food that Dorothy L. Sayers consumes throughout the hunt for a murderer. Agatha Christie, only slightly more circumspect with her cups of cream that she enjoys at almost every turn of the plot, joins her, Eliza, and Theo on the Orient Express on its journey to Constantinople, as they knew Istanbul. Jane, Eliza Baker’s sister, also features, as a MI5 agent, introducing a spy theme to the ‘cosy mystery’ as this series is described. This is the first of the Detection Club series that I have read, and I look forward to more as I found it more enticing than the usual cosy mystery.

The combination of real and fictional characters is smart. Agatha’s trip has been arranged to help her recover from her husband, Archie’s, deception. However, personal despair is secondary to her enthusiasm for life – a possible trip to an archaeological dig, and closer to events on the Orient Express, a murder to solve. Her friendship with Dorothy provides plenty of discussion about writing, plotting a murder, and solutions. The introduction of the obnoxious Eric Blair adds to the deft weaving of fact and fiction, not at the Tom Stoppard level in his Rosencranz and Guildenstern Are Dead, but nevertheless, genuine fun. Eliza, Sayers’ companion, and secretary to the secretary of the London Detective Club (and formerly of Scotland Yard) is an engaging character, with her distaste for the humorous way the Club treats death, her commitment to her sister and beloved Queenie, her beagle. Theo Sharp, erstwhile chess companion who disappeared abruptly in the middle of a game, rejoins Eliza and the detective novelists on the Orient Express – in a steward’s uniform.

Death is an almost immediate companion as the Orient Express travels towards Istanbul. But it is accompanied by comic interludes, descriptions of Eliza’s and Jane’s shady past, sharp asides about Eric, who has renamed himself George Orwell, and the red herrings associated with any Agatha Christie plot. Kelly Oliver’s Death on the Orient Express owes something to the latter but has its own daring characters and plotting to make it very much her own. This is a comfortable but nicely harrowing read for a wintry night.

Valerie Keogh, The Writer, Boldwood Books, July 2025.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Valerie Keogh never disappoints, and as I began The Writer, I knew that a treat was to follow. Cara is working, or trying to, on her thirtieth novel – a psychological drama like her previous successful works. As Arty, her husband leaves for work, Tillie her friend variously supports her or tries tough love to get her over her vacillation and morbid speculations about  the notes she has begun to receive, and her agent and editor variously encourage her to bring this thirtieth novel to fruition, Cara sits at her word processor bereft of words, or the means to process the few that she  drags up. Cara is not going to succeed in writing the thirtieth novel, until her speculations about the notes become an integral part of her life and her writing.

The interplay of Cara’s fiction and her life become enmeshed in her failure to separate fact and fiction. The notes become an unwieldy part of Cara’s life, encouraging her to reach implausible, to the reader, but all too plausible to Cara, decisions about her friend, husband, and her reality. Interspersed with Cara’s reactions to the notes, her insecurities about herself and suspicions about her husband’s past are the ruminations of a man who wishes her ill. His resentment of her success in contrast with his failures, lead him into punishing her for what he sees as a past unforgivable slight. See Books: Reviews for the complete review.

Art Gallery of New South Wales

More photos from the wonderful Yolŋu power: the art of Yirrkala exhibition.

Raw Story October 9 2025

Thom Hartman

I just saw the movie that will define our age — you can tell because right-wingers hate it

This week has felt like one battle after another. We all watched video after video of ICE agents dropping from helicopters onto a Chicago apartment block, kicking in doors and terrorizing Black and Hispanic American and immigrant families, then trashing and stealing their possessions without ever presenting a warrant signed by a judge.

The GOP pushed the country to the brink again with another government shutdown threat while right-wing legislatures redrew districts to erase the votes of millions. We heard more talk of arresting journalists for doing their jobs, and watched as the military rolled through American cities as if people here are the enemy.

Each day has felt like a slow-motion assault on democracy itself.

Louise and I went to see Leonardo DiCaprio’s new movie, One Battle After Another, last weekend, and I was stunned. It’s a film of rare courage and artistry. From the first scene to the last, Paul Thomas Anderson reminds us that cinema can still tell the truth about power and conscience. It’s a film that demands attention, not permission.

The movie runs about two-and-a-half hours, but it’s so action- and drama-packed that it felt like it flew by in less than an hour. I knew people similar to those characterized in this movie when I was in East Lansing SDS back in 1968-69: seeing them portrayed like this was a hoot! This is truly brilliant film-making.

Predictably, conservatives rushed to condemn it. Some labeled it “irresponsible” or claimed it “glorifies violence.” What they really mean is that it unsettles them. They prefer art that flatters authority and soothes the comfortable. This film refuses to do either.

The world Anderson portrays is not a fantasy. When federal agents execute suspects, when protests are manipulated to justify repression, when truth is distorted by propaganda, that is not simply fiction. It reflects the deep anxiety of a society that’s watched Trump’s executive power become far too concentrated and way too cruel. Anyone paying attention to the news knows how real that danger feels.

The rightwing National Review published a piece titled “There Will Be Bloodlust in ‘One Battle After Another’” that accused Anderson of romanticizing 1960s radicalism. Yet DiCaprio, who stars in the film, called it a “timely satire.” Speaking to Reuters, he said, “It’s not a film where people are imposing any political beliefs on anyone else. It’s satire on both ends.”

That contrast says everything. Conservatives want to see chaos; Anderson and his cast are inviting reflection. The violence in the film is not triumphant; it’s painful, personal, and tragic. It shows what happens when injustice festers until ordinary people begin to break, as I saw in the people I knew in the Weather Underground back in the day.

History reminds us that art has always frightened the powerful. Uncle Tom’s Cabin was banned in the South because it forced them to confront slavery. Upton Sinclair’s The Jungle was smeared by industrialists for revealing the cruelty of unregulated capitalism. Protest music of the 1960s and artists like Bob Dylan and Pete Seeger were condemned as “unpatriotic” by the same crowd that called Dr. King a radical.

When art tells the truth, power always howls.

Today the same pattern repeats. The same rightwing billionaires funding “outrage” over this film are working to silence teachers, censor libraries, and rewrite history to protect privilege. They fear a nation that can still feel empathy; they fear what happens when people start asking why power serves so few.

One Battle After Another is not a call to arms. It is, instead, a warning about what happens when corruption becomes normal and compassion becomes rare. It asks us to look at the machinery of cruelty and decide whether we’ll stand by or resist. That choice is the same one that generations before us have faced.

If this film makes people uncomfortable, that’s its purpose. Democracy doesn’t survive by comforting the powerful. It survives when ordinary people demand justice and truth, even when it stings.

One Battle After Another will be called divisive by those who profit from division. They’re wrong. The real division in this country is between those who believe art should serve power and those who believe art should challenge it.

I stand with the challengers, because when we fall silent, we serve power; when we speak, we hold it to account.

American Politics

Heather Cox Richardson from Letters from an American <heathercoxrichardson@substack.com> 

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On October 9, President Donald J. Trump’s office issued an official proclamation declaring Monday, October 13, “Columbus Day.” The proclamation says that the day is one on which “our Nation honors the legendary Christopher Columbus—the original American hero, a giant of Western civilization, and one of the most gallant and visionary men to ever walk the face of the earth. This Columbus Day, we honor his life with reverence and gratitude, and we pledge to reclaim his extraordinary legacy of faith, courage, perseverance, and virtue from the left-wing arsonists who have sought to destroy his name and dishonor his memory.”

The proclamation goes on to present a white Christian nationalist version of American history, with much more emphasis on Christianity than Trump’s previous, similar proclamations. It claims that Columbus was guided by a “noble mission: to discover a new trade route to Asia, bring glory to Spain, and spread the Gospel of Jesus Christ to distant lands.” “Upon his arrival,” it says, “he planted a majestic cross in a mighty act of devotion, dedicating the land to God and setting in motion America’s proud birthright of faith.”

“Guided by steadfast prayer and unwavering fortitude and resolve,” it goes on, “Columbus’s journey carried thousands of years of wisdom, philosophy, reason, and culture across the Atlantic into the Americas—paving the way for the ultimate triumph of Western civilization less than three centuries later on July 4, 1776.”Then the proclamation turns to MAGA’s complaints about modern revisions of this triumphalist history, saying: “Outrageously, in recent years, Christopher Columbus has been a prime target of a vicious and merciless campaign to erase our history, slander our heroes, and attack our heritage.” Our nation, the proclamation says, “will now abide by a simple truth: Christopher Columbus was a true American hero, and every citizen is eternally indebted to his relentless determination.”

This proclamation completely misunderstands the fifteenth-century world of expanding European maritime routes that entirely reworked world trade—including trade in human beings—and the role of Italian mariner Christopher Columbus, who worked for Spain’s monarchs Ferdinand and Isabella, in that expansion.

It also misses what historians call the “Columbian Exchange”: the transfer of plants and animals between the Americas and the “Old World”—Europe, Asia, and Africa—after Columbus’s first landfall in the Bahamas in 1492. That exchange went both ways and transformed the globe, but its effect on the Americas was devastating. When Columbus and his sailors “discovered” the “New World,” they brought with them both ideologies and germs that would decimate the peoples living there.

Estimates of the number of Native people living in North America and South America in 1490 vary widely, but there were at least as many as 50 million, and possibly as many as 100 million. In the next 200 years, displacement, enslavement, war, and especially disease would kill about 90% of those native peoples. Most historians see the destruction of America’s Indigenous peoples as the brutal triumph of European white men over those they perceived to be inferior.Historians are not denigrating historical actors or the nation when they uncover sordid parts of our past. Historians study how and why societies change. As we dig into the past, we see patterns that never entirely foreshadow the present but that give us ideas about how people in the past have dealt with circumstances that look similar to circumstances today. If we are going to get an accurate picture of how a society works, historians must examine it honestly, seeing the bad as well as the good. With luck, seeing those patterns will help us make better decisions about our own lives, our communities, and our nation in the present.

History is different from commemoration. History is about what happened in the past, while commemoration is about the present. We put up statues and celebrate holidays to honor figures from the past who embody some quality we admire.

The Columbus Day holiday began in the 1920s, when a resurgent Ku Klux Klan tried to create a lily-white country by attacking not just Black Americans, but also immigrants, Jews, and Catholics. This was an easy sell in the Twenties, since government leaders during the First World War had emphasized Americanism and demanded that immigrants reject all ties to their countries of origin. From there it was a short step for native-born white American Protestants to see anyone different from themselves as a threat to the nation.

The Klan attacked the Knights of Columbus, a Catholic fraternal organization. Klan members spread the rumor that one became a leader of the Knights of Columbus by vowing to exterminate Protestants and to torture and kill anyone upon orders of Catholic leaders.

To combat the growing animosity toward Catholics and racial minorities, the Knights of Columbus began to highlight the roles those groups had played in American history. In the early 1920s they published three books in a “Knights of Columbus Racial Contributions” series, including The Gift of Black Folk by pioneering Black sociologist W.E.B. Du Bois.

They also turned to an old American holiday. Since the late 1860s, Italian Americans in New York City had celebrated a “Columbus Day” to honor the heritage they shared with the famous Italian explorer. In the 1930s the Knights of Columbus joined with media mogul Generoso Pope, an important Italian American politician in New York City, to rally behind the idea of a national Columbus Day. In 1934, President Franklin Delano Roosevelt, aware of the need to solidify his new Democratic coalition by welcoming all Democratic voters, proclaimed Columbus Day, October 12, a federal holiday. In 1971 the day became unfixed from a date; it is now the second Monday in October.The Knights intended for Columbus Day to honor the important contributions of immigrants—and Catholics—to American society. But in the 1960s a growing focus on the lives and experiences of Indigenous Americans forced a reckoning with the choice of Columbus as a standard bearer. Currently, seventeen states and the District of Columbia use the official holiday to celebrate Indigenous history. Some Oklahoma tribal members simply use the day to honor their tribe.

As society changes, the values we want to commemorate shift. In the 1920s, Columbus mattered to Americans who opposed the Ku Klux Klan because celebrating an Italian defended a multicultural society. Now, though, he represents the devastation of America’s Indigenous people at the hands of European colonists who brought to North America and South America germs and a fever for gold and God. It is not “left-wing arson” to want to commemorate a different set of values than the country held in the 1920s.What is arson, though, is the attempt to skew history to serve a modern-day political narrative. Rejecting an honest account of the past makes it impossible to see accurate patterns. The lessons we learn about how society changes will be false, and the decisions we make based on those false patterns will not be grounded in reality.

And a society grounded in fiction, rather than reality, cannot function.—

Notes:https://www.whitehouse.gov/presidential-actions/2025/10/columbus-day-2025/https://www.pewresearch.org/short-reads/2025/10/07/columbus-day-indigenous-peoples-day-or-just-a-regular-monday-it-depends-on-where-you-are/https://www.presidency.ucsb.edu/documents/proclamation-2101-columbus-dayhttps://www.kofc.org/en/news-room/columbia/2020/july/kofc-racial-equality.html

Joyce Vance from Civil Discourse <joycevance@substack.com> Unsubscribe

Are We the Nazis Now?

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Are We the Nazis Now?

How do we meet this moment?

Joyce Vance Oct 13 READ IN APP 

It’s hard to watch. People being treated like they are less than human because of their perceived immigration status. Like this six-year-old girl.

In early October, federal agents with Border Patrol, the FBI, and ATF arrested 37 people in a raid on a Chicago apartment building at 7500 S. South Shore Drive. They banged on residents’ doors overnight, according to a report in the Chicago Sun Times, “pulling men, women and children from their apartments, some of them naked, residents and witnesses said.” A witness said she saw “agents dragging residents, including kids, out of the building without any clothes on and into U-Haul vans,” and that “kids were separated from their mothers.” DHS claimed the neighborhood was “a location known to be frequented by Tren de Aragua members and their associates,” but offered no evidence in support and didn’t confirm that any of those arrested were members of the Venezuelan gang.

Earlier this month, at West Loop Elementary School in Chicago, Illinois, ICE was forced to release two sisters it pulled out of their car at a school pick up, because they have legal status under DACA. But that didn’t stop the masked agents, captured on video by a quick-thinking teacher, from surrounding the car and smashing its windows before dragging the two out. One of the sisters cried out her name and where she lived to bystanders, an apparent effort to prevent being “disappeared” into ICE custody.

It is already horrible enough. But we read The Diary of Anne Frank in school. Among the book’s important lessons is that where things start is not where they end up. Bad can become worse in the blink of an eye. The propaganda used to dehumanize people, combined with fear, social pressure, and denial, can have devastating results. People who think it’s too dangerous to speak out may decide to take the path of least resistance and turn a blind eye, hoping it will stop. But a government that is already willing to commit the outrages we are observing is unlikely to do so. Fascism, as it did in Europe during World War II, takes its toll.

To be clear, we are already past the point where it’s only people in the U.S. without legal immigration status who are at risk.In Portland, Oregon, on October 5, ICE agents threatened to arrest and kill an ambulance driver. The incident is documented by witness reports filed with the ambulance crew’s employer and its union by different individuals, as well as 911 calls, dispatch reports, and emergency communications. The ambulance was called to the ICE office to treat an injured protester, but agents refused to let the ambulance leave once the patient was loaded. When the driver put the vehicle into park, it rocked forward, and an agent responded angrily, saying the ambulance driver tried to hit him. The driver reported that “they were not only accusing me of such a thing, but crowding and cornering me in the seat, pointing and screaming at me, threatening to shoot and arrest me, and not allowing the ambulance to leave the scene. This was no longer a safe scene, and in that moment, I realized that the scene had not actually been safe the entire time that they were blocking us from exiting, and that we were essentially trapped.”

A video filmed in September that recently went viral shows ICE firing on protestors and hitting Presbyterian minister David Black in the head with a pepper ball. The minister, who was injured, is now suing. DHS Assistant Secretary Tricia McLaughlin tweeted that the shooting was justified because “What this clipped video doesn’t show is that these agitators were blocking an ICE vehicle from leaving the federal facility—impeding operations.” Apparently, the new standard operating protocol is that if an ICE agent decides you’re in the way, they can shoot you. “If you are obstructing law enforcement, you can expect to be met with force,” she concluded her tweet, complaining that the minister had “flipped the bird” at Secretary Noem the previous week.

There are now so many of these stories flooding the country, and they come with such rapidity, that it’s impossible to keep up with all of them. In other words, these incidents aren’t the exceptions. They aren’t unusual. And there’s every indication that they are tolerated, even encouraged, by Trump’s machine.

Trump promised he’d deport violent criminals. Instead, ICE is going after legal residents and terrorizing children. The message: if you’re an American citizen, don’t exercise your First Amendment rights unless you want to become a target too.

A PBS Newsletter story titled “Immigration agents become increasingly aggressive in Chicago” reported on actions that include: Storming an apartment complex by helicopter as families slept. Deploying chemical agents near a public school. Handcuffing a Chicago City Council member at a hospital … ‘They are the ones that are making it a war zone,’ Illinois Gov. JB Pritzker said Sunday on CNN. ‘They fire tear gas and smoke grenades, and they make it look like it’s a war zone.’”

The Bulwark’s Tim Miller interviewed George Retes, another U.S. citizen. Retes was detained by ICE for three days, two of which he says he spent in solitary confinement. Retes said the conditions he was kept in were dehumanizing. He was given only a hospital dress to wear, the lights remained on 24 hours a day, and he was under constant observation through a glass door.

One of the most chilling comments following that raid on the Chicago apartment building came from a woman named Pertissue Fisher, an American citizen who lives in the building. She said the agents rounded up people, including her, and only asked questions later. “They just treated us like we were nothing,” Fisher said. That’s how federal agents, who took oaths to uphold the law, are behaving under this administration. And no one in the administration seems in the least bit concerned about it.

We aren’t even better off in the ways Trump promised. Deporting school kids doesn’t make us safer. Americans don’t want the jobs that aren’t being done in immigrants’ absence. The Labor Department warned in “an obscure document filed with the Federal Register last week that the near total cessation of the inflow of illegal aliens” is threatening “the stability of domestic food production and prices for U.S. consumers.”

But beyond the absence of benefits from this administration’s mass deportations, it’s the absence of humanity we see around us that threatens us the most. People who aren’t criminals are thrown to the ground. People are treated with a lack of respect for their basic human dignity. Many of them are hard-working folks who want to be able to love this country and give back because of the opportunity it gives them and their families. Instead, a president who is the son of immigrants and has been married twice to immigrants has become the face of nationalism, using hate and horror to expand his control over people, both American citizens and immigrants, on American soil. Are we the Nazis now?

What’s certain is this: No matter where Donald Trump wants to take this country, you and I are not going along for the ride. On Friday, House Speaker Mike Johnson said that the No Kings rally on Saturday was a “hate-America” rally. He said the people attending would be “the pro-Hamas wing” and “the antifa people.” He’s wrong. We are, in the best tradition of America’s Greatest Generation, truly anti-fascist. And in 2025, anti-fascism begins at home, because we love this country and we believe in democracy. We’re ready.

We’re in this together,

Joyce


Joe Biden’s post
fromFacebook


Joe Biden 

I am deeply grateful and relieved that this day has come – for the last living 20 hostages who have been through unimaginable hell and are finally reunited with their families and loved ones, and for the civilians in Gaza who have experienced immeasurable loss and will finally get the chance to rebuild their lives.

The road to this deal was not easy. My Administration worked relentlessly to bring hostages home, get relief to Palestinian civilians, and end the war. I commend President Trump and his team for their work to get a renewed ceasefire deal over the finish line.

Now, with the backing of the United States and the world, the Middle East is on a path to peace that I hope endures and a future for Israelis and Palestinians alike with equal measures of peace, dignity, and safety.

National Film and Sound Archives

The National Film and Sound Archives has been one of my favourite places to visit. Many years ago, the somewhat creaky displays and crackling soundtracks listened to on large earphones, sitting on stools in front of the display, were of old (very old) radio (wireless) soap operas – “When A Girl Marries” and “Doctor Paul” from America, and our own wonderful “Blue Hills” by Gwen Meredith with its familiar introduction (reminding us that what we were hearing was number…of so many episodes) and its haunting music. Dad and Dave were there, old films giving credit to Dotty Lyall and her ilk and fascinating sounds of hoof beats made by coconut shells etc.

These memories naturally had to make way for newer material’ perhaps A Country Practice featured; this must have been a period in which I visited less frequently. However, what I do recall was that although different, the exhibitions were interesting, numerous and well worth a visit.

On the most recent occasion I visited, two weeks ago, my disappointment was profound. Unfortunately, I see that disappointment echoed in some of the reviews. There was little on display, and the lack of interactive displays of a high standard was a real low point. Although there were tablets accompanying many of the historic displays in the library, these were very ordinary indeed. The posters of well-known Australian films showed that they had been successful overseas. A historic film of Perth showing bread deliveries to houses, The Daily News (long defunct) being delivered, lovely scenery along the Swan River and the old ferries was interesting. However, where was the list outside the theatre advertising this, and the other films that could be seen during a visit?

The ‘star’ of the exhibitions was the installation, Step into Inferno, an audiovisual installation by Paris-based Australian artist, Mikaela Stafford. This was commissioned by the NFSA and created in response to Stafford’s experience as a resident artist.

This was certainly worth viewing. The NFSA site suggests that there is a great deal of activity, films and events taking place at the NFSA. However, there was little evidence of that during our visit.

On the other hand, the information on the NFSA site was extensive, informative and showed what interesting films are being shown in the ARC Cinema. An example appears below:

A Day at the Movies: Send Me No Flowers (Dementia Friendly)

Dementia Friendly Screening Sun 19 Oct 10:15 AM Arc Cinema

Allocated Seating

 102 Mins

1964 | DCP | USA |D: Norman Jewison

George (Rock Hudson) and Judy (Doris Day) are a happily married middle-aged couple. When hypochondriac George overhears his doctor discussing a terminally ill patient on the phone, he mistakenly believes that he is the one who is dying and that his days are numbered. In a panic, George enlists the help of his friend Arnold (Tony Randall) to find a new husband for Judy. The two friends begin searching for suitable candidates and eventually settle on Bert (Clint Walker), a successful businessman and an old flame of Judy’s. However, George’s strange behavior leads Judy to suspect that he is hiding an affair.

Based on the stage play of the same name, this delightful romantic comedy is the third and final film that stars Hudson, Day, and Randall together.
 
A Day at the Movies is the NFSA’s exciting new dementia-friendly film program for cinema-lovers, designed for the enjoyment and comfort of people living with dementia, and their families, friends, carers and companions. The screenings are brought to you by film and media experts Dr Jodi Brooks (Project Lead, University of New South Wales), Dr Fincina Hopgood (University of New England), and independent screen culture and audience development specialist Karina Libbey.

An initiative of the ACT Government, the program is funded by the ACT Government and aligns with its Age-Friendly City Plan. A Day at the Movies receives in-kind support from the National Film and Sound Archive (Venue Partner), Carers ACT, Dementia Australia, the ACT Ministerial Advisory Council on Ageing and Bulla Dairy Foods.

A 10% discount is available on paid tickets for group bookings of 6 or more people. Carers receive a free ticket, courtesy of Carers ACT, and all attendees can enjoy a complimentary Bulla ice cream. For more information, please visit nfsa.gov.au/dementiafriendly, call 02 6248 2000 or email enquiries@nfsa.gov.au.

Event timings
10:15 AM Welcome! Join us for tea and coffee in the courtyard
10:25 AM Take your seat in Arc Cinema
10:30 AM Feature presentation: Send Me No Flowers (with introduction)
11:30 AM Intermission (10 minutes)
 12:30 PM Socialising and afternoon tea in the courtyard
 1:15 PM Event concludes

For more information on A Day at the Movies and dementia-friendly screenings at NFSA, visit nfsa.gov.au/events-experiences/dementia-friendly-screenings

For additional information about accessibility and planning a visit to the NFSA, visit nfsa.gov.au/visit-us

And, behind the many ‘Staff Only’ doors the work of the archive continues. I just wish more of the marvellous changes in radio, television and film that have taken place since the beloved “Blue Hills” was the star of the exhibition were on display for visitors to see on unplanned visits.

Week beginning 8 October 2025

Danielle Leavitt, By the Second Spring Seven Lives and One Year of the War in Ukraine, Farrar, Straus and Giroux, May 2025.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Danielle Leavitt’s enterprise is an important part of recognising Ukrainians as other than ‘faceless war people.’ In her introduction she makes an important beginning toward achieving this purpose by describing the Ukrainian people she has met through living in Ukraine for part of each year since she was twelve years old. Until she began this book, where she records the information from seven Ukrainian’s diaries, her recall was of their humour, folk songs, ‘selling lingerie in underground walkways’ and, one of their pleasures, strolling. Leavitt spent a year assembling information from Ukrainians who wrote diaries, some spasmodically, others more consistently, of their experiences in the first year of the war.

Leavitt uses the diary entries from seven of these authors. Anna is eighteen and a police cadet; Maria is in her mid-twenties from Mariupol whose husband was defending the city during this period; Polina was living in America and returned to Ukraine with her American husband to help; Tania runs a pig farm and remains in her village during the invasion; Vitaly owned a coffee shop near Kyiv; Volodymyr was an engineer at Chernobyl and became a writer and film maker in the 1980s; and Yulia is a middle aged woman, skilled in handicrafts, from a small town in Donetsk.

The book is in five parts, following the seasons from the first winter to the second spring. Each story combines the Ukrainian diarist’s individual account and the judicious introduction of events around that account. For example, events in Vitaly’s life, before and after the outbreak of war are combined with an account of the historic relationships between Ukraine and Russia. This makes excellent reading, particularly for those who know little of Ukrainian and Russian history. At the end of the first part of Vitaly’s story, he has opened his coffee shop, an accomplishment based on his financially successful recycling business. Maria’s story resonates with its domestic detail, and then the plunge into the effects of the invasion. Here, too there is a political background provided, so again there is a rich amalgam of domestic and personal information and the political context to this new example of Russian intransigence.

Part 5 begins with Tania’s story of the liberation of her area, but the never-ending deprivation of living in what had been a war zone. At the same time, there is evidence that life proceeds with work and domestic tasks vying for attention and energy. Yulia’s narrative is an amazing insight into the way in which she began rehabilitation after being fitted with a prosthetic leg. Polina and her husband continue with their aid projects. But at the same time the narrative considers the wider population, the despair, and at the same time proceeding with lives that at times ignore the war.

It is the weaving together of the personal and domestic, the political and historical, war and yet the sometimes-ordinary way in which people lead their lives, which makes this book a truly valuable read. Leavitt’s interviews with the Ukrainians whose narratives are central to the book, together with interviews with their families and friends, and moving further afield, anecdotes from other Ukrainians, achieves her purpose. She gives Ukrainians, their lives prewar and during the invasion import, they become known. Providing an historical context is another feat that Leavitt has accomplished with skill – it becomes accessible. Leavitt has produced an important work, maintaining Ukraine and Ukrainians in the public eye as so much of the story fades from the television screens. I found By the Second Spring a heartrending and an inspiring read.*

*Although the review appears at Books: Reviews, I also wanted to print it in full here. It is an important book.

Kimberly Heckler A Woman of Firsts Margaret Heckler, Political Trailblazer Foreword by Jean Sinzdak, The Globe Pequot Publishing Group, Inc. | Lyons Press, February 2025.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

This biography not only covers the period in which five presidents, from different parties were elected (Johnson, Nixon, Ford, Carter, and Reagan) but when Sandra Day O’Connor and Ruth Bader Ginsberg made their mark on the Supreme Court. It would have been appealing without this context, but the additional information makes this biography exceptionally engaging. Of course, this context is only relevant to Margaret Heckler’s public life – her private life, including her upbringing with distant parents, her passion to do well and her marriage are also relevant. To have accomplished so much, to have been a loving and successful wife and mother, and to have made such a distinctive career makes for an absorbing read. Kimberly Heckler’s biography is the very readable story of a woman, as in the title, of firsts. See Books: Reviews for the full review.

Inside Story – Books & arts – Zachary Gorman 

June 16 2025.

Millicent Preston Stanley’s vocation

The first woman elected to NSW parliament used any means possible — from petitions to theatrical melodrama — to advance her causes

Politics as public service: Millicent Preston Stanley c. 1952. Mitchell Library, State Library of New South Wales

Though the Liberal Party’s “women problem” might seem perennial, the conservative side of Australian politics could once boast of being at the vanguard of female parliamentary representation — with the important caveat that Australia was never as advanced on this issue as we were with our early granting of female suffrage.

Eight of the first ten women elected to federal parliament were Liberal Party members, with one of the remainder being the Independent Labor MP for the Victorian seat of Bourke, Doris Blackburn. Likewise, almost every woman to achieve the honour of being the first elected to each of our nation’s state parliaments sat on the centre-right of the political divide. The sole exception was a Tasmanian, Margaret McIntyre, who was elected to the Legislative Council in May 1948 as a true independent, only to be tragically killed in a plane crash less than four months later.

But, as Wendy Michaels shows in A Battle-Axe in the Bear Pit, her new biography of the NSW record-holder Millicent Preston Stanley, these conservative trailblazers hardly received the consistent support of their male colleagues. That support was even less forthcoming and reliable a century ago — when “Miss” Preston Stanley became one of the members for the multiseat Eastern Suburbs electorate in 1925 — than it is today.

A full-length biography of Millicent, as the author refers to her subject throughout, is long overdue. Not only did she crash through the gender barrier in our oldest parliament and most populous state; as founder of the Australian Women’s Movement Against Socialisation, or AWMAS, she also led a national campaign that may well have tipped the scales towards Robert Menzies at the watershed federal election of 1949 — and thus altered the course of Australian political history. That Millicent did so by deliberately keeping her organisation separate from the newly formed Liberal Party tells you all you need to know about her experience of dealing with patriarchal party machines. See Further Commentary and Articles arising from Books* and continued longer articles as noted in the blog for the complete article.

A Battle-Axe in the Bear Pit: Millicent Preston Stanley MP
By Wendy Michaels | Connor Court | $29.99 | 250 pages

Jilly Cooper cutting the cake at the Pym Society 25th anniversary celebration in 2019. We’ll miss her.

From: The Reality behind Barbara Pym’s Excellent Women The Troublesome Woman Revealed ‘Pym and Jilly Cooper express[ed] a mutual interest in their meeting at Hatchard’s 1979 Authors of the Year party. Despite the sharp difference in their writing, Cooper refers to having ‘nearly fainted with excitement to see two sweet-faced women standing smiling, slightly apart from the mob.  It was Barbara and her sister Hilary.  Rushing over, I only had time to stammer out a few words of gratitude’ (Jane and Prudence, Forword 2007, xi).  In the preface to the Virago publication of Jane and Prudence Cooper refers to Pym as her favourite author, replacing ‘Nancy Mitford, Georgette Heyer and even Jane Austen’ (JP, 2007, p.vi).  In the same year, Cooper published Class, which Harrison Solow suggests explains much of Pym’s characterisation. Cooper’s humorous non-fiction assessment of class in part explains some of Pym’s descriptions, but Pym also uses her observations to effect their own subversive comedy.’

Art Gallery of New South Wales

After a short walk around the permanent exhibitions, we walked across to the new gallery where the Yolŋu power the art of Yirrkala is exhibited. This gallery is beautifully lit and a fitting site for the sublime exhibition we were so fortunate to be able to visit. If I am in Sydney again before it closes, another viewing would be wonderful.

From the gallery site:

‘For almost 100 years artists at Yirrkala have shared art as a means of cultural diplomacy – as a respectful assertion of power in its diverse forms, from sovereignty to influence, authority and control, to energy, strength and pride.

Yolŋu power: the art of Yirrkala showcases the extraordinary artists of Yirrkala in north-east Arnhem Land, Northern Territory, and the power of their art from the 1940s to the present. The exhibition considers the significant moments in Yirrkala’s history when artists have consciously altered their practice, developed new styles or embraced new mediums. In covering multiple generations, the exhibition highlights familial connections and cultural continuation. It also contextualises the work of individual artists within the broader school of artists from Yirrkala and surrounding Miwatj Country, whose contribution to both Australian and, increasingly, international art, is profound.

This exhibition is accompanied by a comprehensive publication which offers a range of perspectives on the art of Yirrkala, from the use of art as activism to the role of cultural inheritance and the development of the art movement that has emerged from this significant community.

The exhibition is presented in partnership with the Indigenous art centre in Yirrkala, Buku-Larrŋgay Mulka.’

Some of the artists exhibited above, and two detailed works, as exhibited above.

More from this magnificent exhibition next week.

The Talented Mr Ripley

The Talented Mr Ripley was marked by the high-quality script. Joanna Murray-Smith treated Patricia Highsmith’s novels with the respect they deserve. The acting was excellent, but for me Murray -Smith’s script was the highlight. She was true to the novels, ensuring that the reprehensible feelings upon reading Tom Ripley’s life of murder, fraud and duplicity were duplicated while watching the play – we wanted him to get away with it! Some observations on ethical fiction appear below. This article was first published in the Women’s History Network blog.

Ethical Fiction: Essential? Desirable? Irrelevant?

Robin Joyce

‘We often need literature to make our feelings intelligible to us.’

 Joanna Trollope, The Rector’s Wife

Part 1

The strong response to a readers’ blog asking for examples of ethical fiction, a list of topics under the title of ethical fiction and recent commentary suggests that ethics in fiction is a matter of interest. However, it is quite uncommon for mainstream reviewers to use ethics as a criterion in judging fiction. The focus of debate about Gillian Flynn’s Gone Girl is unusual. Some see the novel as depicting women in a range of ways that undermine stereoptypes and therefore acceptable. Others find it unforgivably sexist. Yet others agree but say, ‘So what!’ What is ethical and whether ethical fiction is essential, desirable or even irrelevant is clearly a question rather than a given. Journalists have a code of ethics; documentaries are expected to be truthful and speculation acknowledged. In contrast, imaginary works are not controlled by such rules or expectations. Should they be? If they were, would fiction be spoilt? Would novels primarily concerned with ethics risk becoming merely didactic? If novels are unethical do they encourage their readers to be unethical too? Does unethical fiction create an unethical society? Does ethical literature contribute to an ethical society?

The value of ethical fiction is partly in its role in bringing a critical reading to unethical fiction. Ethical fiction also has an important role in providing readers with a multifaceted way of looking at the world. While accepting not all fiction must be ethical, it seems there is an argument for it being a desirable factor in the range of available fiction. Although it would be ideal to be able to demonstrate the impact of ethical fiction to my knowledge research is limited.  

However, ‘Why fiction is good for you. The beautiful lies of novels, movies, and TV stories have surprisingly powerful effects — and may even help make society tick’ does   ask questions about the value of fiction: is it ‘good for us?’ Is it ‘mentally and ethically corrosive?’ ‘Does fiction build the morality of individuals and societies, or does it break it down?’ Gottshall argues that recent research shows that fiction has an influence. The more involved the reader becomes in the story, the more influential it becomes.  It is suggested that non-fiction increases a reader’s imperviousness to argument and evidence but the ‘intellectual guard’ is dismissed by the reader of fiction. Gottschall argues:

perhaps the most impressive finding is just how fiction shapes us: mainly for the better, not for the worse. Fiction enhances our ability to understand other people; it promotes a deep morality that cuts across religious and political creeds… So those who are concerned about the messages in fiction — whether they are conservative or progressive — have a point. Fiction is dangerous because it has the power to modify the principles of individuals and whole societies. [1]

Speculation about the dangerous influence of fiction has a long history, as has the classification of the novels to which I refer as ‘ethical’. [2] John Tinnon Taylor’s Early Opposition to the English Novel The Popular Reaction from 1760 to 1830 (first published in 1943) deliberates on the history. Some early concern was with the newness of the form. Parallel criticism of novels was a rather sneering attitude to novels, novelists and their readers. Typical was Hannah More’s apprehension about the practice where groups of women listened to one woman reading “mischievous” books to them while they worked. However, readers also often hid their eagerness to read novels.  However, circulating libraries led to an even wider dissemination of novels and it became clear that scorn had been unsuccessful in dampening readers’ enthusiasm. Condemnation of the influence of reading fiction increased.

Similar to contemporary debate about the type of literature young people should read, early discussion about the influence of popular works presented two alternatives. Was reading fiction likely to develop an interest in reading or was it more likely to undermine readers’ morals? Arguments about whether women would be harmed or would benefit from reading novels women were associated with those about whether women should be educated. Women readers were also accused of taking fiction more seriously than household duties, crying over the imaginary ills of novelists’ characters and ignoring their children’s needs. In the main the romantic notions in fiction were seen as the problem. However, more in keeping with the ethical novels that will be discussed in part 2, some were also seen as promoting what was seen as unusual behavior, that is, using fiction as a reference for moving outside the social mores affecting women.  

Was reading fiction likely to develop an interest in reading or was it more likely to undermine readers’ morals? Arguments about whether women would be harmed or would benefit from reading novels women were associated with those about whether women should be educated. Women readers were also accused of taking fiction more seriously than household duties, crying over the imaginary ills of novelists’ characters and ignoring their children’s needs. In the main the romantic notions in fiction were seen as the problem. However, more in keeping with the ethical novels that will be discussed in part 2, (See Further Commentary and Articles arising from Books* and continued longer articles as noted in the blog) some were also seen as promoting what was seen as unusual behavior, that is, using fiction as a reference for moving outside the social mores affecting women.  


[1]Jonathan Gottschall. Boston Globe (April 29, 2012)

[2] In this paper novels such as those referred to as social commentary or issues based are subsumed under the description ‘ethical’.  This description fosters the idea that novels that address issues or are usually described as social commentary are integral to all our lives, rather than works that are somehow apart from their readers.

[3]Jonathan Gottschall. Boston Globe (April 29, 2012)

[4] In this paper novels such as those referred to as social commentary or issues based are subsumed under the description ‘ethical’.  This description fosters the idea that novels that address issues or are usually described as social commentary are integral to all our lives, rather than works that are somehow apart from their readers.

Week beginning 1 October 2025.

Mark Splitstone, Für Elise, Girl Friday Productions | Amalgam Books, May 2025.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Für Elise is sensitive and thoughtful, written in a deceptively simple style which is at times almost stilted. However, it is this writing style that is the key to the cleverness of the novel. Hans’s and Elise’s relationship is stilted, at its beginning when both are shy young musicians meeting through their music in Dresden and later when Hans returns after years in a Russian POW camp. The dissonance continues in their coming from markedly different social environments and is accentuated through their living in a city renowned for its beauty, and the impact of war upon that beauty. Dresden’s destruction is reflected in the couple’s relationship which is also broken by the war. When Hans leaves Dresden to fight for Germany for a vision he only haltingly follows he is damaged by his experiences. So, too, is Elise.

Throughout the novel Nazi ideology also creates dissonance ranging from quiet, short comments and questioning between the two as they forge a relationship to the more vigorous questioning by Hans’s father. The hesitant, questioning acknowledgement that they all live in a world of fear, irrational bigotry and demands, at the same time as going about their lives as members of families, a workplace or school, and a social environment is also portrayed not only by the content by the writing.

Hans is a sensitive and shy musician; Elise is a little more forthcoming. Their relationship eventually prospers despite the problems of social differences. However, when Hans returns from Russia, he recognises that he and Elise need to find a way back to each other. Their lives in communist Germany, east of the wall are contrasted with that of Hans’s POW friend who chose to go to the West. Sometimes familiarity is not the answer, and the development of Hans’s and Elise’s relationship in the rubble of Dresden recognises this. See the complete review at Books: Reviews.

Minka Kent, The Perfect Roommate, Thomas & Mercer, June 2025.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

The Perfect Roommate cleverly combines a crime with reflection on social mores that define character and class. Although none of the characters is particularly appealing, they are interesting enough to maintain the focus that is the strength of any plot – keeping readers wondering about what happens next. In addition, there is unexpected warmth between characters, some honest, some not so honest. Nevertheless, the depiction of relationships, while being a device to provide motivation to the characters, is a thoughtful way to sharpen the portrayal of the roommates, Meadow and Lauren; their parents, Lauren’s friends, Tessa and Thayer, and Elisabeth, Meadow’s employer/friend and her husband, Professor Bristowe. Set in a university town, it could be expected that the students have their minds on their future careers. For others this is not the case at all. See the complete review at Books: Reviews.

British Politics

LABOUR LIST – journal of the British Labour Party

‘Is feminism “back” at the Foreign Office?’

Dorothy Sang

25th September, 2025, 6:00 am

Yvette Cooper’s appointment as Foreign Secretary presents a critical moment for the UK – a chance to revive leadership on women’s rights and gender equality at a time when both are under assault globally. The last few years have shown how political choices can actively undermine progress, and the importance of a strong UK response. 

Geopolitics have rocked our security and economic landscape, and what seemed like a resolute stance and prioritisation on gender equality at the beginning of Labour’s premiership, has very quickly unravelled. During his time overseeing aid and foreign policy priorities, David Lammy presided over cuts to the UK aid budget and a de-prioritisation of gender equality within the remaining funds. While understanding these decisions were not lightly taken, they are also not abstract.  They will directly jeopardise women’s rights organisations, the very groups delivering life-saving services and advocating for systemic change in some of the world’s most challenging contexts. From Afghanistan to Sudan, from Gaza to climate-affected communities in Nepal and Bangladesh, women and girls are facing the erosion of the support structures that uphold their rights and give them a chance to survive and thrive.

These decisions were made despite polling commissioned by CARE International UK that showed public support for funding women and girls’ rights remains strong, even in a context of cuts. By contrast, the decisions made under Lammy’s Foreign Office, reflect both a detachment from this public sentiment and the longstanding evidence of what works. Reducing the aid budget and deprioritising gender equality undermines the UK’s credibility as a defender of rights, diminishes its global impact, and signals a retreat from the principled leadership the world has come to expect.

Enter Yvette Cooper. Her career demonstrates both experience and a sustained commitment to women’s leadership. She has written extensively on amplifying women’s voices and the power of women to transform communities. But let’s be clear –  being a feminist in principle is not the same as being a feminist in practice. Cooper now has the tools, portfolio, and opportunity to translate feminist principles into action; to protect and expand funding for women’s rights organisations, integrate women’s leadership into humanitarian responses, and use UK diplomacy to push back against anti-rights actors globally.

Why does this matter? Because the rise in global misogyny and the growth of anti-rights actors is not just a social issue – it is a threat to global stability and security. Just as climate denial and anti-vaccine movements undermine public safety and international cooperation, attacks on women’s rights erode democratic institutions, fuel polarisation, and drive violence. Feminism in foreign policy is not optional; it is central to peace, resilience, and global stability.

The stakes could not be higher. A recent UN Women survey revealed that nearly half of women’s organisations working in crisis-affected areas risk shutting down within six months due to declining global aid. These are organisations that run life-saving services, provide legal and psychosocial support, and advocate for systemic change in countries where governments may be indifferent – or worse – to women’s rights. Without urgent intervention, decades of progress will be reversed.

The question now is whether, under Cooper, the UK will step up or continue to step aside. Feminism at the Foreign Office is not about slogans or token gestures. It is about principled, evidence-based leadership that recognises women and girls as drivers of change, not passive recipients of aid. It is being resolute that advancing gender equality is not just about women and girls, but about levelling up entire societies, unlocking progress and prosperity for all. It’s about shedding the notion that women’s rights is a fringe issue for the ‘woke’ – and instead reclaiming Britian’s proud legacy as the birthplace of the suffragette movement and decades of feminist

activism. It is about demonstrating, through the UK’s money, power and influence, that Britain will not abandon its commitments at a time when the world is watching.

Critically, Cooper must act with urgency. As the new Foreign Secretary, she has the opportunity to turn the tide. To restore funding, champion women’s leadership, and ensure that gender equality is woven into every corner of UK foreign and development policy. This is not a small ask. It will require political courage, strategic thinking, and the ability to navigate a world increasingly hostile to feminist progress. But it is achievable, and it is essential.

For those of us working alongside women’s rights organisations across the Global South, the message is clear: we are ready to work in partnership, but we need the UK to lead, not retreat. Standing with women and girls in crises is not charity. It is a strategic, evidence-based, and morally imperative approach that strengthens communities, bolsters stability, and reasserts the UK’s role as a global leader.

Yvette Cooper has a chance to make this moment count. The world – and millions of women and girls – will be watching.

Tom Watson Newsletter September 25, 2025

Tom Watson <tomwatsonofficial@substack.com>

Watching The Hack, remembering the fear

Tennant, Jones and Carlyle deliver; the show stirs old memories but skirts the hardest questions on accountability.

There is so much I want to tell you about ITV’s new drama, The Hack. It covers two stories that are linked by police corruption and tabloid criminality. I played a small role in investigating the scandal. I could tell you about the fear of retribution, the bewilderment as the scandal grew or the bleakly comic moments that happened along the way.

In the end, there is only one question that matters: Does Keir Starmer have courage?

Will he protect the Metropolitan police if it chooses to investigate a cover up? Will he back a contempt of Parliament inquiry to test new evidence that the company broke rules and undermined a Select Committee inquiry?

Or does he want it all to go away and, like so many before him, reach a venal accommodation with Murdoch’s lawbreaking company?

A story in this week’s Mail on Sunday may give you the answer. Political Editor Glen Owen claims, and I quote, “Morgan McSweeney lobbied organisers of the Donald Trump state banquet in order to secure an invitation for Rupert Murdoch, No 10 sources have said.” If you do not know him, Morgan is the Prime Minister’s chief of staff and closest adviser. He is having a difficult week but as far as I can see, he hasn’t denied the story.

Anyway, The Hack.

The Hack is gripping. Jack Thorne runs twin tracks, the Guardian investigation led by Nick Davies and the Met thread led by DCS Dave Cook, that converge on tabloid criminality and police corruption. David Tennant is sharp and restless as Davies. Toby Jones gives Alan Rusbridger quiet authority. Robert Carlyle brings flinty resolve to Cook. When the drama plays it straight, it has pace, purpose and moral clout. Dan Ryan plays the Brummie version of me. In case you’re asking, yes, I did find it a bit weird.

What I missed was the constant sense of threat we felt at the time, the fear. The drama glances at intimidation, legal muscle and cold, quiet warnings, but only in passing. Nor does it ask the obvious questions: why is Rebekah Brooks still chief executive of the UK arm of Murdoch’s company, and what does that say about accountability?

Still, if you want a good drama with excellent performances, I recommend it.

Australian Politics

PM addresses UN on climate, global action and Security Council seat

The New Daily
Sep 25, 2025, updated Sep 25, 2025

Prime Minister Anthony Albanese has used his debut speech to the United Nations to renew Australia’s bid for a seat on the UN Security Council.

Pushing the case for Australia, Albanese said the Security Council was a platform for middle powers and small nations to “voice – and achieve – our aspirations”.

“That is why Australia is seeking a place on the UN Security Council in 2029-30,” said Albanese on Thursday (AEST).

The security council bid, which was first launched by the Turnbull government in 2015, is supported by the Coalition.

But Opposition Leader Sussan Ley and foreign spokeswoman Michaelia Cash warned it could not detract from addressing pressures Australians faced at home.

“The Coalition will always back Australia’s national interest and we stand ready to work with the government in any way we can to help support Australia’s bid for a seat at the table,” they said in a statement.

US President Donald Trump has been leaning on America’s allies to pull more of their weight on the world stage amid a perception they are too reliant on US support.

Amid increasing US isolationism, Albanese warned that America could not be relied upon to uphold the international rules-based order on its own.

“The creation of the international rules-based order owes much to the post-war leadership of the United States of America,” Albanese told the UN General Assembly in New York.

“For the region Australia calls home, that stability has underpinned a generational economic transformation.

“But we cannot ask — and should not expect — any one nation to uphold the rules or guarantee the security on which all of us depend.”

Australia last had a non-permanent seat on the council in the 2013-2014 term — its fifth since the first UN session in 1946.

In a wide-ranging speech, Albanese also exhorted the world’s nations to co-operate with more action on climate change and peacekeeping.

Albanese called for an end to conflict in Gaza and Ukraine, and alleviating poverty and inequality.

His appeal for greater international co-operation comes with the US under Trump increasingly vacating its space as global leader and the rules-based order threatened by the rise of authoritarianism and regional conflict.

Albanese’s speech came a day after Trump delivered a fiery tirade in the same room, lambasting nations like Australia that have recognised Palestinian statehood and telling European leaders: “Your countries are going to hell.”

Trump has leaned on America’s allies to pull more of their weight on the world stage amid a perception they are too reliant on US support. Australia has so far resisted calls to lift defence spending from about 2 per cent to 3.5 per cent of gross domestic product.

The issue could be on the agenda when Albanese sits down with Trump in Washington on October 20, after months of back-and-forth to secure a face-to-face meeting.

The White House talks were announced before Albanese briefly met Trump and posed for a selfie with him at a reception for world leaders on Wednesday.

Albanese described their interaction as a “very warm and engaging chat”.

He said Australia was investing in defence, development and diplomacy in the Indo-Pacific region, where the US has entrusted it to stave off growing Chinese influence.

He said Papua New Guinea would soon become Australia’s newest ally, despite a recent bid to sign a mutual defence treaty unravelling during independence anniversary celebrations.

All nations, including middle and smaller powers like Australia, had to maintain faith in the institution of the UN by ensuring its principles were backed up with deeds, Albanese said.

“If the United Nations steps back, we all lose ground,” he said.

“If we give people reason to doubt the value of co-operation, then the risk of conflict becoming the default option grows.

“If we allow any nation to imagine itself outside the rules, or above them, then the sovereignty of every nation is eroded.”

Albanese urged the world to embrace clean energy, called for a ceasefire and release of hostages in Gaza, and supported the Coalition of the Willing’s efforts to secure peace for Ukraine on their terms.

But there was no mention of the pivotal AUKUS deal with the US and Britain, under which Australia is supposed to get US-made nuclear submarines.

The US is reviewing the three-country agreement to ensure it aligns with Trump’s “America first” agenda.

Albanese is due to meet his Sri Lankan counterpart and potentially sit down with Turkey’s strongman leader, Recep Tayyip Erdogan, on his last full day in the US. He then flies to London to meet British counterpart Keir Starmer and the King.

-with AAP

Bob McMullan

Could the Teals win Senate seats in an expanded parliament?

Important discussions are taking place within the government and before the Joint Standing Committee on Electoral Matters about increasing the size of the federal parliament.

I support increasing the size of the Senate representation of the states to 14 each with consequential changes to the size of the House of Representatives.

Such a large increase is caused by the nexus provision in the constitution which requires the House to be twice the size of the State Senate representation.

This remains one of the most counter-productive clauses in the Constitution, but that is an issue for another day.

However, any increased size of State Senate representation will have potential consequences for subsequent elections as it will significantly reduce the quota of votes required to elect a Senator.

It should make it easier for the Greens, One Nation and Jacquie Lambie to maintain their seats, although it will not necessarily enhance their chances of increasing their Senate numbers.

Given the upsurge in House votes for the Teals (that is, candidates supported by Climate 200) in every state it raises the question of the senate prospects of similar candidates.

The data shows that if the Teals make the right decisions and commit some resources it is possible, even likely, that the they could win several Senate seats.

Let’s look at the data from the last election and then at the decisions the Teals and their backers would need to make to bring this about.

In most of the mainland states the number of first preference votes won by Climate 200 backed candidates suggest that it is an achievable task to gain at least half a quota in an election for a seven seat Senate election. Once over half a quota the Teal-backed candidate would be favorite to win a seat.

In NSW the candidates supported by Climate 200 won 272,872 primary votes in the 11 House seats they contested in 2025. The 6th candidate elected to the Senate in NSW in 2025 was the One Nation candidate who won 302,438 votes or 0.42 quotas. A mere 1000 votes from each of the 35 seats Teal candidates did not contest in 2025 would see a Teal Senate election candidate with at least 307.000 votes or 0.45 Quotas. This would put the Teal Senate candidate ahead of One Nation for the 6th position and would certainly suggest a very good chance of winning one of 7 available seats in an enlarged parliament.

Nothing can be certain about future elections, but it is clear that there is a possible pathway to success for a Teal Senate candidate in NSW.

The situation in Victoria is a little more complex but should still be promising for a Teal Senate candidate in the right circumstances.

The 6th candidate elected in Victoria at the last election was a 3rd Labor candidate elected on 2.43 quotas. The 8 Teal candidates won 215,006 votes in their House seats which would have be sufficient to gain 0.40 of a quota in the Senate. Approximately 2500 votes per electorate in the remaining 30 seats would have led to 0.5 quotas. The highest vote for an unsuccessful party in the Victorian Senate election in 2025 was 0.31 quotas for One Nation. This would suggest a strong Teal candidate would be the favorite to win a 7th Senate seat in Victoria.

In Queensland the task would be more difficult although not impossible, but in WA and SA it might be slightly easier than in the larger states. The votes won by Kate Chaney in Curtin and Climate 200 supported candidates in seats like Forrest would be encouraging for a potential Teal Senate candidate in Western Australia. Although no Teal was elected in South Australia, the vote in Grey for example, in which the Climate 200 candidate won 18745 votes suggest a strong candidate would have a good chance in the Senate in South Australia, particularly given the parlous state of the South Australian Liberal party.

Tasmania is harder to judge because of the Lambie factor, but for seven seats in Tasmania the quota would be very small, almost certainly less than 50000 votes. The performance of Andrew Wilkie in Clark and Peter George in Franklin suggests this should be achievable for a strong Teal candidate.

I also support increased Senate representation for the Territories. Given David Pocock’s success and the continuing failure of the Liberals to appeal to ACT voters this could create a further opportunity for a Senate success for a Teal candidate.

So, it is obviously possible for a Teal candidate to win one or more Senate seats at the next election. It would be possible, but more difficult, even if the size of the parliament is not increased.

What would they need to do?

The data makes it important that Teal candidates run in more, preferably all seats. This could be based on only notional campaigns in many seats because very few votes should be necessary in the more difficult seats.

The ACT experience suggests that high profile candidates would also be a distinct advantage. They don’t all need to be David Pocock, but they would need to attract attention in the seats without strong House candidates.

What would not be necessary is a party structure. The current informal processes should be sufficient if the level of support can be maintained.

I am not advocating that Climate 200 and the Teals should take this step

That is up to them and has risks as well as benefits.

However, the current state of the Liberal party in every state and the low level of support for the Nationals in most states make it an intriguing possibility.

Cindy Lou in Sydney

Sydney abounds in coffee and breakfast places, and some of the really nice ones are near where we stay, or close to venues we visited, such as The Roslyn Packer Theatre – Basket Brothers (brisket bowl and chicken tacos after arrival, lovely service), 8 Ounce (great toast – two grain slices with lots of butter and vegemite, terrific service, excellent prices) Toast (pork and fennel roll, mushroom toasty, good menu efficiency and smiles), Brix Beans (great coffee, good service, nice choice of food, but on this occasion, coffee was enough).

Two excellent finds – Cruise on the harbour, the opposite side to the opera house; and at the NSW Art Gallery new building. Cruise offers indoor and out door seating, and we chose the comfortable outdoor lounges. The service is terrific, the menu is varied and from our experience served in generous portions and delicious. The venue and the dishes will be on our list for a return visit. The oysters were $7 each instead of the $7.50 and more at other nearby restaurants. The eggplant and pasta dishes made excellent sharing dishes.

Mod. Dining at the gallery was another restaurant to which we would happily return. The seating is indoors but the building is light and airy. The menu is another plus, and it was easy to share the sate chicken skewers, and crispy eggplant. With these we chose jasmine rice. Another dish that looked very appetising was the pumpkin salad. The beverage menu was extensive, and we had jasmine and ginger tea.

Both restaurants are on our list for the next time we visit Sydney.

On our last night in Sydney, we ate at Clarence and V, a tiny restaurant in Clarence Street. Although the restaurant was quite noisy, the table size and shape made conversation relatively easy. The food was delicious and very reasonably priced. We shared a salad (crisp, crisp lettuce, cucumber and olive slices) and split yellow pea dip with large pieces of fresh crusty white bread. The meals we chose were eggplant with lamb, courgette flowers with a lovely sauce, fish with a delicious lentil accompaniment (replacing beef cheeks which did not appeal to me) and beef and crushed potatoes. The servings are small, but the flavours are big. The dessert was delicious – and sharing between two was a good decision. Mint tea was served at the end of the meal. The service was friendly and helpful, and the mint tea was really appreciated. i would return.

One evening we went to dinner a ferry trip from Circular Quay. We didn’t see the sunset, but the ride affords views of the Harbour Bridge and the Opera House. Upon arriving at our destination, the sky through the tress was a delightful accompaniment to drinks on the balcony.

Next week’s blog will include the magnificent exhibition Yolŋu power: the art of Yirrkala at the Art Gallery of NSW, and the excellent adaptation of Patricia Highsmith’s novel, The Talented Mr Ripley, at the Roslyn Packer Theatre.