Week beginning April 10 2024

Melissa Clark Bacon Through Her Lens Atmosphere Press, April 2024.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Through Her Lens is accomplished storytelling with several threads that move smoothly through the narrative. Seamless links intertwine the past, romance, detailed searches on the ground and in the air for signs of the rumoured German V1s and V2s, a woman’s determination to give women in wartime the graphic history they deserve and her own fight against public and private discrimination. Lady Millicent Trayford is not always a sympathetic character, as her story lines are complex, but she provides a valuable central figure, the motivation for her actions is worth engaging with and she affords an insight into the way in which women’s personal aspirations can be complicated by public demands. The chapters are bounded by a Prologue and Epilogue, each adding an enlightening addition to the narrative. I particularly liked the description of Picasso’s Guernica in the Prologue and the clever way it established the foundation for so much in the rest of the narrative. See Books: Reviews for the complete review.

Louise Milligan Pheasants Nest Allen & Unwin, March 2024.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Louise Milligan’s thriller is set in familiar Australian territory, drawing on well-known murders in the Belanglo State Forest to establish a context and then moving beyond those fearful memories to provide her mystery with new locales. One of these is Pheasant’s Nest Bridge where strong winds often shake a car venturing across, sheer sides lead to ominous water, less well-known deaths of a sad and gruesome nature are referred to, and a metal cage has been built to discourage suicides. But, before the reader gets to these ominous events and descriptions the exuberant and attractive main character is introduced. See Books: Reviews for the complete review.

After Covid update: Louise Milligan and Amy Remeikis – Canberra Times Meet the Author; Secret London; NGA; Discover the best things to do in Canberra this June, July, and August; Australia’s next governor-general: Who is she, and what has been the reaction?; Farewell to the Sydney theatre that gave Baz Luhrmann his start.

Covid update for Canberra

There have been 252,271 cases of Covid in Canberra since March 2020. Between 29 March and 4 April 2024 there were 42 new cases (PCR), with 13 in hospital and 1 in ICU. None is ventilated. There has been one life lost, with 307 lives lost since March 2020.

Louise Milligan and Amy Remeikis: Canberra Times – Meet the Author

I mentioned this program of presentations recently as I had reviewed Kathy Lette’s The Revenge Club and then attended her Meet the Author session. Louise Milligan and Amy Remeikis presented a lively to and fro, with a focus on journalism rather than going into a great amount of detail about the book. However, Louise Milligan was enthusiastic about her move into writing fiction, and this came through the discussion about the pitfalls and disappointments of contemporary journalism as seen by the speakers.

The follow up scribe feature was excellent, appearing as it did in a continuing theme of the discussion. Prominent is Milligan’s current work on 4 Corners. Her description of the process undertaken by that program to ensure that anything that goes to air has been meticulously researched was impressive. Milligan is clearly as dedicated to producing well researched scrupulous programs of fact as the fiction that she has so successfully debuted with Pheasants Nest.

I certainly liked Milligan’s reference to the importance of reading novels when young. She referred to their formative value, impressing upon the audience the role of novels in creating an understanding of and appreciation of nuances. This arose in the context of the journalists’ discussion of the negative aspects of living up on one side or the other of a debate. This, it was averred, led to attacks on those who have a different viewpoint and a desire to pick holes in arguments. This criticism, it was noted, is not to devalue the role of further investigation. An example is the Brittany Higgins coverage, where the presumption of innocence has been used to attack the complainant. *

*This is my understanding of the discussion. A podcast of the discussion and questions is available.

Beautiful image from Secret London

London is just COVERED in cherry blossom: @steven.maddison

Also, from Secret London

A Breathtakingly Immersive Blossom Experience Arrives In London This Week, And It’s Completely Free To Visit

Be transported into this blooming lovely blossom-scape and experience the joyful illusion of petals raining down on you with the most advanced floor to ceiling screens in the world.

 KATIE FORGE – STAFF WRITER • 2 APRIL, 2024

Screens covered in Blossom at the Outernet
Credit: National Trust x Outernet

Spring has (nearly) sprung, the sun is (almost) shining, and the beautiful (interactive) blossom is mere moments away from blooming at the Outernet, as their brand new immersive exhibitionNature’s Confetti, floats into London this week.

In an attempt to brighten up the capital city and bring the joy of blossom-season to more people; National Trust have transformed the UK’s most visited cultural attraction into a blossomy wonderland for Londoners to enjoy this Spring. And it won’t cost you a single penny.

Bringing some serious flower power to the immersive entertainment space; this bloomin’ gorgeous experience will allow visitors to admire the beautiful blossomy goodness on giant floor-to-ceiling, wraparound screens (the most advanced of their kind in the entire world, FYI).

Screens covered in Blossom at the Outernet
Credit: National Trust x Outernet

The three minute video has been designed by Outernet’s creative team and will give viewers the opportunity to experience a breathtaking illusion of petals raining down on them from above. Visitors will also be able to use their body movements to control the screens and see how blossom trees grow. The video will be accompanied by uplifting music, specially-composed by Father to perfectly complement the inspirational visuals on the screen.

The piece is set to be a sheer spectacle and aims to spread the message of how important it is for us to cherish the glory of nature and preserve it for future generations. Especially in the face of current environmental threats. Visitors will have the opportunity to donate to National Trust’s ‘Plant a Tree’ appeal, which aims to plant 20 million trees by 2030 (four million of which are expected to be blossom trees). A ‘tap to donate’ station will be installed in the space during the run of Nature’s Confetti.

Screens covered in Blossom at the Outernet
Credit: National Trust x Outernet

Nisha Nath, Head of Brand and Creative at the National Trust, said: “We hope over the next few weeks thousands, if not millions of people will have the chance to experience this colourful, joyful confetti – and that it will mark a high point of their day as they travel through the capital.”

Jessica Dracup-Holland, Chief Marketing Officer from Outernet, commented: “We want audiences to feel immersed in nature, to transport them through the beauty and magic of blossom. We want to encourage a sense of wonderment and rejuvenation, a haven in the centre of London that will transport and inspire.”

Nature’s Confetti will feature twice an hour at Outernet’s Now Building between April 4 – April 28.

BOOK NOW GAUGUIN’S WORLD:
TŌNA IHO, TŌNA AO
Open 29 Jun – 7 Oct
Tickets are now on sale for our major winter exhibition Gauguin’s World: Tōna Iho, Tōna Ao. This landmark presentation is a rare opportunity to follow Paul Gauguin’s artistic journey and global travel – from his Impressionist beginnings in 1873 to his final destination in French Polynesia.  
Featuring over 130 works, the exhibition includes some of Gauguin’s most recognised masterpieces, many of which were created in the Pacific region. The exhibition offers new perspectives on Gauguin’s life and work, his artistic influences and networks, as well as his historical impact and contemporary legacies.
Join as a new National Gallery Member and receive a complimentary ticket, the latest information on exhibitions, exclusive events and more.
BOOK

Discover the best things to do in Canberra this June, July, and August.*

Canberra celebrates each season in style and winter is no exception. Why not have a snow ball fight at Corin Forest, hunt for truffles, or cheer on your favourite rugby team?

Taste treasured truffles

Sample the delights of the Canberra region’s truffle growers from mid-June through to August. The prized Black perigord truffle is on the menu at restaurants, cafes and wineries across the capital thanks to the region’s cool climate growing conditions. Enjoy a paddock to plate experience or join a truffle hunt. The Truffle Festival is a must for all foodies.

Build a snowman at Corin Forest

You don’t have to travel to the ski fields to hit the slopes. Just 45-minutes from the city, Corin Forest has easy beginners’ slopes designed to show kids the snow ropes from tobogganing to the basics of snowboarding. Build snowmen or start an epic snowball fight before feasting on woodfired pizza and hot chocolate at the cosy café.

Find a moment of calm amongst 44,000 trees

Just six kilometres from the city centre, this living collection of endangered and rare species also features spectacular views and remarkable architecture. Each July trees are lovingly wrapped in colourful scarves to keep them warm during winter. With an impressive 94 forests and 20 kilometres of multi-purpose trails, stroll or cycle through the trails that crisscross the National Arboretum Canberra

Meet animals big and small

Diving, catching crustaceans, and racing each other through the water, the little penguins that call the National Zoo & Aquarium are always entertaining to watch. All named after famous rappers, these penguins are part of one of many breeding programs. Meet and feed giraffes, white lions, meerkats, owls and cheetahs. 

Indoor fun for the whole family

Head to Kingpin next where you’ll be spoiled for choice with laser tag, bowling, arcade games, escape rooms, and an impressive food and drink menu on offer.

Taste food flavoured by fire

Curl up by the fireplace and feast on seasonal produce at Canberra’s hottest new restaurants. In the heart of the city, enjoy ethically sourced Australian produce cooked over fire and coals with Asian barbeque specialists Wilma. With a menu that changes weekly but always features their woodfired oven, head to Onzieme in Kingston for fresh eats and a wonderful wine menu.

See sweeping views and endangered animals

Just a 45-minute drive from the city centre you’ll find Tidbinbilla Nature Reserve. Known for its amazing views and walks, the reserve helps protect and breed native, endangered animals. Winter is a great time to see superb lyrebirds, sight platypus in the sanctuary ponds, and listen to the calls of native frog species. 

Time it right and in nearby Namadgi National Park you’ll see snow capped mountains and ‘roos hopping through winter scenes.

Sip craft brews and local gins

Taste award-winning craft beers at Braddon brewpub BentSpoke Brewing Co, which took out top place in the Great Australasian Beer Spectacular 2021. Gin lovers flock to The Canberra Distillery famed for its collaborations and unique flavours. For those who fancy both, head to the Dairy Road precinct where you’ll find Capital Brewing Co neighbouring Big River Distilling. Join Dave’s Tours to taste all the capital’s best drinks.

*Attractive photos came with this information about things to do in Canberra. Unfortunately, copyright issues prevented me from loading them here. This seems to defeat the purpose of advertising Canberra…!

Sam Mostyn

Australia’s next governor-general: Who is she, and what has been the reaction?

Sezen Bakan
Apr 03, 2024, updated Apr 04, 2024

Just what does the governor-general do?

Source: TND

Australia’s next governor-general will be Samantha Mostyn – the second woman in the country’s history to take on the role.

Prime Minister Anthony Albanese announced on Wednesday that Mostyn had been approved by King Charles and will be sworn in as Australia’s 28th governor-general on July 1, replacing David Hurley.

“Ms Mostyn is a modern and optimistic leader for our modern and optimistic nation,” Albanese said.

“I am confident Ms Mostyn will discharge her duties as governor-general with her customary dedication, creativity and compassion – and an unwavering sense of service to our nation.”

Reaction to new governor-general

Mostyn’s appointment to the role of governor-general garnered broad cross-party approval and messages of support from a number of high-profile Australians and organisations.

Many pointed to her extensive background in leadership roles, which range from business to gender equality advocacy.

“She will bring a wealth of experience and compassion to the role of GG,” Minister for the Environment and Water Tanya Plibersek posted on X.

“She is an outstanding choice,” Independent MP Zoe Daniel wrote.

Liberal MP Kellie Sloane wrote on X that Mostyn was “one of the most impressive professionals of her generation” thanks to her influence across areas such as sport, climate change and women’s empowerment.

Nationals Senator Bridget McKenzie told Sky News Mostyn was a “great appointment”, and that McKenzie expected she would continue her advocacy in her new role.

Former prime minister Paul Keating, who Mostyn previously worked with as a communications policy adviser, said her experience in public, community and business life – along with her “innate ability” and values – qualified her for the “exalted position” of governor-general.

Opposition Leader Peter Dutton said Mostyn was well known to many people within the government and he wished her the “very best” in her new role.

Who is Samantha Mostyn?

Born in Canberra and having spent her childhood travelling around Australia and internationally thanks to her father’s army career, Mostyn gained an arts law degree at Australian National University and, years later, an honorary doctorate in laws from the same institution in 2018.

Her resume is long and wide ranging, but here are some highlights.

Mostyn began her professional career as an associate in the NSW Supreme Court of Appeal, and after a few years working as a solicitor, became a communications policy adviser for several Labor politicians.

In 2005 she became the first female AFL commissioner, a position she held until 2017, during which time she contributed to the development of the AFL’s Respect and Responsibility Policy and advocated for the creation of the AFL Women’s league.

Beyond sport, she has held senior roles in organisations advocating for women, international development, mental health, diversity, the arts and the climate.

These include, but are not limited to: Beyond Blue, the Climate Council, Ausfilm, and the Women’s Economic Opportunity Review.
Mostyn has held senior executive positions with the likes of IAG, Optus, and Aware Super, along with non-executive roles with Virgin Australia, Transurban and Mirvac.

In 2020, she received the United Nations Day Honour Award in recognition of her efforts to advance sustainable development and her leadership in diversity and inclusion in Australia.

The next year, Mostyn was awarded an AO for distinguished service to business, sustainability, the community, and women.

In her personal life, she has been described as “incredibly loyal” and modest; her long-time friend, playwright Suzie Miller, told Sydney Morning Herald in 2019 that Mostyn needed to celebrate her achievements more.

What is a governor-general?

The governor-general is a representative for the reigning British monarch.

They are Australia’s head of state and commander-in-chief of the Australian Defence Force.

The position carries a significant amount of power.

For example, a bill can only become a law if the governor-general agrees to it on behalf of King Charles, although no governor-general has ever refused to give Royal Assent.

The governor-general is also able to appoint a prime minister if an election has not resulted in a clear outcome, or dismiss a prime minister – as seen with the 1975 dismissal of Gough Whitlam.

Farewell to the Sydney theatre that gave Baz Luhrmann his start

Story by Lenny Ann Low  • 4h • 4 min read

Dwarfed by neighbouring buildings, its leadlight windows, black wooden front doors and 156-year-old stone structure tiny against Sydney CBD skyscrapers, the Genesian Theatre on Kent Street is moving on.

Named after St Genesius, the patron saint of actors, its long-time resident company, marking 70 years of continuous theatre shows in the 125-seat Victorian gothic church site this month, is preparing to transfer to a new home in Rozelle.

The Genesian Theatre in Sydney’s CBD is is moving to a new venue in Rozelle.

The Genesian Theatre in Sydney’s CBD is is moving to a new venue in Rozelle.© Wolter Peeters

“It’s been a long journey,” Barry Nielsen, Genesian Theatre director says. “Lots of people know it’s happening and many say, ‘It’s such a shame’.

Built in 1868 as St John’s Church and owned by the Catholic Archdiocese of Sydney, the building was sold in 2017 with plans to incorporate it into a multimillion-dollar hotel redevelopment.

Previously home to a poorhouse, the Kursaal Theatre and the first Matthew Talbot Hostel, the Genesian Theatre Company, which was founded in 1944, took residence in 1954 with a production of Murder in the Cathedral. There have been 464 major public productions since the company was founded.

(From left) Andrew Badger, Barry Nielsen, president of the Genesian Theatre Company, and members Michael Schell and Grant Fraser.

(From left) Andrew Badger, Barry Nielsen, president of the Genesian Theatre Company, and members Michael Schell and Grant Fraser.© Wolter Peeters

Nielsen anticipates the new 132-seat theatre space, in the parish hall of St Joseph’s Rozelle next to Sydney Community College, will be under way this year.

But first, the company must leave a lot behind. The theatre has two ghosts, regularly making appearances, members say, backstage and beside the proscenium arch.

They are also farewelling a stage trod by Genesian alumni such as actors Angela Punch McGregor, Bryan Brown, Peter Carroll and Judi Farr, actor and director John Bell, playwright and director Nick Enright and writer and academic Coral Lansbury, mother of former Australian prime minister Malcolm Turnbull. Michael Schell, who joined in 1973, recalls Baz Luhrmann performing at the Genesian.

“His first time ever on stage was in this theatre,” Schell says.

“His next-door neighbour dragged him in for The Winslow Boy around 1980, 81, and that was that.”

Taped on one wall is An Actor’s Prayer, spoken by company members before each show. The company’s lush red velvet curtains, prop stained-glass windows and rows of red velvet seats, all salvaged from the demolished Her Majesty’s Theatre in Haymarket, will also be left behind.

“There are incredible compliance issues with creating a performance space now,” Nielsen says. “It’s quite onerous and expensive.

“If anyone asks why are there no new small theatres, I can tell you that is why.”

But the Genesian Theatre Company’s passion and work ethic has never waned. Nielsen says the group’s loyal and diverse membership, about 120-strong and open to anyone aged 18 and over, allows people of all ages, backgrounds and theatre aspirations to participate.

“It’s not just acting,” he says, “It’s working as, and often learning to be, a stage manager, set or sound designer, lighting and sound operator or front-of-house administrator.

“We have members who are in their 90s who have been part of the company for most of their lives.”

The company, which calls itself unpaid or community theatre rather than amateur, survives entirely from ticket sales. Prices are kept low at $30 to $35. “People come because it’s affordable,” Nielsen says. “That’s a really big part of our philosophy. It’s also theatre most people are happy to see.

“You can bring your 12-year-old kid, you can bring your 90-year-old grandmother. It’s the sort of theatre everyone can enjoy.”

Show seasons, regularly sold out, can range from Tennessee Williams’ A Streetcar Named Desire to Agatha Christie mysteries, Neil Simons comedies, the canon of Oscar Wilde, William Shakespeare, Noel Coward, Jane Austen adaptations and Australian classics.

Andrew Badger, 22, the newest member, who discovered the company last year during a season of Steel Magnolias, recalls being impassioned immediately.

“The cast was amazing, the set dressing was amazing, the whole thing was phenomenal,” he says. “After the show, my friend and I discovered auditions for the next show, Plaza Suite, were the next day.

“So we auditioned, and I was cast in the play.”

This month, Badger has swapped acting to become stage manager for the Genesian’s current production, Strangers On a Train.

“No one is here for money,” he says. “We’re all here because of our love for the craft itself. You don’t get a lot of divas backstage.”

Nielsen is sad to leave the Kent Street home but keenly anticipates their fresh base welcoming the regular crowds and members old and new.

“There’s a role for anyone who wants to be involved,” he says. “This is a place you can learn skills, whether it’s acting, sound and lighting, publicity, management.

“You don’t have to be interested in being an actor; you just have be interested in being part of a group that absolutely loves theatre.”

Strangers On a Train is at the Genesian Theatre until April 20.

The Booklist is a weekly newsletter for book lovers from books editor Jason Steger. Get it every Friday.

Collection of theatre programs from the Genesian Theatre Company. See this lengthy list at:

Week beginning 3 April 2024

Jonathan Cott Let Me Take You Down Penny Lane and Strawberry Fields Forever University of Minnesota Press, April 2024.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Jonothan Cott combines a story of the Beatles’ commitment to touring aimed at giving their audiences access to them and their work with an insightful study of two of their most complex songs, Penny Lane and Strawberry Fields Forever. The Beatles’ touring ended in 1966 with the horrific experiences changing their lives. Penny Lane and Strawberry Fields Forever, both side A of a disc that is thought of as their best was an outcome of that change. The practicalities of one part of the Beatles’ lives as pop stars of the sixties and seventies makes a graphic background to the thoughtful way in which John Lennon and Paul McCartney approached their writing.

Cott provides a wealth of information about the group; their impact on popular culture; the development of their music through improvisation, mistakes used adroitly, their sheer ability to make sounds that people wanted to hear; and Paul McCartney and John Lennon’s writing of their lyrics. Most importantly, the Penny Lane and Strawberry Fields Forever are analysed, and in doing so Cott refers to other works and also provides clues to a wide range of material developed by Lennon and McCartney. See Books: Reviews for the complete review.

 

 

Miranda Rijks The Godchild Inkubator Books, March 2024.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Guilt, teenage angst, a nontraditional distribution of paid work and household responsibilities, bullying at school and secrets – and an appealing godchild at the front door seeking asylum from a drug addicted, uncaring mother. These issues feature in The Godchild, all to excellent effect. Alicia moves into the Ruff household of Carina, Don, Tegan, Arthur and baby Ethan, initially at Carina’s suggestion despite Don’s resistance. Tegan must share a room with this newcomer, adding to her unhappiness at home and at school. In contrast, the newcomer fascinates fourteen-year-old Arthur. Don eventually succumbs to Alicia’s charming assistance with household responsibilities and Ethan – after all, his main purpose is to write his book. His change from a job he disliked to freeing Carina for her high-powered job as head teacher at a prestigious school has not been as smooth as he envisaged. See Books: Reviews for the complete review.

Articles ahead: Paul McCartney reunited with lost bass; Song lyrics getting simpler, more repetitive, angry and self-obsessed – study; Monument at Sydney’s Earlwood Oval rededicated to honour traditional Bedigal owners; Sam Mostyn appointed Governor General; Cindy Lou has a casual lunch; Alliance Française to empower Ugandan women through literature discussions; The Female Experience in Jamaica, Puerto Rico, and Peru.


Paul McCartney reunited with lost bass after 52 years

Naomi Clarke
Feb 16, 2024, updated Feb 16, 2024SHARE

Sir Paul McCartney has been reunited with his bass guitar, which the Beatle used on famous tracks such as Twist And Shout and She Loves You, after it went missing more than 50 years ago.

A spokesman for the former Beatle said he is “incredibly grateful” for those who were involved in helping to locate the Hofner bass guitar, which went missing in 1972.

The Lost Bass Project launched a search to find the missing German violin-shaped bass in 2018, but traction picked up last year after further media attention.

The team, which included Nick Wass from Hofner and husband and wife team Scott and Naomi Jones, received more than 100 leads which they used to help track down the missing guitar.

Among the tip-offs, the project said they were given information that claimed the guitar had been stolen from the back of a van in 1972 in Notting Hill in London.

They later discovered the bass was allegedly sold to a landlord in the area before it was passed on until it ended up in the attic of a terraced house in the south coast of England.

The project said the owner realised they had the highly-sought-after item following the publicity last year.

The bass is still complete and in its original case but will need some repairs to make it playable again, the project added in their statement.

A post on Sir Paul’s official website read: “Following the launch of last year’s Lost Bass project, Paul’s 1961 Hofner 500/1 bass guitar, which was stolen in 1972, has been returned.

“The guitar has been authenticated by Hofner and Paul is incredibly grateful to all those involved.”

The bass had been purchased for 30 pounds in Hamburg, Germany, in 1961 by Sir Paul and was used during his time with The Beatles.

His career-long use of the guitar led to it to being dubbed the “Beatle bass”.

Sir Paul played the Hofner on the Fab Four’s first two albums, Please Please Me and With The Beatles, as well as on a slew of hits including Love Me Do.

A statement from The Lost Bass project said: “We are extremely proud that we played a major part in finding the Lost Bass.

“It has been a dream since 2018 that it could be done. Despite many telling us that it was lost forever or destroyed, we persisted until it was back where it belonged.

“We want to thank everyone who helped with the search, all those who sent us leads and ideas and many who just wanted to lend their support to us. Thank you all so very much. Very much indeed! We did it!”

– AAP

Song lyrics getting simpler, more repetitive, angry and self-obsessed – study.

Researchers analysed the words in more than 12,000 English-language songs across several genres from 1980 to 2020

Study finds song lyrics are getting simpler and more repetitive – and also less joyful Photograph: Artit_Wongpradu/Getty Images/iStockphoto

You’re not just getting older. Song lyrics really are becoming simpler and more repetitive, according to a study published on Thursday.

Lyrics have also become angrier and more self-obsessed over the last 40 years, the study found, reinforcing the opinions of cranky ageing music fans everywhere.

A team of European researchers analysed the words in more than 12,000 English-language songs across the genres of rap, country, pop, R&B and rock from 1980 to 2020.

Before detailing how lyrics have become more basic, the study pointed out that US singer-songwriting legend Bob Dylan – who rose to fame in the 1960s – has won a Nobel prize in literature.

Senior study author Eva Zangerle, an expert on recommendation systems at Austria’s University of Innsbruck, declined to single out an individual newer artist for having simple lyrics.

But she emphasised that lyrics can be a “mirror of society” which reflect how a culture’s values, emotions and preoccupations change over time.

“What we have also been witnessing in the last 40 years is a drastic change in the music landscape – from how music is sold to how music is produced,” Zangerle said.

Over the 40 years studied, there was repeated upheaval in how people listened to music. The vinyl records and cassette tapes of the 1980s gave way to the CDs of the 90s, then the arrival of the internet led to the algorithm-driven streaming platforms of today.

For the study in the journal Scientific Reports, the researchers looked at the emotions expressed in lyrics, how many different and complicated words were used, and how often they were repeated.

“Across all genres, lyrics had a tendency to become more simple and more repetitive,” Zangerle summarised.

The results also confirmed previous research which had shown a decrease in positive, joyful lyrics over time and a rise in those that express anger, disgust or sadness.

Lyrics have also become much more self-obsessed, with words such as “me” or “mine” becoming much more popular.

The number of repeated lines rose most in rap over the decades, Zangerle said – adding that it obviously had the most lines to begin with.

“Rap music has become more angry than the other genres,” she added.

The researchers also investigated which songs the fans of different genres looked up on the lyric website Genius.

Unlike other genres, rock fans most often looked up lyrics from older songs, rather than new ones.

Rock has tumbled down the charts in recent decades, and this could suggest fans are increasingly looking back to the genre’s heyday, rather than its present.

Another way that music has changed is that “the first 10-15 seconds are highly decisive for whether we skip the song or not,” Zangerle said.

Previous research has also suggested that people tend to listen to music more in the background these days, she added.

Put simply, songs with more choruses that repeat basic lyrics appear to be more popular.

“Lyrics should stick easier nowadays, simply because they are easier to memorise,” Zangerle said.

“This is also something that I experience when I listen to the radio.”

ABC News Homepage

Monument at Sydney’s Earlwood Oval rededicated to honour traditional Bedigal owners

Monument at Sydney’s Earlwood Oval rededicated to honour traditional Bedigal owners

By Ruby Cornish

A monument in Sydney has been rededicated to honour the Bedigal people.

Two years is a long time in the life of an eight-year-old, but Lionel Kennedy still remembers the afternoon during COVID lockdown when he and his four-year-old sister Ella read the inscription on a bicentennial memorial at Sydney’s Earlwood Oval.

“We came to the park for a play … and then we spotted the plaque,” he says.

A photo of a young boy with his arm around his younger sister. They both have brown hair and brown eyes.
Lionel and Ella Kennedy have been learning about Indigenous history at school.(ABC News: Ruby Cornish)

The inscription on the brass plate from 1988 dedicates the monument to “original landowner” John Parkes, an early European settler who was the recipient of a 50-acre land grant in 1816.

“We said, that’s not right,” Lionel explained.

“The first people here were the Bedigal people.”

After a conversation with their parents, the siblings collaborated on a handwritten letter to the Canterbury-Bankstown City Council asking for the sign to be changed.

A photo of a handwritten letter by the two children.
The two siblings wrote a letter to the Canterbury-Bankstown City Council.(Supplied)

“They’d been doing lots of learning in school about the land they were learning on,” said their mother Julia Kennedy.

“I said they could write a letter to the council because if you want to get something changed, that’s kind of the process.”

The council passed the letter on to its First Peoples Advisory Committee, where it reached Wiradjuri elder Jennifer Newman.

A photo of Jennifer Newman in front of the monument plaque. She has greying hair tied in a bun. She's wearing a yellow top.
Wiradjuri elder Jennifer Newman described the change as an important act of truth-telling.(ABC News: Ruby Cornish)

“My heart wells up with pride and joy when young people use the names of the clans of country,” she said.

“Ella and Lionel didn’t just ask for the plaque to recognise Aboriginal people, [they] asked for it to recognise Bedigal people … and that’s really significant.”

She described the process as an important act of truth-telling.

“The Uluru Statement from the Heart asks us to walk together for a better future, and re-writing this chapter with these young people really is the embodiment and the personification of that call.”

A photo of Aunty Lyn Martin. She has short white4 hair, blue eyes, and is wearing a blue top.
Dharug elder Aunty Lyn Martin says she was never taught Indigenous history at school.(ABC News: Ruby Cornish)

The committee’s co-chair, Dharug elder Aunty Lyn Martin, also volunteers with the Aboriginal Education Consultative Group, which helps schools deliver lessons about Indigenous history and culture.

“The fact that these children have learnt enough in school to be able to say that this is First Nations land … it was quite exciting for me,” she said.

“It’s a really amazing thing because you know, they enjoy the lessons … but you don’t really know that you’re getting through to them until something like this happens.

“I wasn’t taught any history at school about First Nations people … in those days if you put your hand up and said Cook didn’t discover Australia, you’d get the ruler, so you learned to keep your mouth shut.”

Ms Newman said the committee engaged in a series of long discussions about whether and how to rededicate the monument.

Ultimately, a decision was made to leave the original plaque where it was and install a new one on the adjoining side of the obelisk.

A photo of the old plaque.
The old plaque dedicates the monument to “original landowner” John Parkes who is an early European settler. (ABC News: Ruby Cornish)
A photo of a plaque.
The new plaque was installed on the adjoining side of the monument, honouring the Bedigal people as “enduring custodians”. (ABC News: Ruby Cornish)

“To repeat an act of erasure or cancelling of someone else’s story is not something we would like to do … John Parkes is part of the story,” Ms Newman said.

“So we thought carefully about how to take the words of 1988 and turn them into a new chapter.”

This month, the council unveiled a new plaque rededicating the memorial to honour the Bedigal as “enduring custodians”, as well as John Parkes, “descendants of the colony” and “people more recently arrived from around the world”.

Lionel and Ella are happy with the change.

“[The Bedigal] were the first here and it’s important to know about their culture,” Lionel said.

Their parents hope the process will leave a lasting impression on the young activists.

“To have them so positive, telling their friends and their school, is just awesome,” said their father Joe Kennedy.

“It shows what education does. It’s great.”

Sam Mostyn announced as next governor general of Australia

Business and community leader to be sworn into role as 28th governor general in July.

Australian Associated Press Wed 3 Apr 2024 09.36 AEDT

Sam Mostyn will become next governor general, Anthony Albanese has announced.

King Charles accepted the prime minister’s recommendation to appoint the business and community leader to the role.

She will be Australia’s 28th governor general – and the second woman to serve in the post.

Sam Mostyn is an exceptional leader who represents the best of modern Australia,” Albanese said on Wednesday.

She will be sworn into the role in July, taking over from David Hurley.

“I’m deeply honoured by this great privilege and look forward to representing the values, hopes and aspirations of all Australians,” Mostyn said. “I will never underestimate or take for granted the expectations that come with high office and I am ready to serve with integrity, compassion and respect.”

Mostyn was appointed an officer of the Order of Australia in 2021 for distinguished service to business, the community and women.

She described herself as the daughter of an army officer and a beneficiary of the public education system when she spoke to reporters on Wednesday, not far from the old Canberra hospital where she was born.

Mostyn studied arts and law at the Australian National University, starting her career as an associate in the New South Wales supreme court of appeal.

The ANU awarded her an honorary doctorate of laws in 2018.

She was the first woman appointed as commissioner of the Australian Football League has been and a driving force behind the AFLW competition.

“Millions of Australians know this to be true, that being of service is what often provides a person with their greatest happiness and sense of purpose,” Mostyn said. “That is certainly the case for me, and I can think of no greater purpose … than to serve this country I love as governor general.”

Governors general are the monarch’s representative in Australia – the nation’s highest office. They serve at the pleasure of the sovereign, typically for a term of five years.

Cindy Lou has a casual lunch

Flatheads at the O’Connor shops is always open, and I appreciate being able to take advantage of this on public holidays, as well as on other occasions when the temptation of unhealthy pastry is too much. The coffee, although served in takeaway cups, is very good; the selection of pastries, sweet and savoury is excellent; there are pizzas and, of course fish and chips in a great variety of choices. The lamingtons are huge and are not filled with jam – a dreadful accompaniment in a London Cafe where I was told the addition was authentically Australian. Not in my view, I prefer Flatheads’.

Thank you, JL, for the photos of the range of eats available in Flatheads.

Two articles from Women and Literature google alert

Alliance Française to empower Ugandan women through literature discussions

The Independent March 28, 2024 ARTSNEWS Leave a comment

Alliance Française de Kampala (AFK) officials announce the new project

Kampala, Uganda | PATRICIA AKANKWATSA  | The Alliance Française de Kampala, joining forces with the Fonds Médiathèque and the French Institute, launched a program that will tackle social issues and foster empowerment for underprivileged women in Ugandan communities by creating a bridge between them and established Ugandan women writers. The program hinges on exploring East African feminist literature, providing a platform for women’s voices to be heard and stories shared.

Eric Touze the director at Alliance Française de Kampala (AFK) said that the feminism and literature project is part of AFK’s commitment to participating in debates on the ideas that are shaking the world.

“We wish to take part in these debates by organizing events around social, societal, and environmental themes and by offering a stage to actors of contemporary ideas. AFK is particularly concerned with issues of equality, and inclusion, so it is only natural to develop this project, which corresponds to our values,”

The program unfolds in a three-part series, each delving into a critical theme with deep resonance within the Ugandan context. The themes explored are Afro-feminism (April 6th & 7th), Sexist and Sexual Violence (May 4th & 5th), and Health and Sex Education (June 1st & 2nd).

Each theme will be unpacked through a meticulously designed two-part approach. To initiate each session, renowned Ugandan women writers will deliver thought-provoking conferences at the Alliance Française media library. This lecture format allows them to not only share their literary works but also shed light on their insightful perspectives on the chosen themes.

Laure Ginestet the coordinator and principal librarian at AFK said that their first session will feature Irene Mutuzo a renowned poet who will immerse audiences in the captivating world of Afro-Feminism.

“We chose poetry because lyricism is much more than words strung together on a page, it is a form of expression that erects a passionate barrier, protecting what lives within us while exalting it,”

“I am thrilled to lead the Feminism and Literature program. At the heart of this event, we shed light on the profound- the connection between action and words underscoring the power of the latter to inspire us to work for causes beyond our interests,”

Irene Mutuzo a poet says that she believes in the power of poetry and its ability to shape perspectives and empower individuals.

“I am excited to be part of the Feminism and Literature initiative and through my words and poems, I hope to ignite a sense of strength, resilience and confidence in every woman,”

“By providing a platform for women to write and tell their stories, I believe that will enable women to voice their truths, articulate their experiences like never before,”

The program’s true strength lies in its unwavering commitment to fostering active engagement within the community. After each conference, specially designed workshops will be conducted for underprivileged women. These interactive sessions provide a safe space for these women to delve into the concept of intersectionality between literature and feminism. Through guided discussions, they will be empowered to draw connections between the explored themes and their own experiences, fostering a sense of shared understanding and solidarity.

The program culminates with a powerful finale. A short documentary titled “Literature & Feminism as a Tool of Emancipation” will be screened at the Alliance Française media library. This documentary will serve as a poignant culmination, showcasing the impactful discussions held throughout the program. A stimulating debate and Q&A session will be held with the three participating authors after the screening.

The Female Experience in Jamaica, Puerto Rico, and Peru

April 01, 2024

Daniella Fernandez

The history of women’s participation in literary culture and political life in Latin America is a history still in the making. From Sor Juana Inés de la Cruz and Luisa Capetillo to Silvia Rivera Cusicanqui and Rita Segato, women have shaped and reshaped history, culture, and politics but their contributions have often been forgotten. Join professors Erika Almenara, Lucy M. Brown and Violeta Lorenzo at 1 p.m. Wednesday, April 3, in Old Main 203, where they will highlight some of the women who transformed politics, labor, literature and daily life in Latin America.

Almenara, associate professor of Spanish and associate director of the Latin American and Latino Studies Program at the University of Arkansas, was a Fulbright Senior Scholar (Peru 2022-2023) and is the current president of the Peru Section of the Latin American Studies Association.

Her research and teaching interests include Andean oral, written, and visual culture; literary, critical, subaltern, and post-colonial theory, radical thought and avant-garde aesthetics in the Andes and the Southern Cone, as well as feminist and transfeminist theory. Along with her book, The Language of the In-Between. Travestis, Post-hegemoy, and Writing in Contemporary Chile and Peru published (University of Pittsburg Press, 2022) Almenara has published six book chapters, five articles in non-refereed journals, and twelve articles in refereed journals.

Brown, a clinical professor of advertising and public relations, is responsible for increasing students’ understanding and skills in marketing communications with an emphasis on media planning, advertising creative strategy and account planning. In addition to teaching, she is responsible for advising the student professional clubs (Ad Club and Public Relations Student Society of America) in the School of Journalism and Strategic Media.

Violeta Lorenzo earned her Ph.D. in Latin American literature from the University of Toronto in 2011. Her area of specialization is Latin American literature, with a primary research focus in the study of Hispanic Caribbean cultures and diasporas. Other research and teaching interests include coming of age narratives, cultural essays, film, and U.S.-Caribbean politics and cultures. Lorenzo’s book, A base de palos: modernidad, aprendizaje y formación en cinco Bildungsromane puertorriqueños (Ediciones Katatay, 2023) analyzes —from a historical and postcolonial perspective that focuses on discourses of racial, political, and national identities— five award-winning Bildungsromane or best-sellers written by Puerto Rican authors who began publishing between the 1940s and the 1970s. Lorenzo has also published articles in La Habana Elegante and in La Torre

CONTACTS

Erika Almenara, associate director of Latin American & Latina/o Studies
Department of World Languages, Literatures and Cultures
734-352-1481, almenara@uark.edu

Week beginning March 27 2024

Jackie French The Sea Captain’s Wife Harlequin Australia. HQ (Fiction, Non-Fiction, YA) & Mira, March 2024.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

The Sea Captain’s Wife is an engaging amalgam of Jackie French’s knowledge of the intriguing historical hunt for marriageable shipwrecked sailors; meticulous attention to depicting an authentic social environment, and characters who realistically portray social mores of the period. Starting life on a remote island, where the community’s rules encourage social cohesion, to her sojourn in Australia, where the prevailing ideals are diametrically opposed to those of the island, Mair Rodrigues Lestrange McCrae is a strong, thoughtful and captivating character. At twenty-one, she is wedded to the idea of finding a beachie – a man thrown up by the sea and available for marriage – and she does so. Her courting takes place in her family’s cottage as Michael Dawson recovers from his near drowning after having been pushed off the ship he had captained on its journey between Australia and England. See Books: Reviews for the complete review.

Miranda Rijks Make Her Pay Inkubator Books, December 2023.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Miranda Rijks’ novels have been on my reading list since I reviewed What She Knew in July 2022. Since then, I have read several of her novels, including the very disappointing The Lodge in June 2023.  What a delight to see that she has moved into far more successful territory with Make Her Pay. This is a clever novel, with an intriguing prologue, a good plot that is plausible enough, characters who have a motivation for their behaviour, and a satisfying resolution. See Books: Reviews for the complete review.

After the Covid Canberra Update: Heather Cox Richardson, Letters from an American; Brilliant & Bold, Jocelynne Scutt; Gloria Steinem; Your reading list for Women’s History Month.

Covid Canberra Update

For the reporting period 15 to 21 March 2024 there were 65 new cases (PCR results only), with 10 people in hospital with Covid.

Heather Cox Richardson from Letters from an American <heathercoxrichardson@substack.com> 

In the past few weeks, Josh Kovensky of Talking Points Memo has deepened our understanding of the right-wing attempt to impose Christian nationalism on the United States through support for Trump and the MAGA movement. On March 9, Kovensky explored the secret, men-only, right-wing society called the Society for American Civic Renewal (SACR), whose well-positioned, wealthy, white leaders call for instituting white male domination and their version of Christianity in the U.S. after a “regime” change. 

On March 19, Kovensky explained how that power was reaching into lawmaking when he reported on a September 2023 speech by Russ Vought, a key architect of the plans for Trump’s second term, including Project 2025. In the speech, which took place in the  Dirksen Senate Office Building, Vought explained the right wing’s extreme border policies by explicitly marrying Christian nationalism and an aversion to the pluralism that is a hallmark of American democracy. Vought argued that the U.S. should model immigration on the Bible’s Old Testament, welcoming migrants only “so long as they accepted Israel’s God, laws, and understanding of history.”

These religious appeals against the equality of women and minorities seem an odd juxtaposition to a statement by United Auto Workers (UAW) union president Shawn Fain in response to the claim of the Trump campaign that Trump’s “bloodbath” statement of last Saturday was about the auto industry. Fain is also a self-described Christian, but he rejects the right-wing movement.   

“Donald Trump can’t run from the facts,” Fain said in a statement to CBS News. “He can do all the name-calling he wants, but the truth is he is a con man who has been directly part of the problem we have seen over the past 40 years—where working class people have gone backward and billionaires like Donald Trump reap all the benefits…. 

“Trump has been a player in the class war against the working class for decades, whether screwing workers and small businesses in his dealings, exploiting workers at his Mar a Lago estate and properties, blaming workers for the Great Recession, or giving tax breaks to the rich. The bottom line is Trump only represents the billionaire class and he doesn’t give a damn about the plight of working class people, union or not.” 

In the 1850s the United States saw a similar juxtaposition, with elite southern enslavers heightening their insistence that enslavement was sanctioned by God and their warnings that the freedom of Black Americans posed an existential threat to the United States just as white workers were beginning to turn against the system that had concentrated great wealth among a very few men. While white southern leaders were upset by the extraordinary popularity of Harriet Beecher Stowe’s Uncle Tom’s Cabin, the 1852 novel that urged middle-class women to stand up against slavery, it was Hinton Rowan Helper’s 1857 The Impending Crisis of the South: How to Meet It that made them apoplectic. 

Hinton Helper was a white southerner himself and showed no abolitionist sympathies in his deeply racist book. What that book did was to show, using the statistics that had recently been made available from the 1850 census, that the American South was falling rapidly behind the North economically.

Helper blamed the system of slavery for that economic backwardness, and he urged ordinary white men to overthrow the system of enslavement that served only a few wealthy white men. The cotton boom of the 1850s had created enormous fortunes for a few lucky planters, as well as a market for Helper’s book among poorer white men who had been forced off their land. 

White southern elites considered Helper’s book so incendiary that state legislatures made it illegal to possess a copy, people were imprisoned and three allegedly hanged for being found with the book, and a fight over it consumed Congress for two months from December 1859 through January 1860. The determination of southern elites to preserve their power made them redouble their efforts to appeal to voters through religion and racism. 

In today’s America, the right wing seems to be echoing its antebellum predecessors. It is attacking women’s rights; diversity, equity, and inclusion programs; immigration; LGBTQ+ rights and so on. At the same time, it continues to push an economic system that has moved as much as $50 trillion from the bottom 90% to the top 10% since 1981 while exploding the annual budget deficit and the national debt.

Yesterday the far-right Republican Study Committee (RSC), which includes about two thirds of all House Republicans, released a 2025 budget plan to stand against Biden’s 2025 budget wish list. The RSC plan calls for dramatic cuts to business regulation, Social Security, Medicaid, and so on, and dismisses Biden’s plan for higher taxes on the wealthy, calling instead for more than $5 trillion in tax cuts. It calls the provision of the Inflation Reduction Act that permits the government to negotiate with pharmaceutical companies over prices “socialist price controls.” 

Biden responded to the RSC budget, saying: “My budget represents a different future. One where the days of trickle-down economics are over and the wealthy and biggest corporations no longer get all the breaks. A future where we restore the right to choose and protect other freedoms, not take them away. A future where we restore the right to choose and protect other freedoms, not take them away. A future where the middle class finally has a fair shot, and we protect Social Security so the working people who built this country can retire with dignity. I see a future for all Americans and I will never stop fighting for that future.”

Biden’s version of America has built a strong economy in the last two years, with extremely low unemployment, extraordinary growth, and real wage increases for all but the top 20%. Inequality has decreased. Today the White House announced the cancellation of nearly $6 billion in federal student loan debt for thousands of teachers, firefighters, and nurses. Simply by enforcing laws already on the books that allow debt forgiveness for borrowers who go into public service, the administration has erased nearly $144 billion of debt for about 4 million borrowers. 

At the same time, the administration has reined in corporations. Today the Department of Justice, along with 15 states and the District of Columbia, sued Apple, Inc., for violating the 1890 Sherman Antitrust Act. They charge that the company, which in 2023 had net revenues of $383 billion and a net income of $97 billion, has illegally established a monopoly over the smartphone market to extract as much revenue as possible from consumers. The company’s behavior also hurts developers, the Department of Justice says, because they cannot compete under the rules that Apple has set. 

At the end of February, the Federal Trade Commission (FTC) sued to block the merger of Kroger and Albertsons, a $24.6 billion takeover affecting 5,000 supermarkets and 700,000 workers across 48 states. The merger would raise grocery prices, narrow consumer choice, and hurt workers’ bargaining power, the FTC said. The attorneys general of Arizona, California, the District of Columbia, Illinois, Maryland, Nevada, New Mexico, Oregon and Wyoming joined the FTC’s lawsuit.  

The benefits of the administration’s reworking of the government for ordinary Americans have not gotten traction in the past few years, as right-wing media have continued to insist that Biden’s policies will destroy the economy. But as Shawn Fain’s position suggests, ordinary white men, who fueled the Reagan Revolution in 1980 when they turned against the Democrats and who have made up a key part of the Republican base, might be paying attention. 

In June 2023 the AFL-CIO, a union with more than 12.5 million members, endorsed Biden for president in 2024 in its earliest endorsement ever. In January the UAW also endorsed Biden. Yesterday the United Steelworkers Union, which represents 850,000 workers in metals, mining, rubber, and other industries, added their endorsement.

Just as it was in the 1850s, the right-wing emphasis on religion and opposition to a modern multicultural America today is deeply entwined with preserving an economic power structure that has benefited a small minority. That emphasis is growing stronger in the face of the administration’s effort to restore a level economic playing field. In the 1850s, those who opposed the domination of elite enslavers could only promise voters a better future. But in 2024, the success of Biden’s policies may be changing the game.

Notes:

https://talkingpointsmemo.com/news/inside-a-secret-society-of-prominent-right-wing-christian-men-prepping-for-a-national-divorce

https://talkingpointsmemo.com/news/russ-vought

https://www.theatlantic.com/ideas/archive/2023/10/uaw-union-leadership-american-christian-culture/675741

https://docsouth.unc.edu/nc/helper/helper.html

https://rsc-hern.house.gov/about/membership

https://khqa.com/news/nation-world/republican-study-committee-presents-blueprint-to-save-america-budget-proposal-sparking-debate-on-program-cuts

BRILLIANT & BOLD – BOLD & BRILLIANT

CONVERSATIONS WITH ‘ORDINARY’ & ‘EXTRAORDINARY’ WOMEN

Brilliant and Bold is a series hosted by Dr Jocelynne Scutt each month. It appears on Facebook so that if you are unable to attend the zoom meeting yit can be watched later. This month the meeting was held on 24 March, a departure from its usual time at 11.00 am UK time on the 2nd Sunday of each month. At the moment, because of day light saving, that means joining at 10.00 pm Australian time. Several of us do so, and some even manage to contribute to the discussion! The information below provides an example of the topics in the series.

Women Standing Up for Women’s Rights – Local, National, International – For The World

A series on women’s rights, challenges, perspectives, hopes and empowerment

‘UP FROM UNDER – REACHING THE MOUNTAIN TOP – AND CLAIMING THE SKIES!’

Brilliantly Bold Women! Invite all Bold and Brilliant Women to December’s WWAFE on Zoom – Women Worldwide Advancing Freedom & Equality … formerly the House of Lords/House of Commons, now a panel in global conversation, along with a global audience primed for engaging in discussion, debate, questions, answers, reflections and resounding demands for change in a world where women’s role in it requires not only attention and reformation, but rebellion and revolution.  This Sunday Brilliant & Bold – Bold & Brilliant – brings together women globally, determined that women’s voices resound in the firmament – women ask what of the world now? How are our voices to be heard in it? From Climate Change to Violence Against Women – we say, we do not consent … to the destruction of the World, the Earth, the Universe and we will take whatever steps we can to stop it whilst demanding others do likewise, and we do not consent to the violence wrought upon women in the world, globally, universally – and we demand an end to it and its condonation. Wherever we are, our demands are clear, as we make our marks, changing the world!  

Each month, Brilliant & Bold – Bold & Brilliant hears from ‘ordinary’ and ‘extraordinary’ women – on the panel and participating … all of us – ‘ordinary’ and ‘extraordinary’! This Sunday, we ask the ever-present question … whether it is for women to advance boldly or to face the future with weary, wary eyes? Women’s lives count – must matter – as they matter to us, yet that we even must state this is indicative of a world somehow gone wrong. We work, we strive, we speak out, we speak up – and are our voices heard? Domestically, women work in local and national groups, aiming to ensure that women’s perspectives are in the foreground, or at least recorded in the minutes so that their essence and meaning is not lost. Internationally, women engage in discussions across borders – adhering to the philosophy stated by Virginia Woolf – as a woman I have no country, as a woman I want no country, as a woman my country is the whole word. Whether it is UN conferences, women’s international organisations, casual or organised discussions via Zoom or Teams or WhatsApp or Facebook or Twitter/X women enter into the arena voicing women’s concerns about women’s and girls’ rights and the wrongs done – and how to change the wrongs to rights. Everywhere, women work toward the creation of a fair and free world.   

Welcoming all Brilliant & Bold! Bold & Brilliant! Women … to Sunday’s ‘conversation’. Women not only want action, women demand action. Without women’s demands, the world will not change, women will not take our place on the globe as equal, whatever our class/status, race/ethnicity, nationality/citizenship, whatever our country. As Virginia Woolf said, reflecting upon the world and women’s role in it: ‘As a woman I have no country, as a woman I want no country, as a woman my country is the whole world’. Every one of us now, as Brilliant & Bold! Women … of today, of now, of the future … come join the conversation …

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SPEAKERS – Sarah Johnson, Khatija Barday Wood – Biognotes overleaf

Thirty-seventh in a series on women’s rights, challenges, perspectives, hopes and empowerment.

Women Standing Up for Women’s Rights – Local, National, International – For The World

SPEAKERS

SARAH JOHNSON

The philosophy by which Antonio Gramsci lives:

The challenge of modernity is to live without illusions and without becoming disillusioned. I’m a pessimist because of intelligence, but an optimist because of will― Antonio Gramsci appeals to Sarah Johnson, too. An education consultant in further and continuing adult education, she is a Labour Party constituency Women’s Officer, being sufficiently resourceful and courageous to straddle two East of England CLPs (Constituency Labour Party) in possibly the most articulate, vociferous, argumentative and ambitious areas of that part of the country. A materialist socialist, Sarah campaigns with Woman’s Place UK and Labour Women’s Declaration to promote debate and critical thinking on the left of politics.

KHATIJA BARDAY WOOD

Khatija Barday Wood’s formative years, education and nurturing within a multi-cultural society in South Africa have shaped her. She regards herself as a by-product of Apartheid, not a victim, and is known to have broken boundaries at every step in her life including shattering the ceiling at UK CSW Alliance. Her parents, great grandfather and grandfather were her inspiration. After dedicating most of her life to working voluntarily as an ambassador advocating Women’s Rights and Justice Khatija is now converging all her skills and experience of +/- 50 years contributing at all levels of Society, Nationally and Internationally, taking a new path where she is dedicating a huge junk of her time to researching 330 Qur’anic verses on Women’s Rights to encapsulate with her passion for photography to create a published legacy inspiring laypeople on what are a Woman’s Rights. Alongside this, she is on a mission to be the catalyst for change in the world of photography where Equity is badly needed. Khatija sits on Equality Diversity and Inclusion (EDI) Committee of the Royal Photography Society and is utilising her varied and broad experiences of working alongside grassroots to decision makers, pivotal to inclusiveness.

What Does 90 Look Like?Just Ask Gloria Steinem

“We are living out the unlived lives of our mothers, because they were not able to become the unique people they were born to be.”

BY LORI SOKOL ● COMMENTARY ● MARCH 24, 2024 Women’s E News

This essay originally appeared in Ms. Magazine. 

Gloria Steinem at the Global Citizen NOW Summit at Spring Studios on May 23, 2022, in New York City. (Rob Kim / Getty Images)

I’m 90?!” my mother horrifyingly exclaimed the day I told her she reached this extraordinary birthday milestone. “Ooooh, don’t tell anybody!” she warned, cautioning me to keep quiet about what seemed, to her, to be a fate worse than death. Although her memory was already fading to where she could no longer remember what day, month or year it was, she remained steadfast enough to ensure that no one ever knew her real age.

And that brings me to a famous quote by the feminist icon, author and activist, Gloria Steinem who, upon turning the age of 40—50 years ago today—wittily responded to a reporter’s flattering comment of, “Oh, you don’t look 40,” with: “This is what 40 looks like. … We’ve been lying for so long, who would know?!” 

This is not the first time Gloria’s words served as antidotes to my mother’s way of thinking—or to so many of the ways women of her generation were taught to think.

So today, as Gloria Steinem herself turns 90, I will not flatter her with compliments about how she still doesn’t look her age or how considerate, clever and courageous she remains. What I’d like to do, instead, is celebrate her and the feminist movement she continues to devote her long life to, enabling me, and countless others of my generation to, as she once put it, “Live out the unlived lives of our mothers, because they were not able to become the unique people they were born to be.”

Lori Sokol and Gloria Steinem. (Courtesy)

But now I face a conundrum. When I recently told Gloria I wanted to write a book about her, she responded, in her usual modest and magnanimous way, that too much had already been written about her, encouraging me to write about other feminists instead. So, then, how do I write a birthday tribute to Gloria without it being all about her? Again, I found the antidote in another of her memorable quotes:

“Most writers write to say something about other people—and it doesn’t last. Good writers write to find out about themselves—and it lasts forever.”

Fortunately, my personal journey of self-knowledge has long included Gloria’s tenets—so I get to do both.

The first time I felt the freedom to connect with my true self was in 1973, a year after Ms. debuted, when I was 13—an age beset by turmoil, chaos and confusion, a bridge between a young girl’s innocence and ensuing teenage angst. For girls who believed, behaved and dreamed differently from their similarly-age peers, that angst can readily turn into agony—as it did for me.

The traditional values of the ’60s and early ’70s placed girls in positions of complacency, whereby the preferred sport was Hopscotch (“don’t move more than one of your two feet, or you’ll lose”), the popular card game was Old Maid (“be careful not to be left with the Old Maid card, or you’ll end up unmarried and alone forever”), and the preferred attire was a knee-length dress (preferably adorned with patent leather Mary Janes that should, just like your legs, never show a scratch).

I failed miserably at all of these, preferring to catch footballs from far afield (which required the use of both my feet), collect baseball cards (which I secretly swiped from my older brother’s collection), and wear muddied baseball cleats (which I proudly donned both on and off the field). But no one—not one relative, classmate or neighbor—understood me.

“If we are alone for long, we come to feel uncertain or wrong,” Gloria once said. And it was that one word, “wrong,” that my parents cast upon me daily, just as one would a favorite family nickname.

Yes, words have power, but just as they can be used to harm, they can also be used to heal. 

In fact, it was through that inaugural issue of Ms., and in Gloria’s first article published within, that I first learned how to use writing to “find out about myself,” just as she did.

In “Sisterhood,” Gloria recounted how joining a circle of strong women in the feminist movement, enabled her to feel like she had experienced “a revelation … as if I had left a small dark room and walked into the sun.” Finding it both “contagious and irresistible,” she discovered that it is only through a sisterhood, whereby “women get together with other women that we’ll ever find out who we are,” and that, finally, she no longer “[feels] like I don’t exist … I am continually moved to discover I have sisters.” She then closed the article with, “I am beginning, just beginning, to find out who I am.” 

So now, a half century later, as reporters have switched from primarily commenting about Gloria’s youthful appearance to asking the venerable activist, “Who will you be passing your torch to?”

Gloria continues to respond in a way that will help educate and empower others: “I’m not giving up my torch, but using it to light the torches of others, because if we each have a torch, there’s a lot more light.” 

And this is what 90 looks like, in the most enlightened way.

About the Author: Lori Sokol, PhD, is the Executive Director of Women’s eNews, and is currently writing her memoir.

Lori Sokol, PhD. is Executive Director and Editor–in-Chief of Women’s eNews, an award-winning, non-profit digital news service that provides coverage of the most crucial issues impacting women and girls around the world. An award-winning journalist, her articles have been published in Newsweek, The Baltimore Sun, Slate.com, Ms. Magazine and in The Huffington Post. She has also been interviewed on a variety of news outlets including MSNBC, CNBC, Forbes and the Wall Street Journal. Her most recent book, She Is Me: How Women Will Save The World, was the recipient of the IBPA’s Ben Franklin Award, and a finalist in the International Book Awards. She is currently writing her memoir.

Happy 90th to my friend, the one and only Gloria Steinem.

She has pushed open doors for so many women who have come after her, including me.

She became a leader in the women’s rights movement, a strong leader for the right to choose, and spoke out about having an abortion herself at age 22. She helped found Ms. Magazine, a revelation for young feminists. She fought for the Equal Rights Amendment. She’s been on the frontlines ever since.

She’s an extraordinary person with a gift for summing up what so many are feeling, but may not have the words to say. And one of my favorite Gloria-isms is “The truth will set you free, but first it will piss you off.”

Here’s to facing the truth, and fighting for what’s right—and here’s to you, Gloria!

The Cougar Chronicle, California State University San Marcos

Your reading list for Women’s History Month Nahomi Garcia Alarcon, Arts & Entertainment Editor

March 26, 2024

Your+reading+list+for+Womens+History+Month

March is a time to honor the achievements, struggles, and resilience of the women in our lives, from our mothers and grandmothers to our sisters, friends, and mentors. And what better way to commemorate this occasion than by delving into the rich literary landscape that celebrates womanhood in all its complexity.

In the pages of these books, we encounter women from all walks of life—bold adventurers, brilliant thinkers, fierce leaders, and everyday heroines whose stories show the depth of the female experience. 

So here’s to embracing our stories, our voices, and our collective strength, because, truly, I just love being a woman. Together, let’s celebrate the past, present, and future of womanhood, and continue to write our own stories of resilience, empowerment, and sisterhood.

“The Doctors Blackwell” by Janice P. Nimura 

A biography about Elizabeth and Emily Blackwell shattered societal norms by becoming pioneering physicians in a male-dominated field. Despite facing initial resistance, Elizabeth became the first woman in America to earn an M.D., with Emily following suit shortly after. Their journey, marked by challenges and triumphs, led to the founding of the New York Infirmary for Indigent Women and Children. Although their convictions sometimes clashed, their legacy paved the way for future generations of women in medicine.

“My Beloved World” by Sonia Sotomayor

A biography of the first Hispanic and third woman in the U.S. Supreme Court shares her inspiring journey from a Bronx housing project to the pinnacle of the legal profession. Despite a tumultuous childhood and a diabetes diagnosis, she persevered, teaching herself to administer insulin and pursuing her dream of becoming a lawyer. With determination and the support of mentors, she excelled academically and professionally, ultimately achieving her goal of serving on the federal bench. Her story, marked by resilience and self-discovery, reaffirms the power of believing in oneself and embracing life’s infinite possibilities.

“Hidden Figures” by Margot Lee Shetterly

This biography unveils the untold story of African American female mathematicians who were instrumental in NASA’s space program during the civil rights era. Segregated from their white counterparts, these talented women, known as ‘Human Computers’, calculated the crucial flight paths for historic space missions using only pencil and paper. Spanning from World War II to the civil rights movement, the book intertwines the history of space exploration with the personal narratives of five courageous women whose contributions reshaped.

“Daughter of the Moon Goddess” by Sue Lynn Tan

In this fantasy novel Xingyin, raised in solitude on the moon, discovers her hidden magical abilities and flees to the Celestial Kingdom to save her exiled mother. Disguised, she learns alongside the emperor’s son, even as their passion grows. To rescue her mother, she embarks on a dangerous quest, facing legendary creatures and enemies. However, when forbidden magic threatens the kingdom, she must confront the ruthless Celestial Emperor, risking all she loves. “Daughter of the Moon Goddess” is a captivating fantasy debut inspired by Chinese mythology, blending adventure, romance, and immortal power struggles.

“The Poppy War” by R. F. Kuang

In a gripping historical military fantasy set in a world inspired by China’s turbulent 20th century, Rin defies all odds by acing the Empire-wide test, earning a place at the prestigious Sinegard military school. But her triumph comes with challenges; as a dark-skinned peasant girl, she faces discrimination and hostility from her peers. Yet, Rin discovers a formidable power within herself—shamanism. As tensions rise between the Nikara Empire and the Federation of Mugen, Rin realizes her abilities may hold the key to saving her people. However, delving deeper into her powers comes with a price, and Rin grapples with the fear of losing her humanity. This is a thrilling tale of resilience, power, and sacrifice, where Rin’s journey to harness her abilities may determine the fate of nations.

“Kaikeyi” by Vaishnavi Patel

Kaikeyi, born under a full moon in the kingdom of Kekaya, faces the harsh reality of her worth being tied to marriage alliances. Desperate for independence, she discovers her own magic and transforms from an overlooked princess into a powerful queen. As evil threatens the cosmic order, Kaikeyi must choose between her forged path and the destiny the gods have chosen for her family. It’s an unforgettable tale of a woman defying expectations in a world dictated by gods and men, offering a fresh perspective on the vilified queen from the Ramayana.

“This Bridge Called My Back” by Cherrie L Moraga, Gloria E. Anzaldua and Toni Bambara 

This collection stands as a testament to women of color feminism in the late twentieth century. Through essays, poetry, and visual art, the anthology delves into the intersections of race, class, gender, and sexuality. Its fourth edition, featuring new introductions and contributions, continues to shape feminist discourse and activism. Praised by scholars and activists alike, it remains a vital resource for understanding the challenges and triumphs of women of color worldwide.

“The Radium Girls” by Kate Moore

 a gripping account of the courageous women who fought against America’s Undark danger. In the early 20th century, the Curies’ discovery of radium captivates the nation, promising beauty and medical wonders. Yet, behind the gleaming headlines, hundreds of factory workers—dubbed “shining girls”—fall mysteriously ill from radium exposure. Ignored by their employers, these women embark on a groundbreaking battle for workers’ rights. With sparkling prose and relentless pace, this book shines a light on their inspiring resilience and pivotal fight for justice, leaving a lasting legacy in history.

“Wordslut” by Amanda Montell

A fascinating exploration of language and its role in perpetuating gender biases. From the evolution of words like “bitch” and “slut” to the policing of women’s speech patterns, Montell delves into how language has been used to suppress women throughout history. With wit and insight, she uncovers the linguistic tactics that have hindered women’s progress and offers a compelling examination of how language shapes our perceptions of gender. Accessible and entertaining, “Wordslut” is a must-read for anyone interested in feminist linguistics and the power of words.

“When Women Invented Television” by Jennifer Kishin Armstrong

A captivating account of four remarkable women who shaped the early days of television. From turning real-life tragedies into daytime serials to breaking barriers as the first African American to host a national variety program, these visionary women defied the odds to revolutionize the way we watch TV today. Despite facing challenges like sexism and political turmoil, their enduring legacies deserve recognition. Illustrated with captivating photos, this book sheds light on a forgotten chapter in television history.

“Unmentionable: The Victorian Lady’s Guide to Sex, Marriage, and Manners” by Therese Oneill

A delightful journey into the secrets of Victorian womanhood. With humor and charm, this illustrated guide reveals the hidden truths behind the romanticized era, covering everything from fashion to personal hygiene. You’ll gain a newfound appreciation for the challenges faced by women of the past while laughing out loud at their quirks and customs. Perfect for fans of historical fiction and those curious about life in the 19th century, “Unmentionable” offers a refreshing perspective on the not-so-glamorous aspects of Victorian life.

“All the Women in My Brain” by Betty Gilpin

a hilarious and intimate collection of essays that navigates the complexities of modern womanhood. From candid reflections on depression to wild adventures in Hollywood, Gilpin’s witty storytelling will have you laughing out loud while also pondering life’s deeper questions. Perfect for fans of Jenny Lawson and Caitlin Moran, this book is a must-read for anyone who has ever felt like they were more, or at least weirder than society expected.

“Pandora’s Jar” by Natalie Haynes

a captivating retelling of Greek myths that puts the spotlight on the often-overlooked female characters. From Hera to Medea, Haynes brings the stories of powerful women like Helen, Clytemnestra, and Antigone to life, offering a fresh and empowering perspective on these ancient tales. Perfect for lovers of Greek mythology and anyone interested in exploring women’s roles in classical literature, it’s a must-read for the modern era.

“Good Talk” by Mira Jacob

a touching and humorous graphic memoir that explores the complexities of race, love, and family in America. Inspired by conversations with her mixed-race son and her own experiences as a first-generation immigrant, Jacob navigates difficult topics with honesty and wit. From discussions about the new president to reflections on her upbringing, it offers an insight into one woman’s journey through life. With heartfelt storytelling and engaging artwork, this memoir is a must-read for anyone seeking to understand the immigrant experience and the challenges of raising a family in today’s world.

“Crazy Brave” by Joy Harjo

A transcendent memoir that explores the journey of one of America’s leading Native American voices. From her upbringing in Oklahoma, marked by adversity and abuse, to her emergence as an award-winning poet and musician, Harjo’s story is a testament to resilience and the power of finding one’s voice. Through lyrical prose, she navigates themes of family, love, and self-discovery, offering readers a haunting and visionary narrative that honors tribal myth and ancestry. A unique and inspiring tale of transformation.

“Nevada” by Imogen Binnie

A cult classic and finalist for the Lambda Literary Award for Transgender Fiction, now back in print. Follow Maria Griffiths, a disaffected trans woman, as she embarks on a cross-country road trip after a breakup sends her into a tailspin. Set against the backdrop of punk culture and marginalized life under capitalism, “Nevada” is a blistering and heartfelt coming-of-age story that challenges traditional narratives. With a new afterword by the author, this novel offers a fresh perspective on the great American road novel for a new generation.

“Hood Feminism” by Mikki Kendall

Thought-provoking exploration of the blind spots in today’s feminist movement. Kendall argues that mainstream feminism often overlooks basic needs such as food security, education, and healthcare, which are critical feminist issues. She challenges the movement to prioritize these issues and confront the intersections of race, class, and gender. A compelling call to action for solidarity and inclusivity within feminism.

“Invisible Women” by Caroline Criado Perez

A groundbreaking exploration of gender bias in data. Perez reveals how our reliance on data that fails to account for gender perpetuates inequality, impacting women’s lives in profound ways. Drawing on extensive research from around the world, Perez offers a compelling exposé that will revolutionize your understanding of gender inequality.

“We Set the Night on Fire,” by Martha Shelley

A captivating memoir, from her upbringing as the daughter of refugees to her pivotal role in the gay and women’s movements of the 1960s and ’70s, Shelley shares her journey as a political activist. Her story sheds light on the struggles of coming out as a lesbian during a time when it was considered criminal, and her contributions to the fight for equality are both inspiring and essential to our understanding of history.

Week beginning 20th March 2024

Rosemary Hennessy In the Company of Radical Women Writers University of Minnesota Press, August 2023.

Thank you NetGalley, for providing me with this uncorrected proof for review.

Rosemary Hennessy’s stories from Black, Jewish, and white women who saw communism as an answer to the problems arising from the Great Depression is a riveting read. Perhaps most significant is Hennessey’s belief that these seven women’s stories provide a guide to dealing with similar problems in the current political environment where unfair labour practices, racial discrimination, and environmental concerns remain searing 2000s issues. Marvel Cooke, Louise Thompson Patterson, Claudia Jones, Alice Childress, Josephine Herbst, Meridel Le Sueur, and Muriel Rukeyser are women who were unknown to me before reading In the Company of Radical Women Writers. I am glad to have had this opportunity to become familiar with their work.

Hennessey’s writing is eminently accessible, and she generates a wonderful amalgam of the women’s stories, her speculations and research material. Chapter headings, I find, are an excellent pointer to the type of material as well as the ideas to be expressed in a text, and Hennessey’s are in this category. Titles that resonate are Centring Domestic Workers, Unsettling the Grass Roots, The Radical Ecology of Meridel La Suer, and Shadowing the Erotics of Race Work. Others open so well. For example, Life-Making Essentials, Life Writing Inventions, the first chapter title is such a broad statement. However, Muriel Rukeyser’s quote clarifies so beautifully – a clever device. The chapter in which Claudia Jones’ features opens with some of her poetry, later using material from Carole Boyce Davies’ biography to further contribute to knowledge of erstwhile hidden as aspects of Jones’ poetry. See Books: Reviews for the complete review.

Leah Mercer The Playgroup Bookouture, March 2024.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

The Playgroup begins with the familiar domestic drama/psychological suspense thriller themes: a mother who is coming to grips with a distressing past associated with her child and a caring concerned husband. However, soon the familiar red flags are replaced with much wider aspects of a thriller. Alice, Beth and Georgie and working at The Nest widen Lenore and Florence’s horizons.

Lenore has left James behind in their home in London in an attempt to demonstrate that she can care for Florence alone. She is determined to regain the independence and some aspects of her former life as a teacher, lost when she suffered severe ante natal depression after Florence’s birth. The Nest offers her a return to a modified career as a trained educator, and Florence a play group in a professional setting that Lenore believes is in both their interests. James’s concerns about childcare are mitigated by Lenore’s presence at The Nest. See Books: Reviews for the complete review.

After the Covid update: Secret London – Become a Penguin Keeper for a Morning; Literature Cambridge Courses; Canberra Times Meet the Author; Kathy Lette – comment on Meet the Author Talk; Kamala Harris; Emily Kam Kngwarray Exhibition; Penny Wong marriage.

Covid in Canberra

The reporting period of 3 March to 14 March 2024 shows 50 new cases, with 16 people in hospital with Covid. One person is in ICU, no-one is ventilated. One life was lost in this period.

You Can Become A Penguin Keeper For A Morning At London Zoo

Feeding them their fishy food, undertaking their daily health check, and of course cleaning up their after this poopy colony.

 FRANCHESCA VILLAR – STAFF WRITER • 28 FEBRUARY, 2024

London Zoo's penguin keeper experience
Credit: London Zoo

Calling all penguin lovers and aquatic bird aficionados alike! A new penguin keeper experience is launching in the London Zoo where you’ll be able to jump in the shoes of a penguin keeper for a morning and learn all about what it takes to care for our waddling animal friends.

Starting on March 8, penguin enthusiasts will have the opportunity to accompany London Zoo experts alongside over 70 Humboldt penguins on the zoo’s Penguin Beach for a morning to see if they have what it takes to look after the flightless favourites.

London Zoo's Penguin Keeper Experience
Credit: London Zoo

As an honorary keeper, you’ll be diving into morning responsibilities which include carefully preparing the waddle’s (the name for a group of penguins) food before having fun feeding them their fishy breakfast. As you get hands-on performing the daily health checks on the penguins, you’ll get to learn all sorts of fascinating facts about the animals whilst you get up close and personal with them for a zoo experience unlike any other.

It won’t all be fun and games though, being a zoo keeper is tough work and comes with some mucky responsibilities. One of which includes helping out with the monumental task of cleaning up after the notoriously poopy colony.

London Zoo's Penguin Keeper Experience
Credit: London Zoo

Whilst you’re getting stuck in with the nitty-gritty of penguin keeper life, you’ll be able to make the most out of the zoo’s walking fountains of knowledge, otherwise known as zoo keepers, and ask them any burning questions they have on their favourite bird, before spending the rest of the day exploring the zoo.

London Zoo’s Head of Commercial, Lee Duffy said: “If you’ve ever dreamt of mucking in (or mucking out) with a team of Zookeepers, now is your chance. Adding this extra special moment to your visit to London Zoo will make it a unique experience; families and friends can come behind-the-scenes of our conservation zoo, creating incredible memories amongst nature together.”

The 90-minute penguin keeper experience will take place on Tuesdays, Fridays and Saturdays from Friday 8 March. A personalised experience is guaranteed with just four people per group, per day. Tickets to the exclusive experience start from £115 per person, plus admission to London Zoo. Find out more here.

LITERATURE CAMBRIDGE – COURSES 2024–2025

Literature Cambridge Ltd is an independent educational organisation providing top-quality courses on the best of Classical literature and literature in English. Our courses are taught by leading academics and are open to all. Email us: info@literaturecambridge.co.uk

LITERATURE COURSES 2024

We offer a range of live online courses which run weekly or fortnightly. Each course focuses on a particular writer or theme. Each session lasts for two hours, with an hour-long lecture by a leading scholar, followed by a moderated seminar.

FOR THE ONLINE COURSES AND SEASONS SEE THESE PAGES:

LITERATURE COURSES 2025

Passion and Violence in Greek and Shakespearean Tragedy, seven weekly sessions, January-February 2025.
• Iris Murdoch and Art course, 5 sessions, March-May 2025
Oscar Wilde course, 4 sessions, March-May 2025.
Doris Lessing: Women and Destiny course 2025 September-October 2025.
Elizabeth von Arnim: Women, Men and Dogs course, October-December 2025
• London in Literature II: 1950s-2023, autumn 2025

Live online lectures and seminars via zoom.

More courses for 2024-25 will be added in the coming months.

A list of past online lectures and seasons since May 2020 can be found here.

ANU/The Canberra Times Meet the Author series

The ANU Meet the Author Series has captivated the Canberra community for nearly three decades now, drawing some of the biggest names in literature, history and current affairs.  Talks are regularly podcasted and available through Soundcloud.

Kathy Lette book signing and talk at ANU as part of this series

Kathy Lette was a lively speaker, with a multitude of smart phrases which created bursts of laughter from many in the audience. There was some good material, although little to give an insight into her development of her work. This was a contrast with the time spent by Dervla McTiernan in her conversation last week. There was a good question and answer session, although I was disappointed with the somewhat superficial response to a man’s question about what he saw as the difficulties of dealing with a menopausal woman. In the same vein, a question about the American situation in relation to abortion laws was disappointing, although the point was made about the change to French abortion law to ensure women seeking abortions remained able to do so. Lette’s commentary on her former husbands and current partner was generous and worth thinking about – no friendships lost there, which is a positive. Her discussion of female friendships was informative and lively. It would be nice to be close by when they are having coffee! Although I wouldn’t want to do this too often. This is my takeaway from the presentation – a bit too much for me, and my sense of humour is nowhere near that of the woman seated beside me who obviously enjoyed every witty comment. However, I was pleased to have gone to the talk, and as is clear from my review (#TheRevengeClub#NetGalley) last week, I enjoyed the novel.

I have only recently become aware of this series but will be attending more in the future. Louise Milligan, author of Pheasant’s Nest (review on Goodreads and #Pheasant’sNest #NetGalley and in a future blog) will be a speaker in April.

20 Mar 2024, 6:00 pm – 7:00 pm

Meet the author – Ronli Sifris and Carla Wilshire March 20, 2024

25 Mar 2024, 6:00 pm – 7:00 pm

Meet the author – Julia Baird March 25, 2024.

27 Mar 2024, 6:00 pm – 7:00 pm

Meet the author – David Lindenmayer 27 March 2024.

2 Apr 2024, 6:00 pm – 7:00 pm

Meet the author – Louise Milligan 2 April 2024.
Location Tangney Rd Cinema, Cultural Centre Kambri (ANU Building 153) ACT Acton 2601

The vice president met with abortion providers and staff members in Minneapolis, a striking political move that shows how assertive Democrats have grown on the issue.

US Vice President Kamala Harris arrives to speak during her visit to a Planned Parenthood clinic in Saint Paul, Minnesota, on March 14, 2024. Harris toured an abortion clinic, highlighting a key election issue in what US media reported was the first such visit by a president or vice president.© STEPHEN MATUREN, AFP via Getty Images

We have to be a nation that trusts women”

National Gallery of Australia visit to the Emily Kam Kngwarray Exhibition

That’s why the old woman is famous.” Jedda Kngwarray Purvis and Josie Petyar Kunuth, June 2023

Penny Wong, veteran Labor senator and Australia’s Foreign Minister, has married her long-time partner Sophie Allouache in her home state of South Australia

Week beginning 13 March 2024

Kathy Lette, The Revenge Club, Aria and Aries, May 2024.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Kathy Lette has not let her joy in creating a comedy undermine her strong story line that promotes the abilities and strengths of women fast approaching their sixties, a continuing fight to break the glass ceiling, and the perfections and perils of friendship, partnerships and children. The Revenge Club is such a romp – but also such a marvellous insight into women’s friendships, partnering and dealing with children. It is Lette’s ability to combine joyous writing, graphic descriptions and serious content that makes this such a powerful and fun novel. See Books: Reviews for the complete review.

Meet the author – Kathy Lette
Wednesday 13 March, 6-7pm
Kathy Lette will be in conversation with Karen Hardy on her new novel The Revenge Club, a subversive, irreverent revenge romp.
This event is in association with Harry Hartog Bookshop. Books will be available for purchase on the evening in the Cultural Centre foyer. Pre-event book signings will be available from 5.30pm, and available again after the event.

Registration

The great trade union women of Australian history

Zelda D'Aprano

This International Women’s Day while debate rages about the latest gender pay gap figures, LNL looks back at the women of Australia’s history who led the fight for better wages and conditions, writing letters, leading protests and strikes, taking on male-dominated jobs and challenging our governments and our biggest employers to do better. 

Guests:  Sally McManus, Secretary of the ACTU; Wil Stracke, Assistant Secretary at the Victorian Trades Hall Council and Tik Tok star; Robynne Murphy, former steel worker, union delegate and producer and director of the documentary “Women of Steel.

This story contains an excerpt from the film FOR LOVE OR MONEY: A History of Women and Work in Australia by Megan McMurchy, Margot Nash, Margot Oliver & Jeni Thornley, 1983.

Guest Presenter Kylie Morris is also PRIMER’s gendered violence reporter. 

Credits

Kylie Morris, Presenter; Catherine Zengerer, Producer

Broadcast 7 Mar 20247 Mar 2024

IWD special: the great trade union women of Australia’s history
Illustrations of a koala, lighthouse, books and a radio on a blue background.

Duration: 55 minutes 59 seconds Broadcast Thu 7 Mar 2024 at 10:00pm

9 Incredible Women Who Shaped London, In Honour Of International Women’s Day *

To mark International Women’s Day, we’re celebrating the stories of nine incredible women who have left their mark on London.

 ALEX LANDON – EDITOR • 6 MARCH, 2024

Women who shaped London

International Women’s Day is a day to celebrate the power, achievements, and potential of all women, with an eye firmly on making the world a better and fairer place for all.

But it’s also a prime opportunity to look back into the past, and celebrate the work of the women who’ve come before us, and whose achievements still resonate loudly today.

Leaders, pioneers, visionaries – all feature in our list, and all made an impact on London in one way or another. Here are nine women who shaped London that you should know about!

1. Kate Hall

Here in 2023, the UK’s top visitor attraction (Tate Modern) is run by a woman, director Frances Morris. But back in 1893, no woman had ever ascended to the position of museum curator in England – until Kate Hall became the curator of the Whitechapel Museum.

A great lover of the natural world, Hall turned the museum into a popular community hub, adding plants and animals in order to help visitors learn about flora and fauna in a hands-on approach. She would go on to found her own museum – the Nature Study Museum, opened in 1904 – give lectures on the natural world at the Horniman Museum, write a book about London’s parks, and generally set a stellar example for female curators to follow in the years to come. The East End Women’s Museum has an excellent long read on Kate Hall, which you can read here.

2. Noor Inayat Khan

One can only blame the patriarchy for the fact that there’s no Hollywood blockbuster telling the tale of Noor Inayat Khan (she is, at least, a character in 2019 film A Call To Spy). A pacifist-turned-radio operator-turned WW2 spy, she helped organise the French resistance to Nazi rule, before being sold out by a double agent and executed – although not before she’d launched one last daring escape mission.

Though born in Moscow and raised mostly in Paris, she set off for her brave mission from London, and is honoured with both a statue and a blue plaque in BloomsburyYou can read more about her here.

See also: How To Celebrate International Women’s Day In London

3. Rhaune Laslett

Portrait from The Voice

What could you achieve with borrowed costumes from Madame Tussauds and one good idea? Rhaune Laslett used those, plus a large helping of community spirit, to lay the foundations for an event that still draws the crowds today: Notting Hill Carnival. Born in London’s East End to a Native American mother and a Russian father, Laslett realised the importance of bringing today the communities of Notting Hill, and did so with The Notting Hill Fayre and Pageant, which drew a reported crowd of 1,500. And the rest, as they say, is history…

4. Claudia Jones
Image source: Erik S. McDuffie, Sojourning for Freedom: Black Women, American Communism, and the Making of Black Left Feminism

Of course, if we’re going to give Rhaune Laslett credit for Notting Hill Carnival, then we’ll need to mention the other towering figure who helped create the modern festival: Claudia Jones.

She took a rather circuitous route to London – born in Trinidad, raised in the USA, and deported to Britain on account of her membership with the US Communist Party – but once she arrived here, her influence was indelible.

Even before founding and editing the short-lived but influential West Indian Gazette, she was a vocal activist in the growing British African-Caribbean community, and eventually set up the Caribbean Carnivals first held in London in 1959, which would eventually grow into the modern Notting Hill Carnival.

Further proof of her standing in London can be found at her gravestone; not only is it in Highgate Cemetery (final resting place for many an influential Londoner), but it’s right next door to the tomb of her hero, Karl Marx.

5. Phyll Opoku-Gyimah

The only woman on our list still amongst the living, Phyll Opoku-Gyimah is the co-founder of UK Black Pride, now Europe’s largest celebration of African, Asian, Middle Eastern, Latin American, and Caribbean-heritage LGBTQ+ people.

Founded in 2005 with an aim to cross racial and cultural lines, and celebrate the entire LGBTQ+ spectrum of identity, UK Black Pride is as much a movement as it is a London festival (which falls in early July in non-pandemic years), and does excellent advocacy work throughout the year. Opoku-Gyimah remains a powerful force for equality and love, both in her role at UK Black Pride, and as Executive Director for international NGO Kaleidoscope Trust.

6. Hannah Dadds

Pioneers tend to leave an indelible mark on the places and industries they inhabit, and Hannah Dadds was no exception. As the first female Tube driver, Dadds broke through one of London transport’s biggest glass ceilings, with thousands of women following her since.

She took control of a District line train in 1978, the beginning of a 15-year career as the network’s first female driver, and when her sister Edna joined the London Underground, the duo teamed up to become the first all-female crew on the Underground. In 2019, a commemorative plaque was unveiled at her home base, Upton Park station, to detail her career and achievements.

7. Millicent Fawcett

The only woman to be honoured with a statue in Parliament Square – yes, we have so much more work to do on recognising and honouring women – Millicent Fawcett was a leading figure in the suffragette movement.

Sixty years of campaigning for women’s rights helped lead to the Equal Franchise Act of 1928, passed just a year before Fawcett died. Her other accomplishments include co-founding Newnham College at Cambridge University, and her statue made history in one other way: it’s the first in Parliament Square to be designed by a woman, having been created by Turner Prize-winning sculptor Gillian Wearing.

8. Elizabeth Garrett Anderson

Millicent Fawcett wasn’t the only ground-breaking woman in her family, though. Elder sister Elizabeth Garrett Anderson made history of her own as the first woman to become a doctor and surgeon in Britain, and that is only the start of a long list of achievements.

With her gender preventing her from working in a hospital, she opened her first practice in Marylebone in 1865, tending to cholera patients in the outbreak of that year.

By 1873, she’d become the first woman appointed to a medical post in Britain, and the following year she co-founded the School of Medicine for Women (now part of UCL’s medical school) with fellow pioneer Dr Sophia Jex-Blake, before eventually serving as its dean. Oh, and she still found time to fight for women’s suffrage, and to serve as mayor of her hometown of Aldeburgh, becoming – you guessed it – the first female mayor in Britain.

9. Mary Seacole

‘Mother Seacole’ may not be as well known as her contemporary Florence Nightingale, but since she previously topped a poll to find the greatest Black Briton, she’s someone you really ought to know.

Born and raised in Jamaica, Seacole brought her nursing talents to British soldiers during the Crimean War, where she founded her ‘British Hotel’ to provide care for the wounded. Though her legacy faded after her death, historians and activists have helped raise awareness of her status and deeds over the past 40 years, bringing her back to the attention of the public. Now, hospital wards bear her name and NHS Seacole Centre at Headley Court in Surrey has been used to provide care for those recovering from Covid-19.

You’ll also find a blue plaque dedicated to her in Soho Square, and an impressive statue outside St Thomas’ Hospital – meanwhile, the Mary Seacole Awards recognise the outstanding work of people from Black and minority ethnic backgrounds.

*Some images edited to include those that appear to be not under copyright, replacing those from the article that appear to be copyright.

Here’s How You Can Stay Overnight Inside St Paul’s Cathedral For Just £7

Some lucky Londoners will get to peruse and snooze amongst the 22,000 books in the secret library nestled inside one of the capital city’s most iconic landmarks.

 KATIE FORGE – STAFF WRITER • 5 MARCH, 2024

Literary-lovers of London, listen up. St Paul’s Cathedral is hosting the ultimate pyjama party to mark World Book Day. For the very first time since World War II; the hidden library nestled within the legendary London landmark will be available for an overnight stay. And it will cost just £7 for the night. Yes, you read that correctly. You can have a sleepover at St Paul’s Cathedral for less than the cost of a pint in most London pubs.

Hosted by #BookTok’s Abby Parker and exclusively listed on Airbnb; this blissfully bookish break will take place on Friday, March 15. The hidden library boasts a carefully-curated collection of over 22,000 books, from timeless classics to the latest.

What’s included in the stay?

Kicking off with a climb up the famous Geometric Staircase (which was designed 300 years ago by Sir Christopher Wren, FYI), the literary itinerary will also involve dinner, breakfast, a tour of the cathedral from the Dean of St Paul’s, a climb up the cathedral’s dome and – of course – plenty of time to get stuck in to the gigantic to-be-read pile.

A reading nook within the hidden library at St Paul's
Credit: Simone Morciano

Although sleep will be low on the list of priorities during this stay; guests will be slumbering in the bedroom section of the hidden library but will have access to the reading room, the reading nooks and the library. The lucky pair will also receive signed and stamped copies of the upcoming Penguin Random House US unreleased books to take home with them.

This highly-coveted night at the museum cathedral will be available for one night only on Friday, March 15 and is suitable for two adults. Guests can request to book the stay on March 12 at 10am – so clear your diaries, bookworms and bibliophiles. May the odds be in your favour.

A plush green sofa in the middle of a huge bookshelf in the Reading Room at St Paul's Cathedral
Credit: Simone Morciano

Sandra Lynes Timbrell, Director of Visitor Engagement at St Paul’s Cathedral, said: “The recently restored library at St Paul’s has long been a secret gem of the Cathedral – cleverly concealed by the ingenious architecture of Sir Christopher Wren. Some very fortunate guests will now get the chance to delve deeper into the history and wonder of St Paul’s with this truly one of a kind stay.

Amanda Cupples, General Manager of Northern Europe at Airbnb, said: “The Hidden Library of St Paul’s Cathedral’s is truly a haven for book-lovers seeking the ultimate literary escape. Whether you’re a bookworm, a history enthusiast, or simply seeking a unique experience in London, we are thrilled to open up the doors to the library of your dreams, and one of the most iconic buildings in the world, exclusively on Airbnb.”

A bookshelf lines hallway inside the hidden library at St Paul's
Credit: Simone Morciano

Find out more information here.

This Is The Ultimate London Literary Walking Tour For Book-Lovers

We’ve created a walking tour that hits the very best literary spots that London has to offer (and trust us there’s a hell of a lot), so lace up those shoes and lets get walking.

 FRANCHESCA VILLAR – STAFF WRITER • 6 MARCH, 2024

Left: Sherlock Holmes museum Right: Walking tour map
Credit: (Left) Gimas / Shutterstock

London is a true dream for any bibliophile, it has been the home to some of the world’s most renowned writers and has been the subject and inspiration of endless authors, poets, and storytellers so it’s no surprise that it’s heaped in literary history. With that said, it also makes for the perfect place for a literary walking tour.

Considering that London is chock-full of places with literary leanings—whether it was where an author lived, establishments or pubs they would frequent, or places in London that have ended up immortalised in their writing—a walking tour with every single one of these spots would most probably wear the soles of your shoes clean off and take a week to get through. So instead, we’ve come up with a walking tour that hits the best literary spots in London but is still doable within a day. It is a pretty extensive route, so feel free to tailor the tour for the time you have and the distance you’re willing or able to go, or even throw in a cheeky bus ride in between some stops to give your legs a much-needed rest.

So without further ado, it’s time to get those steps in and discover the London of some of the world’s most beloved writers.

1. Highgate Cemetery
Karl Marx's grave in Highgate Cemetery
Credit: DrimaFilm / Shutterstock

We’re starting the walking tour off with a bang in North London’s Highgate Cemetery, the resting place of approximately 170,000 people most notably including Karl Marx and George Eliot. The tomb of the German philosopher and co-author of The Communist Manifesto stands in the Eastern Cemetery and consists of a large bust of Marx on a marble pedestal inscribed with the final words of the manifesto, ‘workers of all lands unite’. Marx’s tomb is one of the most famous tombs in the cemetery but has also had a history of vandalism and attacks by those who don’t agree with his theories. It’s definitely a must-see in any London literary walking tour, hence why it’s the starting point of our adventure!

The grave of George Eliot, or rather Mary Ann Stevens, is also found in the Eastern Cemetery and is inscribed with lines from her poem ‘The Choir Invisible’. She is known as one of the most celebrated novelists of the Victorian period, with her work including MiddlemarchAdam Bede, and The Mill on the Floss. Other influential literary figures can be found in Highgate Cemetery including Herbert Spencer whose political theories are the direct opposite of Karl Marx’s and whose ashes are interestingly found almost directly opposite from Marx’s grave. The tombs of the wife, parents, brother, and sister of Charles Dickens also reside in the cemetery.

Swain’s Lane, N6 6PJ

2. Keats House
John Keats' house in Hampstead
Credit: Alex_Mastro / Shutterstock

Making our way down from Highgate to the lovely Hampstead is the house of John Keats. This was the home of John Keats from 1818 to 1820 and was where he stayed until he left for Rome in the hope that the warmer weather would ease the pain of his tuberculosis. It was built around 1815 and was originally called Wentworth Place and was where Keats composed some of his most famous works including La Belle Dame sans Merci, The Eve of St Agnes, and Ode to a Nightmare. In the house next door lived Fanny Brawne who was the fiancee and muse to Keats, although they were never able to marry because of Keats’ untimely death. Now the house is open as a museum and is well worth a visit inside as it has numerous well-preserved artefacts including the engagement ring given to Fanny Brawne and a copy of Keats’ death mask.

10 Keats Grove, NW3 2RR

3. The Sherlock Holmes Museum
Sherlock Holmes Museum on Baker Street
Credit: Gimas / Shutterstock

A London literary walking tour simply would not be complete without a stop at our favourite detective’s house. Although the museum doesn’t technically stand on the actual 221b Baker Street address (a building society stands on it instead) we’re still happy to pretend the museum is where the fictional Sherlock Holmes once resided. The museum has been vamped up to look like a Victorian-era house, complete with gas lamps, authentic Victorian furniture and curiosities all fit for Arthur Conan-Doyles’ infamous detective.

The museum lets you step back in time to a bygone era and see where Holmes and Watson’s began. It’s probably the most immersive stop on the walking tour and although it’s a bit of a long walk from Hampstead, it’s definitely worth the trip and can easily be reached on a cheeky bus or tube detour to Baker Street.

22lb Baker Street although technically 237-241 Baker Street, NW1 6XE.

4. Platform 9 3/4
Platform 9 3/4 in Kings Cross
Credit: Julia Pobedynska / Shutterstock

In King’s Cross Station you’ll find a trolly embedded in the wall on the platform ready for you to start your journey to Hogwarts, or so we can hope. This stop is a non-negotiable for any Potterheads in London and even has a handy Harry Potter gift shop nearby for you to get your wand and stock up on any essentials before you head to Hogwarts.

Kings Cross Station, N1 9AP

5. The British Library
The British Library
Credit: Sun_Shine / Shutterstock

The British Library is any book lover’s absolute dream. It’s a mammoth of a building with hundreds and thousands of books for you to explore. Some highlights of the library include its first edition collections of the most well-known and oldest books, and original copies of letters and documents that you’ll have access to once you sign up for a reading pass. It’s a place on the tour that deserves a lot of time for you to explore all that it has to offer so it’s well worth a return visit for you to hunker down with the books.

96 Euston Road, NW1 2DB

6. Gordon Square
Lytton Strachey's home in Gordons Square
Credit: BasPhoto / Shutterstock

Now entering Bloomsbury which is definitely a literary hotspot in London, and hence why it’s got a few entries on our walking tour, this area was a favourite among many writers and was a bustling hub for intellectuals. So much so that they even produced a group called the Bloomsbury Group in the 20th century made up of writers, intellectuals, artists, and philosophers including Virginia Woolf, John Maynard Keynes, E. M. Forster, and Lytton Strachey. All around Bloomsbury, you’ll find endless plaques signposting places where the Bloomsbury Group lived, worked, and met, with Gordon Square being the best place to find this as it’s where several members of the Bloomsbury Group lived, including Virginia Woold.

7. Senate House

Just a very short walk away from Gordon Square is Senate House which is the administrative centre of the University of London and a library which occupies the fourth to 18th floors of the building. It has a place on our walking tour as it was George Orwell’s inspiration for the Ministry of Truth in one of literature’s greatest dystopian novels, Nineteen Eighty-Four.

Malet Street, WC1E 7HU

8. The Charles Dickens Museum
Inside the Charles Dickens museum
Credit: Julian Jean Zayatz / Shutterstock

Once Charles Dickens‘ from 1837 to 1839 and now a museum which remains just as he’s left it. It was whilst Dickens lived in this home with his wife and eldest son that he wrote The Pickwick PapersNicholas Nickleby, and most famous of all, Oliver Twist. The house became open to the public in 1925 and looks like a typical middle-class Victorian home decorated with items that belonged to Dickens.

48-49 Doughty Street, WC1N 2LX

9. Fitzroy Tavern
The Fitzroy Tavern
Credit: cktravels.com / Shutterstock

A popular watering hole among artists and intellectuals from the 1920’s to 1950’s was the Fitzroy Tavern, a perfect place for a mid-walking-tour drink. George Orwell and Dylan Thomas frequented the tavern, so if it’s good enough for them then it’s certainly good enough for us. The pub still has all the charms of its heyday and even has a photograph of Dylan Thomas drinking in the pub up on its walls.

16 Charlotte Street, W1T 2LY

10. The Old Curiosity Shop
The Old Curiosity Shop
Credit: Alexandre Rotenberg / Shutterstock

The Old Curiosity Shop is another Charles Dickens stop on the tour and is said to have been the inspiration for Dickens’ novel of the same name. The building dates back to the sixteenth century, specifically 1567, in an area known as Clare Market and is made using timber from old ships, remaining intact even through the bombing during World War Two. The shop looks as if it’s been taken right out of a storybook and has kept its charming old-timey look, selling antiques and high-end shoes.

13-14 Portsmouth Street, WC2A 2ES

11. Ye Olde Cheshire Cheese
Ye Olde Cheshire Cheese
Credit: Arndale / Shutterstock

Another historic watering hole on the list is Fleet Street’s Ye Olde Cheshire Cheese. The pub was rebuilt in 1666 after the Great Fire of London but there has been a pub at this location since 1538 so it’s been around for a long old time – the creaking of the floorboards can tell you as much. The likes of Oliver Goldfield, Mark Twain, Charles Dickens, Alfred Tennyson, Sir Arthur Conan Doyle, G.K. Chesterton, P.G. Wodehouse, and Samuel Johnson are all said to have been regulars of this humble pub. Oh if only walls could talk. Ye Olde Cheshire Cheese has also been featured in several fictional works including Agatha Christie’s The Million Dollar Bond Robberyand although not fictional but certainly quite random, in the Betty Crocker cookbook.

145 Fleet Street, EC4A 2BP

12. The Cockpit
The Cockpit pub
Credit: Chrispictures / Shutterstock

With another pub on the list, we may be in danger of turning this walking tour into a pub crawl (which wouldn’t be a bad idea) but we promise The Cockpit is here for good reason. As you can probably tell by now London is certainly not short of its historic pubs, and this quaint little boozer in Blackfriars is one of them. The Cockpit stands on the site of a house once bought by Shakespeare for the eye-watering sum of £140, *cries in 21st century London renting crisis*.

7 St Andrew’s Hill, EC4V 5BY

13. Shakespeare’s Globe
Shakespeare's Globe
Credit: Cowardlion / Shutterstock

Although it’s not the actual thing, Shakespeare’s Globe is a pretty excellent realistic reconstruction of the original Globe Theatre best associated with The Bard. The original theatre was built in 1599 but demolished in 1644 and is pretty much true-to-history as you can get, apart from its capacity of 1,400 spectators compared to the original theatre’s 3,000 which is due to modern safety requirements. Plays are on from May through to October with tours available all year round so we definitely recommend a visit during summer for your best chance to get a taste of Shakespeare’s plays in action in the space he intended it – sort of.

21 New Globe Walk, SE1 9DT

14. The George Inn
The George Inn
Credit: Alan Kean / Shutterstock

The final stop on this hefty walking tour is The George Inn, London’s last remaining galleried inn, for a well-deserved rest and a well-deserved drink. It’s been known to be a popular haunt of two of England’s most legendary writers; Charles Dickens and William Shakespeare. There are definite records of Charles Dickens drinking at The George and even mentions it by name in the Little Dorrit. Shakespeare also mentioned the pub in one of his plays, living in Southwark it’s not hard to imagine that he enjoyed many a local beer in this pub. Even Geoffrey Chaucer has ties with The George Inn, as it was just outside where he began his pilgrimage to Canterbury with his journey being canonised in The Canterbury Tales which is regarded as the birth of English literature.

75 Borough High Street, SE1 1NH

Read more: Literary Spots In London That Every Book Lover Needs To Visit

There is nothing here about one of my favourite authors, Barbara Pym. A member of the Barbara Pym Society has devised a Barbara Pym walk, based on her workplace and environs. This will be a treat for another post.

Starting today for International Women’s Day, each Friday in March we’ll be bringing you a different blog article from our expert authors that sheds light on women’s experience and celebrates womanhood – with topics ranging from what we can learn globally from African matriarchitarian societies to how women in China are rejecting marriage and academic women’s experiences in religion.
Head over to the blog right now to find out why women are key to improving city life.
Read the blog

Heather Cox Richardson – Letters from an American, response to the State of the Union address

Last night, Republicans and Democrats offered very different visions of the roles and rights of women in American society. 

In the State of the Union address, President Joe Biden thanked Vice President Kamala Harris “for being an incredible leader defending reproductive freedom and so much more.” Biden condemned “state laws banning the freedom to choose, criminalizing doctors, forcing survivors of rape and incest to leave their states to get the treatment they need,” and he called out Republicans “promising to pass a national ban on reproductive freedom.”

Biden quoted back to the right-wing majority on the Supreme Court, sitting in front of him in the chamber, their words when in June 2022 they overturned the 1973 Roe v. Wade decision that recognized the constitutional right to abortion.

The justices wrote: “Women are not without electoral or political power.” 

Biden responded: “You’re about to realize just how much you were right about that.” “Clearly, those bragging about overturning Roe v. Wade have no clue about the power of women. But they found out. When reproductive freedom was on the ballot, we won in 2022 and 2023. And we’ll win again in 2024.” Biden promised to restore Roe v. Wade if Americans elect a Congress that supports the right to choose.

Senator Katie Britt (R-AL) gave the Republican rebuttal to the State of the Union address. Sitting in a kitchen rather than in a setting that reflected her position in one of the nation’s highest elected offices, Britt conspicuously wore a necklace with a cross and spoke in a breathy, childlike voice as she wavered between smiles and the suggestion she was on the verge of tears. 

“What the hell am I watching right now?” an unnamed Trump advisor asked Nikki McCann Ramirez and Asawin Suebsaeng of Rolling Stone.

Britt’s performance was the logical outcome of right-wing demonization of women’s rights advocates since the 1960s. That popular demonization began soon after women calling for “liberation” from the strict gender roles of the post–World War II years protested the 1968 Miss America pageant in Atlantic City, New Jersey. The protesters tossed items related to women’s roles as homemakers and sex symbols—bras, girdles, pots and pans, and Playboy magazines—into a trash can. That act so horrified traditionalists that a journalist likened the women to young men burning their draft cards, starting the myth that the protesting women had burned their bras. 

Two years later, with his popularity dropping before the 1972 election, President Richard Nixon wooed Catholic Democrats by abandoning his support for abortion rights. The following March, Congress passed the Equal Rights Amendment to the Constitution, declaring that “[e]quality of rights under the law shall not be denied or abridged by the United States or by any state on account of sex,” and sent it off to the states for ratification. 

Advocates of traditional gender roles used abortion as a proxy to attack women’s rights in general. Railing against the Equal Rights Amendment in her first statement on abortion in 1972, activist Phyllis Schlafly did not mention fetuses, but instead attacked “women’s lib”—the women’s liberation movement—which she claimed was “a total assault on the role of the American woman as wife and mother, and on the family as the basic unit of society.” 

The Supreme Court decided Roe v. Wade in 1973, including women in the ranks of marginalized Americans whose civil rights were protected by the federal government. Since the 1950s, opponents of such federal protection for Black and Brown Americans had tied such federal action to communism because it meant the government used tax dollars for the benefit of specific groups. In their minds, this amounted to a redistribution of wealth from hardworking taxpayers to undeserving special interests. 

The cultural backlash to the idea of women’s equality strengthened. In 1974 the television show Little House on the Prairie, based on Laura Ingalls Wilder’s books, began its nine-year run. It portrayed western women as wives and mothers cared for by menfolk, complementing the image of the cowboy individualist championed by the antigovernment right wing. 

As historian Peggy O’Donnell noted in Jezebel in 2019, prairie dresses, with their image of “traditional” femininity and motherhood, the female version of cowboy clothing, became fashionable, even as the era’s popular televangelists railed against feminists. 

Constantly evoking the image of the western cowboy, Ronald Reagan won the White House. Four years later, sociologist Kristin Luker discovered that “pro-life” activists believed that selfish “pro-choice” women were denigrating the roles of wife and mother and were demanding rights they didn’t need or deserve.

Increasingly, Republicans portrayed women who demanded equality as a special interest made up of feminist scolds who wanted federal support they did not deserve. In 1984, when Democratic presidential candidate Walter “Fritz” Mondale tapped the very well qualified Representative Geraldine Ferraro of New York as his running mate, opponents circulated fake campaign buttons backing “Fritz and Tits,” and even 60 percent of Democrats thought Ferraro was there only because Mondale was under pressure from women’s groups who wanted special legislation. 

Powerful women either fell out of public view or were pilloried for intruding on a man’s world as those opposing women’s equality portrayed women either as wives and mothers, who looked to their husbands for financial security and safety, or as sex objects available for men’s pleasure. 

By 1988, talk radio host Rush Limbaugh had begun to demonize women’s rights advocates as “feminazis” for whom “the most important thing in life is ensuring that as many abortions as possible occur.” After the 1993 siege of the headquarters of a religious cult near Waco, Texas, that left 76 people dead and inspired the rise of right-wing militias to resist the federal government, Limbaugh emphasized that the attorney general who ordered the operation was the first female attorney general: Janet Reno.

Such rhetoric turned out Republican voters, especially the white evangelical base, and after it launched in 1996, the Fox News Channel (FNC) reinforced the idea that individualist men should be running society. Most FNC personalities were older men; the network’s female personalities were young, beautiful, and deferential. (FNC chair and chief executive officer Roger Ailes resigned in 2016 after accounts emerged of alleged sexual harassment.) 

By 2016 the competing ideologies concerning the role of women in American society were encapsulated by the contest between Donald Trump and Secretary of State Hillary Clinton. Clinton was highly educated and extremely well qualified. She advocated protecting the rights of women and minorities and warned that Trump would pack the Supreme Court with extremists who would undermine abortion rights. She provided detailed policy papers. 

Trump, in turn, bragged of sexual assault and called for Clinton to be arrested: “Lock her up!” became the call and response at his rallies. Ending access to abortion had become the rallying cry for the evangelicals who supported Trump, and he promised to end those rights, even flirting with the idea of criminal punishments for women seeking abortions. Far from being disqualifying, Trump’s denigration of women embodied the sort of traditional gender roles fundamentalists embraced.

Once in office, Trump nominated and the Republican-dominated Senate confirmed three radical Supreme Court justices who in June 2022 overturned Roe v. Wade, taking away the recognition of a constitutional right Americans had enjoyed for almost 50 years. 

When Britt delivered the Republican rebuttal to the State of the Union from a kitchen, wearing a cross and using a submissive speaking style, she represented the outcome of the longstanding opposition to women’s equal rights in the United States.

The Democrats’ position last night was a sharp contrast. Biden stood in front of the nation’s first female vice president as he denounced the Republican assault on women’s rights. He warned the country: “America cannot go back.”

Perfect timing for today’s celebration of International Women’s Day.

Notes:

https://www.whitehouse.gov/state-of-the-union-2024

The following is an informative paper about the reply to President Biden’s State of the Union Address made by Republican Senator Katie Britt.

Jess Piper @jesspiper

Executive Director for Blue Missouri. Former nominee for State Rep, ‘22. Rural mom fighting for public schools. Host of “Dirt Road Democrat”.

The View from Rural Missouri by Jess Piper

The Fundie Baby Voice

I was about to head to bed after the State of the Union last night, when I heard a voice coming from my television that stopped me in my tracks. I didn’t know who was speaking, but it really didn’t matter—I recognized the voice. It was so many voices from my childhood. It was so many Sunday mornings and Wednesday evenings. It was potlucks, and baby show…

It was Senator Katie Britt using her well-practiced fundie baby voice.

Senator Katie Britt, (R) Alabama

I threw so many folks for a loop last year when I discussed the voice in a video. I used my “training” as a former Evangelical, a Southern Baptist, to describe the breathy cadence and the soft, child-like high pitch. Folks outside of Fundamentalist culture had never heard the term—they just knew the voice made them uncomfortable.

I know that voice well…in fact I can’t shake it myself. It was engrained in every woman I knew from church and every time I speak about it, folks will point out that I sound that way myself. Yes, friends. That’s the point.

Be sweet. Obey. Prove it by speaking in muted tones. See Further Commentary and Articles arising from Books* and continued longer articles.

Axios AM – Mike Allen March 10, 2024

🔬

 Charted: Rise of women inventors

Data: Invention, Knowledge Transfer, and Innovation report from the National Center for Science and Engineering Statistics. Chart: Danielle Alberti/Axios

Women’s participation in scientific patents has increased since 2000 — but there’s a large, lingering gender gap, Axios managing editor Alison Snyder writes from a National Center for Science and Engineering Statistics report.

  • Why it matters: Gender influences what’s invented. In biotech, fewer women inventors resulted in fewer health products for women. (The reminder of this information is behind the pay wall. However, what is available is instructive and worthwhile recording in International Women’s Month.)

Week beginning March 6 2024

Holly Swinyard  Fans and Fandom, A Journey into the Passion and Power of Fan Culture Pen & Sword, White Owl, March 2024.

Thank you, NetGalley and Pen & Sword, for providing me with this uncorrected proof for review. 

Holly Swinyard’s Fans and Fandom, A Journey into the Passion and Power of Fan Culture, is an excellent read for both those who are currently involved in the journeys she describes, and those whose knowledge of fandom is limited to attending a rock concert or sports event, some vague knowledge of Star Trekkers and possibly having some interest in fan fiction. I am in the latter group and realise that my knowledge is far from profound on this complex topic. Swinyard certainly brings one up to date, sometimes with a frightening jolt. In her well-researched text Swinyard demonstrates that a somewhat benign attitude to fandom is misplaced. See Books: Reviews for the complete review.

Kathleen Kuiper From the Mid-1900s to the Late 1900s (Part of History’s Most Influential Women) Rosen Publishing Group, Britannica Educational Publishing, January 2024.

Thank you, NetGalley for providing me with this uncorrected proof for review.

The introduction is well written, clear and informative. Similarly, each short section provides a clear excerpt from each of the women’s lives it portrays. Concentrating on the women’s accomplishments, rather than a far-ranging biographical note in most cases, this provides for a detailed account of one aspect of the women’s lives in the short amount of space each is given. As such, From the Mid-1900s to the Late 1900s, provides a good start for students to find a woman whose achievements interest them, encouraging them to then seek further information. This is a worthy work, although somewhat limited in depth, and bound to inspire students – after all, achievements are an excellent to introduce any person, of note, or indeed, less historically influential. In addition, the women who appear provide for a large range of interests to be followed up. Queen Elizabeth 11 adorns the cover, but inside can be found women whose attributes are remarkably different. See Books: Reviews for the complete review.

After the book reviews: The Weird Sister Collection – How a Feminist Blog is Born; Netflix research on Australian television watching habits; Dunkley By-election; Women in Jazz- IWD; Dervla McTiernan talk at ANU; Changes around Māori language; Penny Wong congratulated by Anthony Albanese; Arwa Mahdawi, The Guardian; Susan Ryan Oration.  

How a Feminist Blog is Born

by Marisa Crawford

An exclusive excerpt from “The Weird Sister Collection,” edited by Marisa Crawford.

I didn’t deign to call myself a feminist until I was nineteen years old, in my second year of college. Before then, I just wanted to be a writer. Reading Judy Blume and the Baby-Sitters Club books obsessively as a kid, I decided I wanted to be an “author” when I grew up, and started writing my own poems and young adult novels in fourth grade (a baby poet at heart, I could never get past chapter two). “Feminist” was a word I rarely heard growing up. If I did, it was mentioned with suspicion at best and disdain at worst. My first encounter with feminism as not purely negative came at fourteen, when my friend’s dad took us to a feminist vegetarian bookstore and restaurant in Bridgeport, Connecticut, called Bloodroot (it’s still there; please go). There, customers brought their own used dishes up to the counter in an apparent rejection of female subserviency that set off a little spark in my brain about the roles of women in the world around me, even if we sort of made fun of it after we left. I bought a bumper sticker that said “Vegetarians Taste Better,” uncertain if the sexual undertone was intended. I also bought a book of poems called Used to the Dark by Vicky Edmonds, a totally obscure small-press work, but the sole example I had at the time of what might be called feminist poetry. Of course, I wouldn’t have used that shameful word, “feminist,” to describe Edmonds’s book—maybe “writing by a woman about the dark parts of how it feels to be a woman,” like so much of my favorite music was? Weird, outspoken women artists like Tori Amos and Ani DiFranco and Courtney Love, who all my boyfriends and boy friends made fun of.

In college when I finally started calling myself a feminist—after meeting cool feminist friends who were nothing like the humorless stereotypes I had been warned about, and who told me I needed to throw out my bleached tampons and listen to Le Tigre and take women’s studies classes—I wanted desperately to make up for lost time, realizing that my whole life had been missing this essential perspective. So I read any and all feminist media I could get my hands on: I borrowed Inga Muscio’s book Cunt from a friend and read it along with every issue of Bitch magazine. I declared a minor in women’s studies and took classes where I learned about intersectionality, agency, privilege. .

In my creative writing classes, we never talked about those things; in my first workshop that same year, the MFA student instructor was so infectious in his excitement about literature that I didn’t even notice the syllabus he handed out had zero women writers on it until another female student in the class pointed it out—I was too busy becoming obsessed with Frank O’Hara’s Lunch Poems. Slowly I learned about feminism on a parallel path just next to the one where I was learning about how to be a writer. But I couldn’t quite figure out how these two spaces could coexist, let alone collide, and how on earth to go about building my own life within that collision.

Years later, I started the blog Weird Sister in 2014 because these two worlds—the feminist world that was incisive and inclusive, and the literary world that was performative, tongue-in-cheek, and experimental—still felt far too separate to me, even as I entered my thirties. In college, I’d started to see glimpses of the intersections between them: in women’s lit courses where we read Jamaica Kincaid, Toni Morrison, Maxine Hong Kingston, June Jordan, Gloria Anzaldúa. I went to see Eileen Myles read for extra class credit. I found Arielle Greenberg’s Small Press Traffic talk “On the Gurlesque” on the internet one night. Each piece of the feminist literary puzzle I learned about blew my mind all over again, and it occurred to me that there was not just one right way but many, many ways to be a feminist writer.

All these rich lineages of literary work and activism were out there, but where were the spaces outside of academia for people to come together to think and talk about them? From the mid-2000s into the 2010s, the blogosphere was where people talked about things. After college, I discovered the blog Feministing and made it my computer’s homepage so I wouldn’t forget to read it every day. That blog—along with other feminist blogs of that era like Crunk Feminist CollectiveEveryday FeminismBlack Girl DangerousTiger BeatdownRacialicious, and the Women’s Media Center blog—offered supersmart, inclusive takes on politics and pop culture in an accessible, conversational tone that helped me and so many other young people better understand the world. But they didn’t often include literary content—how could they, strapped as they were with the task of breaking down the entire world for young feminists, and payment-free at that? When these spaces did cover books, they were more commercial publications, not the niche within-a-niche world of experimental poetry where I had found my home as a writer. 

At the same time—but in a separate sphere—lit blogs were where my particular literary world found community and dialogue on the internet. On blogs like HTMLGiantColdfrontThe Rumpus, and We Who Are About To Die, poets and experimental writers wrote and read about the small poetry presses and underground literary culture that rarely got covered in larger venues. I remember reading some posts that addressed feminist issues by writers like Roxane Gay and Melissa Broder, then still aspiring writers themselves, but more often I read a lot of posts by cis white men that were interesting, insightful, and funny but lacked the political analysis I was looking for about how poetry related to gender and race and the other aspects of identity and power that mattered most when it came to living in the world.

These indie lit blogs were mostly edited by men and featured long rosters of mostly male contributors, mirroring the gender disparities of more mainstream literary publishing outlets and gatekeepers of the time. Of course there were, thankfully, some exceptions. Pussipo (later renamed HemPo), a collective of 160 feminist poets, started the blog Delirious Hem in 2006, which featured feminist poetics forums, roundtables with feminist small presses, feminist poets writing about everything from rape culture to movies, fashion, and fitness (“It’s a blog, it’s a poetics journal, it’s a platform. From time to time, a post will appear,” reads the description on the now archived Blogspot website). In 2009 I was forwarded a mass email from poet and professor Cate Marvin called “Women’s Writing Now!” which began “Dear Female Writer.” The email—which explained that Marvin’s panel proposal on Contemporary Women’s Poetry had been rejected by the annual writing conference AWP, while the conference regularly accepted proposals on topics unrelated to women (Birds in Poetry, for example, stands out in the mind from my own years of attending)—was a rallying call for the creation of a whole new organization dedicated exclusively to women’s writing. As a result, Marvin, along with Erin Belieu and Ann Townsend, soon founded VIDA: Women in Literary Arts, and in 2010 the organization began, among other vital literary projects, their annual VIDA Count to draw attention to gender disparities in publishing. With the Count, VIDA was not just critiquing inequities in literary culture but also holding institutions and gatekeepers accountable to do better in a very clear, measurable way.

But as Christopher Soto writes in his piece “The Limits of Representation” (page 113), equity in numbers, while hugely important, is only one measure of progress. I still longed for an intentional, energetic, creative, and community-building space to fill in even just some of the lack of feminist literary commentary online, to bridge a bit of the gap between these two distinct worlds I inhabited, and to disrupt the white male lit-blog industrial complex with an explicitly feminist Blog of One’s Own. Boosted by the encouragement of a girl gang of feminist poet friends (special shout-out to Becca Klaver for helping me get the blog off the ground), I bought a web domain, went into a temporary and never-to-be-replicated fugue state wherein I designed a website, and asked a roster of the smartest, coolest feminist writers I knew to join me in launching Weird Sister. See  Television,Film and Popular Culture: Comments for the complete article.

This image has an empty alt attribute; its file name is 9781558613003_FC-673x1024.jpeg

Netflix research shows what, where and why Aussies are watching TV (graphics slightly edited)

Louise Talbot
Feb 25, 2024, updated Feb 25, 2024

Chess-set sales skyrocketed after the release of The Queen’s GambitPhoto: Wikepedia

In a research study looking at how Australians consume their favourite TV shows and films, streaming giant Netflix has revealed some startling observations, including the lengths fanatics will go to to watch.

From a sample group of 1003 men and women aged from just 13 to 60, Netflix partnered with YouGov to conduct an online survey in July, asking them everything from whether they identify as a fanatic, whether they binge watch and how many hours a month they are in the zone.

Importantly, it appears that 49 per cent of Aussies admitted they had watched Netflix under unusual circumstances, and understandably, it’s in the office, at a party, on a date, at a funeral or while having sex.

But hang on – on the toilet?

A whopping 21 per cent of the survey group – extrapolate that to 2.8 million Aussies – admitted to watching Netflix on the dunny, with Gen Z more likely than older generations to admit they do it.

Introducing a new word thanks to Netflix, people, “Tudunny”, the combination of the familiar “Tudum” sound that plays at the beginning of a Netflix title with “dunny”, the quintessential Aussie slang for toilet.

The research also found almost 700,000 viewers said they called in sick to work in order to catch up on the latest episode of their favourite show, and nine out of 10 viewers said they nailed a TV series or movie marathon on Netflix in a single day.

And the most common Netflix series in our top three?

Younger generations watched Stranger Things, women were more likely to watch Addams Family spin-off Wednesday starring Jenna Ortega, while men loved to watch the antics of a mutated monster hunter in The Witcher.

“The results revealed that Aussies spend approximately 29.4 days per year streaming content … binge-watching remains a significant part of viewing habits, with 92 per cent of Netflix members having completed a TV or movie marathon lasting longer than two hours,” Netflix stated.

The ultimate in connecting research with culture: There’s an actual Tudunny pop-up giving fandom a truly immersive experience with fully functional toilets, modelled after Emily in ParisHeartbreak High and Squid Game. Photo: Netflix

The fandom

The survey also wanted to work out the strength of fan communities – otherwise known as fandoms — that have grown around specific films and TV series.

Based on the survey results, Aussies “are deeply involved in fandoms”, with 29 per cent identified as “fanatics”, with 54 per cent male, 51 per cent Millennials and 40 per cent living in New South Wales.

And, 73 per cent have done or have taken part in something related to their favourite show.

Think The Queen’s Gambit starring Anya Taylor-Joy – chessboard sales skyrocketed after the series aired.

Decades-old songs shot up to No.1 – that would be Running Up that Hill by Kate Bush for Stranger Things.

Regency-era fashion is having a major revival? That’s easy. Bridgerton.

“These stories have united people globally through their shared passion for the characters, fashion, locations, music and other aspects, turning them into pop culture moments,” Netflix said.

Fandoms are proving to have a positive impact not only on wider culture but also within their communities, according to the survey’s conclusions, with 76 per cent believing that being part of a fandom can improve mental health, and 82 per cent agree that it fosters a sense of belonging.

Photo: Netflix

Meanwhile, rewatching a TV show or film on Netflix is also a habit, with 87 per cent of viewers (nine in 10 Australians) saying they have felt compelled to relive the magic with their favourite biopic, documentary series or action thriller as (among other reasons) it helps them “to escape the stress of current world events (politics, social issues)”.

The franchise fandom also features in the survey results.

They were most likely to list Harry Potter (30 per cent), Marvel Universe (28 per cent ) and Game of Thrones (26 per cent) in their top three, followed by Star Wars, Lord of The Rings and Friends.

One conclusion out of the 1000-person survey?

Gen Zers (average age 26) – who grew up in the era of the iPhone, were shaped by the 2008 recession and the COVID-19 pandemic – watch a lot of Stranger Things on the loo.

Dunkley By-Election

Jodie Belyea has held on to what is traditionally a marginal seat, even after the death of a popular local MP and in the midst of a cost-of-living crisis. There was a swing against the government typical in nature to by-elections.

Labor candidate Jodie Belyea paid tribute to the late MP Peta Murphy following Labor’s win in the Dunkley by-election.

Women in Jazz
Friday 15 March, School of Music
In celebration of IWD, ANU Gender Institute members are invited to a panel, concert and reception.
Panel, 4-5.15pm
Stereotyped gender dynamics have persistently shaped jazz culture. This panel discussion will explore ways of stimulating a more gender inclusive jazz world.
Concert, 5.30-6.30pm
Psychomotor is Australian musician Jess Green’s new project. Joining Jess Green is drummer Jamie Cameron, bassist Brendan Clark and special guest Lauren Tsamouras. 
Reception, 6.30pm
Program │ Registration

Dervla McTiernan was in conversation with Chris Hammer at the ANU on 5th March, just one of her appearances to talk about this book. There was an excellent discussion ranging over McTiernan’s writing style, editorial matters, the role of fake news and social media, McTiernan’s particular interest in characterisation, drafting and redrafting, and comment on the characters with whom she felt the most affinity. See my review in last week’s blog.

In last week’s blog I posted the positive story about building a centre for Cherokee language preservation. Today’s story about indigenous language New Zealand is less positive.

Changes around Māori language come into focus as New Zealand government approaches 100-day milestone (edited to refer only to the changes associated with the indigenous language).

By Emily Clark in Waitangi 2 march 2024

Three generations of women stand together, Pounamu is 18, then her grandmother Ihapera, 66, and mother Natasha, 40.
Pounamu Diamond, Ihapera Kaihe and Natasha Diamond believe planned changes to the use of reo Māori across New Zealand threatens the past 50 years of progress. (ABC News: Daniel Irvine)

At the age of 66, Ihapera Kaihe sometimes calls on her young grandchildren to translate Māori words into English.

Those moments are both a difficult reminder of the injustices of the past and a glimmer of hope that maybe the future can be different.

Because when Ihapera was growing up, her parents were not allowed to speak Māori.

She has memories of them keeping their reo Māori a secret. And with only English spoken at home and at school, her connection to her native language was lost.  

In the classroom, she endured years of those around her mispronouncing her name. As she explains how that would come to impact her life, her voice starts to break.

“I went through years of not being able to have it pronounced properly, and it was the reason I named all my kids English names,” she said. 

“I never ever spoke reo because Mum and Dad weren’t allowed to at all, and by the time they brought it into my college … I’d finished school by then.”

Ihapera named her children Natasha, Joseph and Ethan.

Natasha Diamond is now 40, but times have changed in New Zealand.

And when Natasha had a daughter of her own, she sent her out into the world with the name Pounamu, teaching her that if someone couldn’t say her name correctly, she didn’t have to respond.

Pounamu grew up in wharekura — a “full-immersion” Māori language school.  

“That has a lot to do with past generations. They weren’t as privileged to learn about our culture and our language,” Pounamu said.  

“It is definitely a big part of who I am.” 

As the three generations of Māori women reflect on how their country, and the experience of their family, has changed over the past 50 years, there is an uneasy feeling that the gains made around Māori language are now at stake.

‘It boils frustration’: The hardships of conserving te reo Māori.

The new three-party Coalition government has promised to repeal a whole raft of Labour-era policies that impact Māori and has also brought some new policies to the table. 

Some of those agenda items have been criticised as trying to diminish the use of te reo Māori in New Zealand. For people like Ihapera, that hits a very deep and very painful nerve. 

She starts to cry as she recalls what it was like when it was forbidden to speak Māori in Aotearoa. See complete article in Further Commentary and Articles arising from Books* and continued longer articles

Anthony Albanese Congratulations to Penny Wong on becoming the longest serving female cabinet minister in Australia’s history.

From Facebook:

Prime Minister of Australia. Member for Grayndler. Authorised by Anthony Albanese, ALP, Canberra.

anthonyalbanese.com.au

From The Guardian Arwa Mahdawi, The Guardian <info@editorial.theguardian.com> 

Museums without men: a project to spotlight women’s art*

“Less than 4% of the artists in the [Metropolitan Museum of Art] Modern Art sections are women, but 76% of the nudes are female,” the activist art group Guerrilla Girls found in 2012. More than 10 years on the gender imbalance in museums is still very visible. To help redress this art historian Katy Hessel has created audio guides for museums that shift the spotlight on to female artists.

*A misleading and aggressive headline for positive project.

France to enshrine abortion as a constitutional right in a world-first

Abortion rights in France are currently protected by a 1975 law which, like all laws, could be revoked. Emmanuel Macron has said he wants to make women’s freedom to choose an abortion “irreversible”.

Susan Ryan Oration 2024Monday 25 March, 6-7pm
The 2024 Susan Ryan Oration will be delivered by Ms Padma Raman PSM Executive Director of the Office for Women at the Department of the Prime Minister and Cabinet. 
The Susan Ryan Oration stands as the University’s flagship IWD celebration, dedicated to honouring the late Susan Ryan, one of our community’s greatest advocates for age and gender equality. 

Registration

Week beginning 28 February 2024

C.L. Taylor Every Move You Make Avon Books, March 2024.

Thank you, NetGalley , for providing me with this uncorrected proof for review.

The fear and helplessness endured by people who are stalked resonates through this well-crafted novel. Those who suffer in the same way are all too aware of the threat that remains even after the stalker has been incarcerated; those who are not directly involved try to  instil optimism that a punished stalker will not reoffend. A Family Liaison officer advises moving, changing their name and phone number, moving house.  Those stalked take all these precautions but know no changes will work, understanding of what it is to be stalked is theirs, fear is theirs, inability to live an ordinary life is theirs. Natalie, Alexandra, Bridget and River are being stalked. Their response is to be in a WhatsApp group for survivors of stalkers.

The story opens as Natalie leaves work. She takes evasive action when she sees her stalker, changing tube destinations, speculating on the best way to evade him, then understanding that he has her phone number as he bombards her with aggressive messages, at which she is staring as she is approached. The WhatsApp messages between the other members demonstrate their incapacity to do more than try phoning Natalie as she has disappeared from the group. Their conversation instils even more understanding of the way in which stalking has impacted the lives of Alexandra, Lucy, Bridget and River. It also raises questions, why has River been excluded from some of the conversations? See Books: Reviews for the complete review.

Valerie Keogh The Mistress Boldwood Books, March 2024.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Valerie Keogh’s The Mistress brings together a couple whose marriage has, without their conscious recognition, become stale and the husband’s former lover who regrets having left him. The two women at the centre of the struggle for Mark have pasts that have undermined their capacity to become fully functioning adults and are also dealing with current catastrophes.  The brutal attack on Hannah by her husband introduces the novel; in contrast, Susan’s despair over the departure of her son to what she sees as a far-flung university rather than one of those close by which she would prefer is a minor affair. However, for Susan it, and her suspicions about Mark, are imperatives which force her to act out of character.  In comparison, Hannah’s relationship with her husband, and her determination to wrest Mark from Susan which forms the other thread in the novel, is very much in character. See Books: Reviews for the full review.

After Covid report: Heather Cox Richardson   – America, international issues; Cherokee Language Preservation; Women’s History, Inspiring young Women Readers.

Covid in Canberra

Between 16 to 22 February 2024 there were 96 PCR tested new cases reported; 20 people with covid are in hospital and 1 is in ICU. One life was lost in this period, making the total lives lost to Covid in Canberra, 303.

Letters from an American

Heather Cox Richardson 

@heathercoxrichardson

I’m a history professor interested in the contrast between image and reality in American politics. I believe in American democracy, despite its frequent failures.

Lots of moving pieces on this Monday, with the biggest stories coming in international affairs. 

The U.S. has appointed a special envoy for Sudan, which is ten months into a civil war that has turned 8 million people into refugees, sending 1.5 million into other countries; closed 80% of the hospitals in the area of the fighting; and prompted torture, rape, and deliberate starvation of civilians, at least 14,600 of whom have been killed. Tom Perriello will, the State Department said, “coordinate the U.S. policy on Sudan and advance our efforts to end the hostilities, secure unhindered humanitarian access, and support the Sudanese people as they seek to fulfill their aspirations for freedom, peace, and justice.” 

The North Atlantic Treaty Organization (NATO) is about to expand again. After 19 months of stalling, Hungary’s parliament voted today to approve Sweden as a new member, bringing the number of NATO countries to 32. Hungary’s prime minister Viktor Orbán, who has good relations with Russia’s president Vladimir Putin, has a history of using his country’s veto power over NATO to extract concessions; in exchange for Hungary’s approval, Sweden has agreed to provide it four fighter jets and for Saab to open an artificial intelligence research center in Hungary. 

There is also a major piece moving in the Middle East. This morning, the Palestinian Authority’s prime minister Mohammad Shtayyeh and cabinet offered to resign in order to clear the way for a new government. Palestinian Authority president Mahmoud Abbas accepted the resignations but asked the government to stay in place as a caretaker until a new government can be formed.

This is a big deal because it’s part of a larger plan for the Palestinian territories after the war. 

Since Hamas attacked Israel on October 7, 2023, the U.S. government has maintained that Israel has a right and a duty to defend itself against Hamas, but that it must operate within international humanitarian law that limits harm to civilians and that it must have a vision for a postwar political process to establish a Palestinian state next to Israel: the two-state solution. 

On the first condition, Zack Beauchamp of Vox reported last week that Israel Defense Forces (IDF) permitted far higher civilian casualties after October 7 than it had in previous wars. The result has been the dramatic destruction of lives and Gaza’s infrastructure that have so horrified many Americans that yesterday an active-duty U.S. airman set himself on fire outside the Israeli embassy in Washington, D.C., dying by suicide in protest of civilian deaths in Gaza. 

The Biden administration has worked to get aid into Gaza but has stood firm against a permanent ceasefire because it maintained that permitting Hamas to rebuild would leave the conditions for further warfare in place. It has also insisted that Hamas must return all the hostages its militants took on October 7. But in the U.S., the devastation in Gaza has fueled angry opposition to the administration by those who insist that Biden is fueling “genocide” and who demand an immediate cease-fire.

Beauchamp suggests that Israel’s prime minister, Benjamin Netanyahu, has largely ignored the second condition—that Israel must consider a postwar formula—at least in part because of his own legal troubles. 

Netanyahu is facing an ongoing corruption trial and apparently counts on staying in office to keep himself out of prison. To stay in office, he must hold his coalition together, and that means bowing to his far-right partners, who want to rebuild Israeli settlements in Gaza and oppose any Palestinian control there. Any plan for a postwar settlement threatens to break his coalition and lead to new elections that Netanhayu would likely lose. Until last week, Netanyahu vowed only “total victory” over Hamas.

But while Netanyahu refused to discuss a postwar plan, leaders in Arab states, as well as the U.S. and the European Union, appeared to see the crisis in Gaza as an opportunity to change the longstanding political dysfunction in the Middle East. For months now, they have been developing plans for a postwar settlement that includes a Palestinian state overseen by a revitalized Palestinian Authority along with security guarantees for Israel backed by normalization of relations between Israel and Saudi Arabia. Arab states have offered billions of dollars to rebuild Gaza so long as neither Hamas nor Israel is in charge of the territory. 

As Dennis Ross, U.S. Middle East specialist under both Republican George H.W. Bush and Democrat Bill Clinton, noted, for the first time in the long struggle in the modern Middle East, the Gulf Arab states see normalizing ties with Israel as important to their own security and economies. They have refused to get drawn into the conflict, pointing out to Israel their reliance on diplomacy rather than arms to prove that normalization of relations is key to Israeli security. 

Such a process required remaking the Palestinian Authority, which administers the West Bank and administered Gaza for a year between the time that Israel withdrew from Gaza in 2005 and Hamas won legislative elections in 2006. In mid-January, according to Barak Ravid of Axios, national security officials from Saudi Arabia, Jordan, Egypt, and the Palestinian Authority met secretly in Riyadh to figure out how to revitalize the Palestinian Authority to enable it to play its role in governing Gaza. 

At the end of January, Secretary of State Antony Blinken asked officials at the State Department to review procedures for the U.S. and the international community to recognize a Palestinian state, and the Biden administration sent CIA director William Burns to help Egypt and Qatar broker a deal between Hamas and Israel for the release of all remaining hostages held by Hamas and a pause in fighting to get humanitarian aid to Gaza. 

Meanwhile, Netanyahu made clear his determination to retain control of Gaza and stood firm against the two-state solution. At his back, he has had Trump and his loyalists, who are staunch supporters of Netanyahu. The news that the State Department was figuring out procedures for recognizing a Palestinian state prompted outrage from Trump’s former ambassador to Israel, David Friedman. He wrote: “I’m hoping this is just unauthorized and false messaging from one of the many at State who despise Israel. But make no mistake—this “recognition” would be even more devastating to Israel than the attacks of October 7!! Not to mention rewarding terrorists for their brutality! Unconscionable!”

Perhaps with the security of such support behind him, on February 23, Netanhayu released to his cabinet his own plan for a postwar settlement. It said that Israel will keep control over Gaza and that rebuilding the devastated territory will depend on its demilitarization, and rejects the “unilateral recognition” of a Palestinian state. On the same day, the Israeli government announced it would add more than 3,300 new homes to settlements in the Israeli-occupied West Bank after three Palestinian gunmen killed an Israeli settler and wounded five more. 

During its time in office, the Trump administration reversed four decades of U.S. policy by saying that such settlements did not violate international law, but following Friday’s announcement, Secretary of State Blinken promptly restored the old rule, saying that settlements are “counter-productive to reaching an enduring peace. They’re also inconsistent with international law. Our administration maintains a firm opposition to settlement expansion and in our judgment this only weakens, it doesn’t strengthen, Israel’s security,” he said.

Meanwhile, Netanhayu said yesterday on CBS’s Face the Nation that Israel plans to continue its assault on Hamas by attacking Rafah, a city in southern Gaza where about 1.4 million displaced Palestinians are taking shelter, something Biden has warned him against doing without a credible plan for protecting civilians. On February 24, Netanyahu said he would convene the Israeli cabinet this week “to approve military plans for an operation in Rafah, including the evacuation of civilians.” 

Negotiations for a release of the hostages and a pause in fighting continue. On Friday, officials from Israel, Egypt, the U.S., and Qatar, which serves as an intermediary for Hamas, met in Paris. White House national security advisor Jake Sullivan said he hoped for a final agreement “in the coming days.” Today, Biden told reporters that he hopes to see a temporary cease-fire by next Monday. 

On February 13, Amy Mackinnon and Robbie Gramer of Foreign Policy referred to the administration’s attempt to pull a two-state solution out of the chaos of the Middle East as Biden’s “grand bargain,” and they point out that “it faces staggering challenges.” A week later, in Foreign Affairs, political scientist Marc Lynch and foreign affairs scholar Shibley Telhami replied that “the idea of a Palestinian state emerging from the rubble of Gaza has no basis in reality.”

Today’s announcement of a new Palestinian Authority appears to be a shift.

Notes:

https://www.washingtonpost.com/world/2024/02/26/israel-hamas-war-news-gaza-palestine

https://www.washingtonpost.com/world/2024/01/16/israel-hamas-war-news-gaza-palestine-updates

https://www.washingtoninstitute.org/policy-analysis/ending-the-war

https://www.vox.com/24055522/israel-hamas-gaza-war-strategy-netanyahu-strategy-morality

https://www.axios.com/2024/01/29/israel-gaza-saudi-egypt-jordan-palestine-meeting

https://www.csmonitor.com/World/Middle-East/2023/1222/A-plan-for-Gaza-s-future-is-taking-shape.-Obstacles-loom

https://www.axios.com/2024/01/31/palestine-statehood-biden-israel-gaza-war

https://www.politico.eu/article/nato-lake-what-sweden-and-finland-will-change-in-the-baltics-russia-ukraine-war

https://www.cnn.com/2024/01/19/politics/joe-biden-benjamin-netanyahu-palestinian-state/index.html

https://www.cnn.com/2024/01/21/middleeast/netanyahu-palestinian-sovereignty-two-state-solution-intl/index.html

https://www.washingtonpost.com/national-security/2024/01/25/william-burns-cia-gaza-israel-hostages

https://www.washingtonpost.com/world/2024/02/26/palestinian-authority-resign-gaza-israel-rafah

https://www.washingtonpost.com/national-security/2024/02/11/biden-netanyahu-call-rafah-hostages

https://www.washingtonpost.com/opinions/2024/01/02/arab-israeli-peace-palestinians-gaza

https://www.washingtonpost.com/world/2024/02/26/what-is-palestinian-authority-explained

https://apnews.com/article/israel-settlements-hamas-gaza-war-netanyahu-smotrich-1d2306d55c24c8559b630d9f20db30e2

https://www.reuters.com/world/middle-east/israels-netanyahu-presents-first-official-post-gaza-war-plan-2024-02-23

https://www.washingtonpost.com/politics/2024/02/26/biden-cease-fire-gaza

https://www.washingtonpost.com//world/2024/02/27/post-war-gaza-plan-netanyahu-israel-day-after-future-abbas

https://www.foreignaffairs.com/israel/two-state-mirage-gaza-palestinians-lynch

Twitter (X):

jimsciutto/status/1762142611253383654

NTarnopolsky/status/1761458809506091189

DavidM_Friedman/status/1752753246551343208

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More than words: New building a center for Cherokee language preservation

WRITTEN BY HOLLY KAYS WEDNESDAY, FEBRUARY 21, 2024

A New Kituwah Academy student helps celebrate the event by participating in a traditional dance. Holly Kays photoA New Kituwah Academy student helps celebrate the event by participating in a traditional dance. Holly Kays photo

A ribbon-cutting ceremony held Friday, Feb. 16, for a building dedicated to preserving the Cherokee language was a celebration of the culture and language that has formed the Cherokee people for countless generations. 

More than 200 people gathered for a ceremony that was nearly half over before a single word of English was spoken. Instead, it showcased Cherokee-language speeches from tribal elders who grew up speaking it and musical performances from the new generation learning their ancestral language at New Kituwah Academy. The school is located just a stone’s throw away from the new building, which is called kalvgviditsa tsalagi aniwonisgi tsunatsohisdihi, or in English, Cherokee Speakers Place.

Roger Smoker, chairman of the Cherokee Speaker’s Council, said that the building will be a place where Cherokee language learners can gather to hone their skills, where the Cherokee Speakers Council can meet and where the Speakers Consortium bringing together fluent speakers in all three Cherokee tribes can gather when it’s held on the Qualla Boundary.

“This new building will house the second language speakers, and it will benefit our communities and represent the committed values of the Eastern Band of Cherokee Indians,” he said. 

news Cherokee speakers building group
Cherokee speakers, elected officials and leaders ribbon on the new Cherokee Speakers Place. Holly Kays photo

Not so long ago, Cherokee was the dominant language among tribal members, and English the minority. But over the last century or so that dynamic has reversed. Through the 1970s, Native American children were often forced to attend boarding schools where speaking the indigenous language was discouraged or even punished, leading to many children of that generation ceasing to speak the language of their elders fluently, or at all, and finding themselves incapable of passing it down to their own children. As the 21st century dawned, tribal leaders began to realize that, if they did nothing, there was a real danger of their native language dying out. 

“Our language is sacred,” said Howard Paden, executive director of the Cherokee Language Department for the Cherokee Nation of Oklahoma. “God made that, and we can have the biggest buildings, the biggest casinos, but if we don’t have the very essence of who we are — when we speak in that form, there’s words that English doesn’t have. There’s concepts that English doesn’t have.”

Paden wasn’t the only person who attended the ceremony from one of the other two Cherokee tribes. United Band of Keetoowah Indians Chief Joe Bunch spoke to the crowd as well, and a delegation from the Cherokee Nation sat in the audience. 

“As a group of tribes, we have to continue to make sure that we’re heard,” said EBCI Chief Michell Hicks.

Like many people his age, Hicks is not a fluent speaker, something that he acknowledged in his comments.

“My dad understood. My grandma spoke, but really didn’t teach,” he said. “My generation, we lacked resources — but it’s not an excuse. I don’t have an excuse other than, I’ve got to allow for more of an effort.”

Fluent Cherokee speakers say that there’s something elemental about the language, something that conjures meaning more specifically and paints verbal pictures more intimately than English allows. In a 2018 interview with The Smoky Mountain News, Beloved Woman and first language speaker Myrtle Driver Johnson said that Cherokee is more grounded in the relationships between words and the things they describe, producing richly layered meanings and preventing insincere expression.

The new building will offer a home base for language revival, the first significant capital investment toward that goal on the Qualla Boundary since New Kituwah Academy was built in 2009. New Kituwah offers Cherokee immersion education for children ages birth through elementary school grades. Recognizing that children learning Cherokee at school often come home to parents who can’t interact in the language, the tribe has also launched an adult language learning program in which participants earn a paycheck — for the duration of the program, learning the language is their full-time job. 

news Cherokee speakers building scissors
Elder and first language speaker Marie Junaluska (left) claps as Cherokee Speakers Council Chairman Roger Smoker, also an elder and first language speaker, hands back the scissors they used for the ribbon-cutting. Holly Kays photo

The Cherokee Speakers Place offers more than 8,000 square feet of space for fluent speakers and language learners to gather, practice the language and preserve what they know. It includes a spacious lobby and large meeting room with a kitchen, offices, classrooms, a library, a recording room and a patio peppered with tables and chairs.

“I’m sure I’ve made some mistakes today, but I appreciate the chance to try, speak and learn,” said Miss Cherokee 2023-24 Scarlett “Gigage” Guy, who emceed the event completely in Cherokee.

Tribal leaders hope that the new building will facilitate more such “mistakes” made in the honest effort to learn the Cherokee language — so that one day, its future will be safe in the minds and on the lips of the tribe’s young people.

“We can’t be scared,” Hicks said. “We have to walk across and figure out how we do it, and how we do it better.”

From: School Library Journal, Women and Literature site.

Power of Persistence: Publishers Embrace Women’s History, Inspiring Young Readers

by Chelsey Philpot Feb 27, 2024 | Filed in News & Features

It’s a good moment for new women’s history books—and also a good time for librarians to cull outdated titles. 

Illustration and SLJ March cover by Caitlin Kuhwald

In the 2023 blockbuster movie Barbie, Gloria, a frustrated mother and Mattel employee played by America Ferrera, delivers a monologue about society’s impossible expectations of women.

“We have to always be extraordinary, but somehow we’re always
doing it wrong. . . . And it turns out in fact that not only are you doing
everything wrong, but also everything is your fault.”

Related Reading: How to choose high-quality women’s history titles 10 Recommended Feminist Books for Early Readers

Barbie had earned more than $1.38 billion worldwide by September 2023 and is the highest-grossing movie directed by a woman. It garnered rave reviews from moviegoers and professional critics but also provoked impassioned reactions from those who didn’t like the film’s feminist message.

Historically, representations of feminism and strong, independent women in art and culture, including in the pages of children’s books, have inspired fervent reactions. Researchers from different academic fields have been studying women’s representation in children’s literature (e.g., how often they are depicted in illustrations and/or text) for decades. The big-picture view from these studies: over time, women have been underrepresented in children’s literature. Furthermore, much of the representation that did exist has tended to perpetuate sexist ideas.

In 1970, feminist writer Elizabeth Fisher affirmed that conundrum with this observation: “[Books] show some of the methods by which children are indoctrinated at an early age with stereotypes about male activity and female passivity, male involvement with things, women’s with emotions, male dominance and female subordination,” Fisher wrote in a New York Times column.

Since then, kid lit portrayals of women and diverse populations have vastly improved. Newer titles are better at portraying complex or intersectional identities, as Tessa Michaelson Schmidt, director of the Cooperative Children’s Book Center at the University of Wisconsin–Madison, recently noted; they’re of a “higher quality” and better at capturing authentic human experiences. It’s a good moment for women’s history books and also a good time for librarians to reconsider titles that are outdated in ways they might not have even considered.

Defining ‘‘women’s history’’Women’s History Month began in 1978 as “Women’s History Week” in one California school district but soon spread to other communities and became nationally recognized in 1982 after years of lobbying by women’s groups. Several years and additional petitioning efforts later, Congress passed “Public Law 100-9” in 1987 designating March as Women’s History Month. And what does “women’s history” mean, exactly? According to the National Women’s History Museum, an online institution founded in 1996, “Women’s history contextualizes women within the social, political, legal, and cultural systems of their times. History that does not acknowledge women’s situations as well as their activities and accomplishments is, by definition, not a full history. At the same time, women’s history is not merely the addition of women’s contributions to the standard history timeline. Women’s history is not just add women and stir.”
Nevertheless

For proof of positive trending, witness the instant success and staying power of “She Persisted,” the women’s biography series from Penguin. Former first daughter Chelsea Clinton launched the series in 2017 with the publication of She Persisted Around the World: 13 Women Who Changed History. The picture book’s enthusiastic reception inspired Clinton and her editor, Talia Benamy, to create more “She Persisted” titles for more ages.

There are now more than 25 “She Persisted” titles, and award-winning authors such as Meg Medina, Rita Williams-Garcia, and Deborah Heiligman have written or co-written “She Persisted” chapter books for young readers about women like Supreme Court Justice Sonia Sotomayor, Olympic track and field star Florence Griffith Joyner, and labor activist Clara Lemlich, respectively. Recently three “She Persisted” chapter books—She Persisted: Maria TallchiefShe Persisted: Wilma Mankiller, and She Persisted: Deb Haaland—were 2024 American Indian Youth Literature Awards middle grade honor titles.

The “She Persisted” titles stay true to an activism ethos with their format—the chapter books conclude with lists of ways young readers can become activists—and with their storylines, which start with the subjects as children and chronicle failures and trying again.

“I think the idea of not giving up is so relevant and so resonant and such an important message for kids to see,” Benamy says.

Rebels rising

The idea of exposing young girls to stories of strong, inspiring women motivated Francesca Cavallo and Elena Favilli, in 2016, to crowd-fund the publication of Good Night Stories for Rebel Girls: 100 Tales of Extraordinary Women, a collection of mini biographies featuring women such as Egyptian ruler Cleopatra and Olympic gymnast Simone Biles, for ages six and up. The record-breaking success of their funding campaign (Cavallo and Favilli ultimately raised more than $1 million and sold more than 370,000 copies of their first book, according to Circana Bookscan), and their belief that there weren’t enough children’s books about history-making women and their accomplishments, convinced the pair to publish more “Rebel” stories.

Today, Rebel Girls is a global multimedia company with more than 40 books, an award-winning app, a podcast, and more. Its employees no longer rely on funding campaigns to keep afloat; Rebel Girls has raised millions for future ventures and counts Penguin Random House, Common Sense Growth, and Nike among its investors.

“We love what we do, and we love and are inspired by the audience that we serve,” says Rebel Girls CEO Jes Wolfe.

Seen but not heard from enough

A recent report on the dearth of women in U.S. social studies standards showed that women’s representation is nowhere near what it should be in social studies classrooms; in addition, a 2023 AI-based study on race and gender in children’s books showed that women’s inclusion has fallen short over the years.

In 2017, researchers with the National Women’s History Museum analyzed states’ K–12 social studies standards to identify areas where educators might need more resources on women’s history. The report and analysis found that “women’s experiences and stories are not well integrated into U.S. state history standards…This implies that women’s history is not important.”

And in 2023, researchers at the University of Chicago used cutting-edge technology to analyze representation in award-winning children’s books’ texts and images. Economist Anjali Adukia and her team developed an AI application built on existing face analysis software and natural language processing tools and trained it to detect faces, determine skin color, and predict depictions of gender, race, and ages. The tool allowed them to quantify representation in a new way and enabled researchers to standardize processes and eliminate the human biases said to sneak into many AI applications.

The study focused on over 1,000 books for children 14 and under that had won or been honored by the Association for Library Service to Children beginning in 1923. Prizes ranged from the Caldecott and Newbery to others including the American Indian Youth Literature Award, the Américas prize, the Arab American Award, the Asian/Pacific American Award for Literature, the Carter G. Woodson Award, the Coretta Scott King Awards, the Dolly Gray award, the Ezra Jack Keats Award, the Middle East Book Award, Notable Books for a Global Society, along with the Pura Belpré, Rise Feminist (formerly the Amelia Bloomer Award), the Schneider Family, Skipping Stones Honor, South Asia, Stonewall, and Tomás Rivera Mexican American awards.

When it came to representations of gender across books and time, the study concluded, “[W]e find that females are consistently more likely to be visualized in images than mentioned in the text. This suggests there may be symbolic inclusion of females in pictures without their substantive inclusion in the actual stories.”

“Females are persistently less likely than males to be represented in the text of books in our sample overall and over time,” the study noted. “This finding is consistent across all of the measures we use: pronoun counts, specific gendered terms, gender of famous individuals, and predicted gender of character first names.”

Such studies provide more impetus for libraries to seek outstanding representation in their collections and cull outdated titles. Fortunately, these days, exposing children to high quality books about inspiring women is easier than ever.


Chelsey Philpot is a journalist and YA author. She teaches writing at Boston University.

Research Project

Did anyone read these books: the Billabong series by Mary Grant Bruce; L.M. Montgomery’s series, such as Anne of Green Gables, Emily of New Moon, Pat of Silver Bush or standalone novels such as Jane of Lantern Hill; the Abbey books by Elsie J. Oxenham; or Roberta Moss’s Jenny books? I am interested in whether other people can remember reading them in the 1950s and 1960s or can remember them being in their school library.

If so, could you comment in the comments section.

Week beginning 21 February 2024

Two books are reviewed this week, The Artist’s Wife, fiction, and the non-fiction, Miss Dior. The latter ties into an article about a new television drama, The New Look, about Christian Dior.

Clare Flynn  The Artist’s Wife  (Hearts of Glass Book 2) Storm Publishing February 2024.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

The Artist’s Wife reintroduces the story of several British families whose behaviour and activities continue to raise the social issues of the time. Although in the early part of the book domestic and romantic issues largely push out the intense and varied social commentary that was an excellent feature of Hearts of Glass Book 1, The Artist’s Apprentice, there is enough to ensure that this novel retains what I found appealing in the first, the social history of the time.

Two families are at the heart of the novel: Alice’s father, mother and brother, Lord and Lady Dalton and Victor, and Edmund’s father, Herbert Cutler. Connected to him is Dora, and her and Edmund’s daughter, Charlotte. Peripheral continuing characters are Christopher Whall, the stained-glass artist and Dora’s friend, Stanley Spinedellman. Alice’s aunt Eleanor and her husband, the Reverend Walter Hargreaves have continued to befriend the couple. Harriet and Lord Wallingford, the former Alice’s childhood friend also feature. As a background to the family dramas, young men leave for war, are mourned, and return needing nursing care in requisitioned accommodation. See Books: Reviews for the full review.

Justine Picardie Miss Dior Farrar, Straus and Giroux, NY, 2021

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Justine Picardie suggests that this is the story of Catherine Dior, a ghost who would not let her be free, and thus becoming the focus of the book, Miss Dior. Although there are gripping allusions to some of the turmoil and horror of the life Catherine Dior must have led as a member of the French Resistance, and prisoner in Ravensbruk; her intermittent appearances in Christian Dior’s personal and fashion world; and reflections on her own post war world as she gathered together her ideas, fortitude and determination to follow her earlier interest in flowers and gardens it is difficult to do more than see glimpses of a woman whose life was so markedly different from that of her much older and public brother, Christian.

Some of the writing is wonderfully evocative, the garden with which the narrative begins is beautifully envisioned, and this beauty appears when appropriate throughout the work. There is little doubt that Picardie wanted to evoke Catherine rather than Christian, but it is all too easy to write of fashion, success, the powerful and socially important people who adored Christian and his fashions, and I feel that this is what has happened in this book. See Books: Reviews for the complete review.

After book reviews: Marion Halligan by Gillian Dooley; Apple TV Drama about Christian Dior; Docklands Film Studio – Green policy; Forgetting – Alexander Easton; Review of Merle Thornton’s autobiography; Cindy Lou; Labour by-election wins; research project on some reading during the 1950s.

The Conversation

Published: February 21, 2024 11.40am AEDT

Article below republished under Creative Commons Licence.

Gillian Dooley is an Honorary Senior Research Fellow in the Department of English at Flinders University. She was founding general editor of the Flinders Humanities Research Centre’s electronic journal Transnational Literature and founding co-editor of Writers in Conversation. She is a regular book reviewer for various journals and magazines, including Australian Book Review (edited from The Conversation).

Marion Halligan was a woman of great warmth and generosity, and a consummate novelist

Marion Halligan, who died on February 19 at the age of 83, was one of Australia’s finest authors. She has more than 20 books to her credit, including novels, short story collections and non-fiction. Her novels are compulsively readable and full of ideas.

Halligan was born and raised in Newcastle, but for most of her life she lived in and wrote about Canberra. She conveyed a strong sense of the place, with Lake Burley Griffin at the centre, “cool and severe and beautiful” as she described it in her 2003 novel The Point.

interviewed Halligan about The Point for Radio Adelaide and later published the interview in Antipodes. She was audibly taken aback when I likened her work to that of the great British novelist Iris Murdoch. Although she admitted being an admirer of Murdoch, she had not thought of her as an influence.

But for me the resemblance was striking. What I saw was not imitation, but a shared attitude to the capacity of novels to explore the big questions of life, without sacrificing their readability. In our interview, Halligan said:

It seems to me that novels are very much about this question of how shall we live, not answering it but asking it, and what novelists do is look at people who live different sorts of lives, and often people who live rather badly are a good way of asking the question.

Another attribute Halligan shared with Murdoch was the richness of her web of allusions. In Halligan’s case, this was formed from the multitude of cultures and histories that make up Australian life in the 21st century. Her characters are embedded in their worlds. She said that she believed in giving her readers

a whole lot of concrete things to hang on to. […] Lakes and trees and food and maybe buildings. […] Then when you’ve done that you can come in with the ideas and abstract things, the unconcrete things, the emotions, and people will trust you.

Halligan never wrote the same novel twice. The Point is particularly Murdochian in its structure and tone. Lovers’ Knots (1992) is a historical novel, covering a century of family stories. The Apricot Colonel (2006) and its sequel Murder on the Apricot Coast (2008) are witty novels in the “whodunit” vein, playing with the familiar formula in clever ways.

Unlike many novelists, Halligan also wrote excellent short stories, publishing five collections. Intriguing and mordant, always intelligent, the stories in collections such as The Hanged Man in the Garden (1989) and Shooting the Fox (2011) are well worth revisiting.

Halligan suffered much heartache in her personal life and wrote about it directly in fiction and memoir. Her novel The Fog Garden (2001) was written after the death of her first husband. It is a moving tribute to a beloved partner, and a searching and honest account of adjusting to life without him.

I recall her telling me that it was a novel she needed to write, so she put her other projects on hold until it was done.

Halligan’s last book, Words for Lucy, published in 2022, was written for her daughter, who died in 2004.

A unique contribution

A consummate novelist and a brilliant wordsmith, Halligan was also a woman of great warmth and generosity. I met her several times. I visited her home in Canberra and partook of her hospitality. That she was an advocate for “slow food” – not necessarily complicated food, but “food with attention paid” – was obvious.

Her kitchen was large and welcoming, replete with wonderful aromas. Her non-fiction book The Taste of Memory (2004) celebrated food and its part in our lives and networks of love and memory.

Reviewing The Apricot Colonel in 2006, I wrote that “in Marion Halligan’s world, a male character who bottles apricots, chargrills vegetables, and speculates about the derivation of the word ‘idyll’ is never going to be a villain”.

There are not many generalisations that could be made about her, but I stand by this one.

Marion Halligan was a unique contributor to Australian literature and culture. She served as chair of the Literature Board of the Australia Council and received numerous awards for her writing, including the ACT Book of the Year, which she won three times. In 2022, the ACT Writers Centre was renamed Marion in recognition of her literary achievements and active support of local writers.

She was made a Member of the Order of Australia (AM) in 2006 “for service to literature as an author, to the promotion of Australian writers and to support for literary events and professional organisations”, Halligan has nevertheless not yet been the subject of a book-length study, unlike many novelists of her generation.

I commented in our interview that readability seems somewhat disreputable among literary scholars, and we agreed that was strange – and regrettable.

Halligan wrote movingly about death and dying, about loving and losing. She suffered the loss that we now suffer, losing her. She will be missed.

The New Look: Apple TV drama shows how Dior brought optimism to a war-weary world

Published: February 15, 2024 1.13am AEDT

Author Elizabeth Kealy-Morris
Senior Lecturer and Researcher in Dress and Belonging, Manchester Fashion Institute, Manchester Metropolitan University

Elizabeth Kealy-Morris does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

Republished under – Creative Commons Licence.

A woman in a wide brimmed hat and a cream jacket with a cinched-in waist.
The essence of Dior’s 1947 New Look for a world emerging from the ravages of the second world war. Apple TV+

Christian Dior’s 1947 “new look” – a collection of extravagantly brimmed hats, wide full skirts and cinched waists that drew attention to the female silhouette – signalled a new post-war era of optimism, pleasure and a sense of life returning to normal.

Dior’s haute couture collection remains a historical moment for post-war fashion, and lends its name to Apple’s new ten-part series. The drama explores the state of Parisian couture in the final year of the second world war and the years that followed through the lives of important designers. This includes Dior and his contemporaries Coco Chanel, Pierre Balmain, Cristóbal Balenciaga, Lucien Lelong, Hubert de Givenchy and Pierre Cardin.

A sombre-looking man sitting at a desk with some fashion designs on the desk in front of him.
Ben Mendelsohn as Dior in Apple’s new drama. Landmark Media / Alamy

Inspired by true events, the series stars Ben Mendelsohn as Dior, Maisie Williams as his younger sister Catherine, Juliette Binoche as Chanel, John Malkovich as Lelong and Glenn Close as the US Harper’s Bazaar fashion editor Carmel Snow.

The series begins in the wake of Dior’s huge success with the launch of his new look collection in 1947 with a Q&A at Sorbonne University in Paris. After a riotous welcome from an audience of fashion students, the Frenchman explains: “For those who lived through the chaos of war, creation was survival.”

This is the theme of the series, revealed in flashback: how the destruction and horror of war affected the world-renowned Parisian fashion market – its designers, design houses, those who worked within the industry and the people of France themselves.

A central character on and off screen is Dior’s courageous sister Catherine, who is little known and rarely mentioned in the history of Dior’s life, beyond the naming of his perfume Miss Dior in her honour in 1947. Throughout the series her fate is emblematic of the French population’s experience of occupation, and is depicted as the driving force of Dior’s dedication to couture.

French fashion during wartime

In June 1940, Nazi forces took control of northern and western France and its textile industry. By November 1942 the remainder of southern and eastern France fell to the German army.

Prior to the occupation, many non-French designers, such as Elsa Schiaparelli, left the country for London, New York and Los Angeles in anticipation of war. Once Nazi forces invaded, Paris and its international fashion markets were effectively cut off from the rest of the world.

The couturier Lucien Lelong occupies an important place in the series as Dior’s supportive employer – although much more could have been made of the key role he played in keeping Parisian couture open for business. “Creation cannot stop the bullets but creation is our way forward”, the character states. True to his word, as war raged, Lelong employed some of the most successful post-war designers in his atelier including Dior, Pierre Balmain and Hubert de Givenchy.

An illustration of two Dior designs, one a dress, one a suit from 1954.
Dior designs from 1954. Chronicle / Alamy

Lelong was elected president of the prestigious Chambre Syndicale de la Couture in 1937, and faced down threats from the Nazis to move the entire couture industry to Berlin and Vienna. He negotiated, persuaded and outmanoeuvred the Germans throughout the war by insisting that couture – and the domestic textile industry it depended on – was uniquely French and therefore could not be replicated elsewhere.

The couture industry experienced severe rationing of fabric. But the series successfully demonstrates that Paris fashion continued with determination and innovation. As fashion designers were forced to limit the amount of material they used, unnecessary decorative additions such as ruffles and pockets became expendable. Instead, wartime couturiers turned to embroidery and beading for decoration – trends that continue to characterise haute couture today.

The rival ‘American look’

With the end of the war and freedom from Nazi occupation, Paris fashion was in a fight for its life. Its biggest rival was the American ready-to-wear apparel industry, an aspect of the story this new series dramatises to great effect.

Though the American industry also faced fabric rationing during the second world war, it was not occupied, and the restrictions weren’t as debilitating. While Asian silks and Italian wools were no longer available, good American cotton was plentiful.

A new generation of American designers came into their own with a homegrown design aesthetic. In 1945 Dorothy Shaver, vice-president of the luxury retailer Lord & Taylor, developed a marketing campaign around the phrase “the American look”. This successfully encouraged American women to remember their roots and not return to the collections of the newly liberated Paris fashion houses.

Dior’s beacon of hope

Dior’s 1947 Carolle collection, was renamed the “new look” at first viewing by American fashion editor Carmel Snow. Snow claimed it represented the creation of a new femininity – which Dior would later call “the golden age of couture”.

It stood in stark contrast to the austerity wardrobes of wartime Europe and America – wardrobes millions of women around the world would continue to wear in everyday creative adaptations and alterations for years to come.

A model showing off Christian Dior's 1947 New Look.
A Dior model exemplifying his look in Paris. Granger – Historical Picture Archive / Alamy

In my view, leaving the proper substance of the new look story until episode eight of a ten-part series suggests a lack of balance, and makes the title of the drama feel a little misleading. Despite the voice-over in the trailer saying so, Dior’s new look did not reinvent fashion. Rather, it celebrated the end of the grim years of wartime trauma, misery and lack.

What Dior did through his collection was usher in a sense of optimism that women could once again enjoy the pleasure of pretty, feminine clothing that reflected individuality and joy. While the rationing of food, fabric and everyday essentials continued into the 1950s, this new look offered an exhausted Europe the sense that life would begin once more.

If magazine
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Good News!!

Why forgetting is a normal function of memory – and when to worry
Published: February 15, 2024 2.20am AEDT and republished under Creative Commons Licence.
Author Alexander Easton Professor of Psychology, Durham University

Disclosure statement – Alexander Easton does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

Forgetting in our day to day lives may feel annoying or, as we get older, a little frightening. But it is an entirely normal part of memory – enabling us to move on or make space for new information.

In fact, our memories aren’t as reliable as we may think. But what level of forgetting is actually normal? Is it OK to mix up the names of countries, as US president Joe Biden recently did? Let’s take a look at the evidence.

When we remember something, our brains need to learn it (encode), keep it safe (store) and recover it when needed (retrieve). Forgetting can occur at any point in this process.

When sensory information first comes in to the brain we can’t process it all. We instead use our attention to filter the information so that what’s important can be identified and processed. That process means that when we are encoding our experiences we are mostly encoding the things we are paying attention to.

If someone introduces themselves at a dinner party at the same time as we’re paying attention to something else, we never encode their name. It’s a failure of memory (forgetting), but it’s entirely normal and very common.

Habits and structure, such as always putting our keys in the same place so we don’t have to encode their location, can help us get around this problem.

Rehearsal is also important for memory. If we don’t use it, we lose it. Memories that last the longest are the ones we’ve rehearsed and retold many times (although we often adapt the memory with every retelling, and likely remember the last rehearsal rather than the actual event itself).

In the 1880s, German psychologist Hermann Ebbinghaus taught people nonsense syllables they had never heard before, and looked at how much they remembered over time. He showed that, without rehearsal, most of our memory fades within a day or two.

However, if people rehearsed the syllables by having them repeated at regular intervals, this drastically increased the number of syllables that could be remembered for more than just a day.

This need for rehearsal can be another cause of every day forgetting, however. When we go to the supermarket we might encode where we park the car, but when we enter the shop we are busy rehearsing other things we need to remember (our shopping list). As a result, we may forget the location of the car.

Image of Joe Biden.
Some have raised concerns about Joe Biden’s memory. Paul Froggatt/Shutterstock

However, this shows us another feature of forgetting. We can forget specific information, but remember the gist.

When we walk out of the shop and realise that we don’t remember where we parked the car, we can probably remember whether it was to the left or right of the shop door, on the edge of the car park or towards the centre though. So rather than having to walk round the entire car park to find it, we can search a relatively defined area.

The impact of ageing

As people get older, they worry about their memory more. It’s true that our forgetting becomes more pronounced, but that doesn’t always mean there’s a problem.

The longer we live, the more experiences we have, and the more we have to remember. Not only that, but the experiences have much in common, meaning it can become tricky to separate these events in our memory.

If you’ve only ever experienced a holiday on a beach in Spain once you will remember it with great clarity. However, if you’ve been on many holidays to Spain, in different cities at different times, then remembering whether something happened in the first holiday you took to Barcelona or the second, or whether your brother came with you on the holiday to Majorca or Ibiza, becomes more challenging.

Overlap between memories, or interference, gets in the way of retrieving information. Imagine filing documents on your computer. As you start the process, you have a clear filing system where you can easily place each document so you know where to find it.

But as more and more documents come in, it gets hard to decide which of the folders it belongs to. You may also start putting lots of documents in one folder because they all relate to that item.

This means that, over time, it becomes hard to retrieve the right document when you need it either because you can’t work out where you put it, or because you know where it should be but there are lots of other things there to search through.

It can be disruptive to not forget. Post traumatic stress disorder is an example of a situation in which people can not forget. The memory is persistent, doesn’t fade and often interrupts daily life.

There can be similar experiences with persistent memories in grief or depression, conditions which can make it harder to forget negative information. Here, forgetting would be extremely useful.

Forgetting doesn’t always impair decision making

So forgetting things is common, and as we get older it becomes more common. But forgetting names or dates, as Biden has, doesn’t necessarily impair decision making. Older people can have deep knowledge and good intuition, which can help counteract such memory lapses.

Of course, at times forgetting can be a sign of a bigger problem and might suggest you need to speak to the doctor. Asking the same questions over and over again is a sign that forgetting is more than just a problem of being distracted when you tried to encode it.

Similarly, forgetting your way round very familiar areas is another sign that you are struggling to use cues in the environment to remind you of how to get around. And while forgetting the name of someone at dinner is normal, forgetting how to use your fork and knife isn’t.

Ultimately, forgetting isn’t something to fear – in ourselves or others. It is usually extreme when it’s a sign things are going wrong.

Inside Story


Adventures in feminism

Books | We know a lot about Germaine Greer, but not so much about another trailblazer, Merle Thornton

ZORA SIMIC 20 MAY

Not too much, not too little: Merle Thornton back at the Regatta Hotel in 2015. Michelle Smith/Fairfax

Bringing the Fight: A Firebrand Feminist’s Life of Defiance and Determination
By Merle Thornton, with Melanie Ostell | HarperCollins | $29.99 | 288 pages

Merle Thornton, a true icon of Australian feminism, has published her memoir at the age of ninety and what a delight it is. The pleasure starts with the cover — it’s bright yellow with the title, Bringing the Fight, in bold pink. Right in the middle is a captivating photograph of a youthful, beaming Merle, striding purposefully, dressed in a fetching ensemble with a sturdy bag in her hand and sensibly stylish buckled shoes on her feet.

The photo is dated “c. 1950,” when she was twenty-year-old Merle Wilson and a student at the University of Sydney, a period she describes as “the happiest time of my life.” It was there that she met her future husband, a bookish returned soldier named Neil Thornton; together, they would raise a family and have many adventures. Around 1950, the adventures included discovering sex, being in thrall to the philosopher John Anderson and mixing with the Libertarians who eventually morphed into the Sydney Push, the bohemian scene that incubated Germaine Greer, Clive James, Robert Hughes and other notables.

The Sydney Push would become notorious for its sexism, but by then Merle had moved on to the public service, where she quickly developed strategies to combat boredom and land the better gigs. “Before Germaine, there was Merle,” declares the cover blurb, and indeed there was. We’re very fortunate that Germaine Greer and Merle Thornton are both still with us, but while we know a lot about Greer — too much, perhaps — how much do even the most dedicated students of Australian feminism know about Thornton, other than the 1965 Regatta Hotel protest she is best known for, and perhaps the fact that she’s the mother of actor Sigrid Thornton? Until now, not nearly enough.

What Merle Thornton tells us about her life and times is, on any measure, the right amount — not too much, not too little, coy in parts but candid elsewhere, and vivid throughout. It’s a fast, breezy read, written with the assistance of Melanie Ostell, and grew out of a stage show, Frank and Fearless, commissioned by the Queensland Music Festival, in which Thornton shared stories with her daughter.

It’s a memoir that also wants to inspire and instruct, with life lessons and maxims peppered throughout. The narrative is chronological, peaking in the 1970s, with occasional pauses to showcase “indelible moments” and “bookish influences.” These features sometimes tip over into whimsy, but the overall effect is endearing. As a narrator, Thornton is consistently good company. Crucially, she knows she is a historically significant figure but doesn’t over-inflate her importance. And even without the better-known parts, the nine-decade span of her life makes for fascinating social history.

Thornton was born during the Great Depression and attended Fort Street Girl’s High in Sydney in the 1940s, at a time when the majority of her classmates left school at fifteen. In one memorable observation, she contrasts the femininities of university-bound young women like herself (“dowdy matrons in our black cotton stockings”) and the contemporaries who left school to enter the world of work and romance “dressed in fashionable pencil skirts” with “proper hairdos,” who were like “colourful birds.” “It’s an interesting paradox,” she notes, “that we would learn many different things that these women would never know about, and yet we remained children for so much longer.”

By contemporary standards, Thornton’s life path might be the more common one — she graduated from university, got married, had children and continued to work, study and travel — but some of the most fascinating sections of the book evoke how different Australia was in the 1950s and 1960s, especially for women.

As a university student, she was an anomaly; as a public servant she had to hide her marriage (and for as long as she was able, her first pregnancy) in order to keep her job. In the first decade of her marriage she used a cap and spermicide for contraception, and she recalls that “preparing for sex could be a slow, at times embarrassing and potentially shaming learning experience subject to trial and error.” The arrival of the contraceptive pill in the early 1960s is duly recognised for the seismic event that it was, even if the initial batch gave her migraines.

The 1960s became her decade. At the University of Queensland, where her husband took up a lecturing post in 1960, Thornton threw herself into campus life. In her first direct action, she stormed down the corridor from the dull women’s staffroom to the male common room and sat down, “heart thumping.” Never a fan of single-sex organisations or segregated socialising, she wanted the right to be where the conversation was, regardless of her sex.

In this spirit, Thornton and her friend Rosalie Bogner staged her next direct action, this time on a much more ambitious scale. They chained themselves to the front bar of the Regatta Hotel on 31 March 1965 to protest against liquor laws that excluded women from drinking there. With the press tipped off, their novel action made headlines around the world and inspired a wave of similar protests. For all of its spectacular qualities, however, it’s the quotidian details of the protest that stand out, including the large kilt pin she used to cinch the waist of her skirt, and the performance of deep conversation with Bogner as the action played out. “I have no recollection of what we said to each other,” Thornton recalls, “and wouldn’t be surprised if it was ‘rhubarb, rhubarb, rhubarb.’”

After the Regatta protest, which comes around three-quarters of the way through, the memoir’s energy dissipates somewhat. Riding on the protest’s momentum, Thornton became a “go-to person on the issue of equal rights” and established the Equal Opportunities for Women Association, which successfully lobbied for the removal of the “marriage bar” from the Public Service Act in 1966.

But while Thornton has remained a dedicated feminist, including as a foundational figure in women’s studies at the University of Queensland, women’s liberation was never quite to her taste. Hers is a politics of like-minded people working together for a common cause, whether it’s libertarianism and free thought, Aboriginal rights or equal opportunities for men and women. If at times these principles strike the reader as old-fashioned, this book also provides plenty of reminders — including the groovy cover — that Merle Thornton was a genuine trailblazer. •

Zora Simic is a Senior Lecturer in History and Gender Studies in the School of Humanities and Languages at the University of New South Wales.

Topics: biography | books | history | women

Cindy Lou at coffee in South Canberra

I have been frequenting coffee shops in Deakin, Garran and Hughes as a change from my North Canberra haunts.

Garran Bakery

The photos are from the Garran Bakery site. I visited and had one of their excellent coffees while sitting under the trees. This is a dog friendly cafe with indoor and outdoor seating. The pastries look wonderful, and well worth another visit. Even more important, the staff are friendly and marvelously efficient.

Deakin & Me is a friendly cafe, with indoor and outdoor seating. The coffee is excellent, the pastries very tempting, while the luxurious fruit salad cups add another dimension, as do the generous cooked meals.

Research Project

Did anyone read these books: the Billabong series by Mary Grant Bruce; L.M. Montgomery’s series, such as Anne of Green Gables, Emily of New Moon, Pat of Silver Bush or standalone novels such as Jane of Lantern Hill; the Abbey books by Elsie J. Oxenham; or Roberta Moss’s Jenny books? I am interested in whether other people can remember reading them in the 1950s and 1960s or can remember them being in their school library.

If so, could you comment in the comments section? Or use messenger if we are connected?

Gen Kitchen, left, won the by-election for Labour in Wellingborough while Damien Egan overturned the Conservative majority in Kingswood © FT Montage/Getty/Reuters

See also Bob McMullan’s article in the blog Week beginning 14 February 2024, (also published in Pearls and Irritations) UK election prospects 2024.

Week beginning 14 February 2024

Dervla McTiernan What Happened to Nina? HarperCollins Publishers Australia, February 2024.

Thank you, NetGalley, for providing me with this uncorrected proof for review.

Dervla McTiernan’s What Happened to Nina? is thoroughly engrossing. So often ‘page turner’ becomes an accolade for mysteries such as this. However, here it would be remiss to turn a page too quickly. McTiernan ensures that every page is one to be devoured: ideas, information, understanding of human nature and moral dilemmas abound and demand attention. The ending is satisfying too, the novel’s moral dilemmas unanswered but tantalisingly ready to be left in abeyance, or are they? What Happened to Nina? might almost become what has happened to the reader to be so tempted to accept surely questionable behaviour?

Nina Fraser, Simon Jordan and their floundering relationship is introduced in a hiking and climbing break from home in Simon’s parents’ investment property in Vermont. Simon’s home is that of the wealthy and powerful businessperson, Rory and the smaller, secret businessperson, Jamie. Nina’s home is vastly different. It is Leane’s business, a B&B in which Nina often works while also trying to study for her university courses. Her stepfather, Andy also has a business, a small building enterprise. Their daughter, Grace is at school. See Books: Reviews for the complete review.

After Covid comment: Dervla McTiernan – edited email, including dates and registration details for Australian events; Bob McMullan – UK elections; Cindy Lou at Courgette.; Elizabeth Lyons questions the impact of the Goodreads app.

Covid in Canberra

There are no up to date statistics for covid this week. See last week’s article about the current Australian covid response.

Edited email from Dervla McTiernan:

Things are really building for me now with promotion for Nina, and plans for the Australian book tour have firmed up. I did three interviews this week already, and have a photo shoot on Thursday, so I think it’s safe to say that I’m well into it. Early reviews of the book have been really, really good and there’s some other exciting stuff going on that I’m not allowed to talk about just yet (!) but suffice it to say that it’s all madly distracting, and progress on my current writing project has slowed a bit.
 I always feel a bit antsy and uncomfortable when I’m not writing well. When I’m writing well I’m focused and my life tends to be fairly well balanced. I’m not sure what comes first — the balance and then the good writing, or the other way around — but I do know that book promotion and good writing aren’t the most comfortable bedfellows. It’s very exciting, when you get a call or an email with good news about a book you’ve worked on for two years. It’s hard to put that phone down and go straight back into a completely different story, but then … hard is good sometimes too. I’m so aware that I have less than three weeks left before I head off on tour (how did the time go by so fast!?) so I’m going to keep my head down and focused until the last minute, and then I can head away happily, knowing the work is done, and really enjoy myself on the road. This is all a really long preamble of excuses to explain why I’m late sending out the Carrie chapters. *hangs head in shame* They’re coming, I promise! Just a little bit longer.
EVENTS:
 If you live in Perth, Sydney, Melbourne or Canberra, I’d love to see you at one of our events for What Happened to Nina? You can book an event through the events page on my website or you can click this link, which will bring you to a site hosted by my publisher, which also has all of the booking links. 
Booking Links →
 My publisher is also running a competition for pre-orders for the book, so if you’ve already pre-ordered the book, or you pre-order now, you can upload your receipt to this site and you’ll be in the running to have me attend your book club! Through Zoom, of course, because I fear the cost of the flights would be prohibitive for in-person attendance (haha). If you’d like to order the book now, you can do so here. That’s all the news for now! Thanks so much for all your lovely emails and messages, and for all your support. I appreciate it so much. 

Bob McMullan – UK Election

UK election prospects 2024

There will be an election in the UK in 2024. It will probably be held around October but it could be as soon as May to coincide with local government elections.

All indications are that the Labour Party will not only win but will have a victory of historic proportions.

Life doesn’t come with guarantees. Therefore, no victory can be taken for granted. But it will take an unprecedented reversal of public opinion for the Labour Party to fail to win a majority.

The indications are more than just the polls, but the polling is extraordinarily strong. Over the last twelve months the data has been very consistent. The Labour Party’s lead over the Conservatives has always been more than 15% and has averaged about 18%.

This is obviously very strong but how does it compare to previous elections which oppositions went on to win? A recent analysis suggests that at this stage in advance of the previous five elections which have led to a change of government the average opposition lead has been about 13% and falling. The current opposition lead is 18% and appears stable.

This analysis makes it unsurprising that Electoral Calculus, which bases its forecasts mainly on rolling polling data predicts a landslide Labour victory. Their February 2024 numbers suggest an overall Labour majority of 256 with Labour winning 459 seats, Conservative 126, SNP 18 and Liberal Democrats 31. As well as the overall national results this also reflects a major decline in support for the Scottish National Party given their internal issues and problems with their governance in Scotland.

In summary, the objective analysis suggests a very high probability of a landslide victory for Labour whenever the election is held.

However, election forecasting and analysis is not a science. There are always subjective factors which need to be weighed with the data.

In this case the overwhelming number of these subjective factors point in the direction of a Labour victory also.

But first, a necessary caveat.

One of the advantages of incumbency is the capacity to act rather than just talk about issues. This gives the Conservatives some room for manouevre. There will be a budget in which they appear to be suggesting there will be further tax cuts. While it is hard to see this turning the tide overall, it may help shore up the traditional Conservative seats in the South-East which appear to be in danger at the moment.

The only other issue which, at this stage appears to have the potential to move the needle in a major way is immigration. The “stop the boats” mantra which is all too familiar to Australians does not seem to be biting yet, but it can tap into some deep-seated fears if promoted with sufficient cynicism.

However, the underlying issues should also be a source of concern for the Conservatives.

Firstly, there are the leadership changes from 2019. Boris Johnson, whatever his other flaws, was a vote winner. Jeremy Corbyn, whatever his other virtues, was a vote loser. These trends were especially evident in the traditional Labour seats in the North of England, the so-called “red wall”. Almost all of these seats were lost by Labour in 2019. Almost all of them appear to be on course to be regained in 2024.

The second worrying trend for the Conservatives is the regular appearance of scandals and resignations from the House of Commons. Many of these have led to by-elections, all of which the Conservatives have lost. Most of these have been lost to the Labour Party but others have been lost to the Liberal Democrats. Even seats which were previously held by 10000 votes or more have been lost. And there are several more by-elections scheduled as the scandals and resignations continue.

The Economist describes the third damaging aspect of the current Conservative party’s political situation as” …the party is defined primarily by its divisions. It has broken into an alphabet soup of factions.” All organisations, particularly political parties are prone to develop factions as part of the legitimate contest of ideas and approaches. But when the divisions proliferate and turn on each other it tends to be a terminal sign for governments. The factions seem to be divided between those who seek to change the direction (and the leadership) now and those which are positioning themselves for after the election.

The fourth aspect, which is typical of the problems faced by struggling government parties, is the secondary contest with parties other than Labour which will at the least eat into the Conservative Party vote in a manner which can be devastating in a first-past -the- post system. In this case the challenges come from Reform UK on the right and the Liberal democrats on the centre-right. The Liberal Democrats have shown that they can win seats in the South-East from the Conservatives when the Tories are at a low ebb. It is hard to see Reform UK winning any seats but as their vote has increased over the last twelve months it has come at the expense of the Conservative Party. As Reform are now polling 10% nationally, they have the capacity to undermine the Conservative vote in a number of competitive seats.

These factors combine to create a very threatening scenario for the Conservative Government.

It is important to remember the opportunities open to the government to take initiatives which could either be popular in themselves or “wedge” the Labour party in ways which could be damaging.

It is also true that parties of the left and centre-left have a long history of snatching defeat from the jaws of victory.

However, it is almost impossible to devise a scenario in which the Labour Party does not win the UK election in 2024. The biggest remaining question may well be whether the victory is sufficiently large to almost guarantee a second term and possibly splinter the Conservative side of UK politics for a decade or more.

Cindy Lou finds new menu items at Courgette

Again, I was pleased to use the $25 voucher per person (up to six people) to lunch at Courgette. The menu had changed, which makes the voucher for lunch option until May even more appealing.

The zucchini flowers were still on the menu and as delicious as ever. Alas the tuna dish has disappeared, but the entree of duck breast and quail was an excellent replacement.

Mains included an excellent fish dish, John Dory with a crisp skin and succulent inside, and the beef was cooked as ordered.

The desserts were terrific as pictured below:

Coffees, peppermint tea and English Breakfast tea completed a lovely lunch experience.

Should I have been at Italian Brothers where I understand Anthony and Jodie dined recently? No, Courgette is far better.

Anthony Albanese and Jodie Haydon at the Lodge, after announcing their engagement this week. (ABC News: Matt Roberts)© Provided by ABC News (AU)

I found the following article interesting for several reasons. I have a Goodreads goal but realised that all the books I read are not recorded there, so ignore it. I admit I rush to see if any of my reviews have garnered likes, or even the greater joy, of a comment. Does setting goals enhance of decrease a person’s pleasure in reading? Elizabeth Lyon discusses this and, for those dedicated to the Goodreads app, comes to a decision that is worth considering.

How Goodreads affects my degree: The reality behind reading goals

BY ELIZABETH LYON

Alongside the growing popularity of the app ‘Goodreads’, we explore the effects that reading goals and endless tracking within the app really have on reading.

We’re one month into 2024 and I am already behind on my Goodreads goal. The four books I should have read this month sit untouched on my bookshelf and unless I read frantically this February, my chances of getting back on track are slight.

But should I feel guilty for not reading ‘enough’ when reading, ultimately, should be an enjoyable pass-time? With deadlines, exams, lectures and reading for the new semester, it is no surprise that casual reading has taken a back step in my priority list this month.

Rather than encourage sustainable reading habits, I’ve found that Goodreads can become something to fixate on. With the thought of reading goals always in the background, sometimes I’ll find myself skim-reading pages to finish the book quicker just so I can click the ‘I’ve finished this book!’ button, and add another one to the read-list. I begin to associate reading with the dopamine hit I get through the app, rather than the real accomplishment of turning the final page of a good book.

Even when I read, I am still in this sense wired and online. Books become objects to be completed and digitally tracked, rather than actual stories to be enjoyed. Reading for escapism and relaxation therefore becomes harder, as I can never fully separate it from Goodreads, as my phone often lies by my side as I read, my reading status always ready to be updated.

This incessant tracking means that even when university is done for the day, I still feel I have ‘work’ to do. This in turn devalues the reading that I do as part of my degree.

Poems, book chapters, articles etc., all go untracked and the time I have dedicated to reading these texts subsequently becomes meaningless when not quantifiably recorded on Goodreads. When I look at my account, all I see is that I am behind on my reading goal and I subsequently forget the reading I have done as part of my studying. The knowledge I have gained through reading un-trackable texts as part of my degree is, after all, more valuable than reading three mediocre books for Goodread’s sake.

It begs the question of why I feel the need to track everything I read. As with apps for studying like Forest or as with running apps like Strava, we all seem to want digital evidence of real events and it seems that reading is not immune to this digital culture. Why should it matter that some of my reading goes un-tracked? Who am I trying to impress by using Goodreads: myself or others?

The competitive nature of Goodreads (particularly for someone who loves to read) means that the app will never lead to complete satisfaction. There will always be a new book, genre and author to discover, but that does not mean that I must read them all.

Are my books varied enough, ‘classic’ enough or are they too ‘easy’? Book trends on Goodreads and social media, whilst exposing us to and encouraging us to read new books, can become distractions from what really matters in reading: the positive effects of enjoyment, relaxation and escapism. In comparison to others online and in real life, it can be easy to forget that spare time at university does not need to be conquered or spent being ‘productive’ like the perception of others around you.

Whilst it is nice to have an online bookshelf and bookmark on Goodreads, it is not the be-all and end-all if reading goals are not met, or not all your reading is displayed in this singular app. Goodreads shouldn’t be used to affirm and validate that you have in fact read.

I have decided to relax my reading goal this year and remind myself that just because my studying, learning and reading as part of my degree cannot always be measured and tracked like a book on Goodreads, it does not mean it is not legitimate. Reading should first and foremost be enjoyable and as students, it is important to enjoy the spare time we have!

Week beginning 7 February 2024

In this week’s blog I review two books, The Artist’s Apprentice, historical fiction, and Tudor Feminists Ten Renaissance Women Ahead of Their Time, an account of ten noteworthy women in the Tudor period.

Rebecca Wilson Tudor Feminists Ten Renaissance Women Ahead of their Time Pen & Sword, Pen & Sword History, January 2024.

Rebecca Wilson’s Tudor Feminists Ten Renaissance Women Ahead of their Time does not display the lively writing which is one of the enduring features of Pen & Sword publications. However, this more densely written work certainly provides a fascinating read and is well worth Pen & Sword readers adapting to a different style. The description ‘feminist’ to introduce these ten women is something to think about. Were they feminist? Is feminism a broad or narrow term to be used in describing women and their  behaviour? What behaviour is feminist? Could the period in which the women acted impact an understanding of whether that action was feminist or not?

All of these questions influenced my reading, making the book come alive as I read and pondered, not only the women’s behaviour and the period, but how I feel about what makes a woman’s behaviour feminist. Wilson’s reference to Well behaved women seldom make history by Laurel Thatcher Ulrich provides a valuable clue to how to read the book as a tribute to feminism and feminist behaviour in the Renaissance period, so well-known through the Tudors. She also clarifies in the introduction suggesting that her description of the women in her book as feminist rests on their challenge to the patriarchal world in which they lived, surviving in that world while remaining out of step with it and, of course, their being remembered. The latter is essential to recognising that because we know something about them they must have stood out over and above their being associated with the Tudors, however popular that period is as historical fare for fiction and non-fiction authors. See Books: Reviews for the complete review.

Clare Flynn The Artist’s Apprentice Storm Publishing, February 2024.

Thank you, NetGalley, for this uncorrected proof for review.

This is the first of Clare Flynn’s novels that I have read. There is a lot to admire, for example the range of political and feminist issues that are covered in this essentially romantic novel. However, although I found the novel a good read, engaging, with interesting characters, I cannot give the writing an entirely positive response. Despite that, I am pleased to have had the opportunity to read this example of this popular author’s work and would like to know what happens to the main protagonists in the follow up, The Artist’s Wife.

The novel begins in January 1908 at Alice’s home, Dalton Hall, in Surrey. Alice is sketching in the frost on her window and must take diversionary action so that her lateness to breakfast goes unnoticed. Taking in the mail to effect this, Alice is confronted with an envelope addressed in writing with that makes her uneasy. It is an invitation from the American born wife of a newly rich neighbour, Cutler, inviting them to tea. Lord Dalton is pleased; his wife, unaware of the financial reason for her husband’s enthusiasm, is not. Alice is wary. Her brother, Victor, supports his father – he has prospects of joining the profitable Cutler firm of stockbrokers. See Books: Reviews for the complete review.

Covid update: Australia

Governments have been steadily dismantling the COVID surveillance system, but is that a backward step?

By Casey Briggs

A graphic showing a man coughing, a rapid antigen COVID test and three spike proteins
Some public health experts think it’s a shame we’re apparently returning back to the pre-pandemic ways we handled respiratory disease, after we’ve learned so much.(ABC News: Evan Young/Canva)

If you’ve tried to look up the number of COVID cases in your area recently, you may have found it a frustrating exercise.

The reporting frequency in states and territories has been slowing down, from daily to weekly, and now fortnightly or monthly.

On top of that, what do the numbers even mean now? And how many are being missed?

It’s been a long time since we were asked to get a PCR test at the slightest sign of a tickly throat.

Now, the vast majority of cases are going undiagnosed or unreported.

That degradation in data quality is visible for everyone to see, and it’s no surprise: it would’ve been a big ask for us to keep up the COVID surveillance effort of 2020 and 2021 forever.

Likewise, behind the scenes governments have been steadily dismantling many other elements of a surveillance system that we were so reliant on in the emergency period of the COVID-19 pandemic.

Some public health experts think it’s a shame that we’re apparently returning back to the pre-pandemic ways we handled respiratory disease, after we’ve learned so much.

Weekly forecasting of COVID-19 has ended

The most recent thing to be discontinued is a weekly series of forecasts and “situational assessment reports” for federal and state officials.

The federal government had been contracting a group of mathematical modellers across multiple institutions to produce it, and it was one of the key regular pieces of advice they received.

How scientists are protecting themselves from COVID

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An illustration shows a women in the middle seat.

Read more

The forecasts gave assessments of the COVID situation, including estimates for the effective reproduction number and transmission potential in each state and territory.

But the government has decided not to continue with that work, and in December, the contract ended.

The health department says the forecasting was in place for the emergency response phase, and has been ended given that COVID-19 is no longer a “Communicable Disease Incident of National Significance”.

Professor James Wood from the UNSW school of population health was one of the researchers involved in the work. “I’m not surprised,” he says. “For some time, the government hasn’t been changing its decisions based on the epidemiological or modelling reports.

“Whether or not cases were going up might be of interest in terms of planning to some extent but … hospital capacity wasn’t being continuously strained and so on, so I think the value of it in the short term was less for government.”

It’s a return toward our pre-pandemic approach to respiratory disease, and that’s precisely the strategy: ministers and health officers have been saying for a long time that COVID is now being managed consistent with other communicable diseases like flu.

But some experts argue that we could use the lessons from COVID to do a much better job of tracking and managing flu than we did before.

“It does leave a gap in terms of epidemic intelligence … and what’s happening not only with COVID, but flu and RSV and probably in the next year or two, whooping cough as well will be one we’ll want to watch,” Professor Wood says.

In 2022 the US went through a “tripledemic“, where COVID, the flu and RSV all circulated simultaneously in high numbers.

The reality now is that when respiratory diseases are putting pressure on health systems, it won’t be because of a single pathogen. It could be several at once.

a positive covid test in someone's hand, with the box behind it
The majority of COVID cases are unreported now.(Unsplash: Medakit Ltd)
Have we missed an opportunity to make the most of what we’ve learned?

In the journal Emerging Infectious Diseases this month, a group of public health experts called it a “critical time” to review disease surveillance practices, suggesting an “integrated model of surveillance” that considers multiple respiratory viruses.

“Resuming pathogen-specific surveillance approaches, such as those for monitoring influenza, would represent a missed opportunity to build on learnings from emergency response efforts,” the authors wrote.

And ongoing surveillance is important if you want to catch emerging waves, new variants of concern, and entirely new pandemics early.

In order to monitor trends you have to monitor the inter-epidemic period as well the emergency period.

If you only stand things up when concerns arise overseas, you run the risk of acting too late.

The illness straining marriages until they crack

Long COVID is not just destroying people’s health. Behind closed doors, in homes across Australia and abroad, it is irreversibly changing relationships — sometimes for the better, too often for worse.

An illustration in blue and pink colours shows a woman sitting alone in a room looking out a window

Read more

Professor Wood states it more clearly: “We don’t have a clear forward plan.”

“We’ve missed a little bit of an opportunity while COVID was in front of everyone’s minds to initiate more changes.”

The government says something is in the works, and that a National Surveillance Plan for COVID-19, influenza, and RSV is being developed.

“As part of this development process, a comprehensive review of national viral respiratory infection surveillance is being undertaken, including an assessment of current gaps in surveillance, potential novel and/or enhanced surveillance systems and data sources to fill these gaps, and the benefits and limitations of each,” the health department says.

“This will include an assessment of the cost-effectiveness and sustainability of population prevalence surveys within the Australian surveillance context.”

Professor Wood says this is all happening while COVID-19 continues to have a significant impact.

“Obviously, we’re very glad that it’s dropped from being something where we were worried about losing 100,000 lives a year in the initial phase, to 15,000 in the Omicron year to maybe 5,000 last year,” he says.

“It’s a lot better, but that’s still worse than flu, right?”

“I do think we have an opportunity here to take that a bit more seriously in terms of how we view it, how we measure it, and how we advise the community on how to deal with it.”

Other governments are investing heavily in disease forecasting. What’s Australia doing?

Outside Australia, governments have clearly recognised the value of forecasting in public health.

In the US, the Centers for Disease Control and Prevention announced more than US$250 million over five years to establish a network of infectious disease forecasting centres.

That’s one of the actions of the CDC’s Center for Forecasting and Outbreak Analytics.

It was launched in 2022, directly in response to the COVID-19 pandemic.

The European Union’s equivalent to the American CDC, the ECDC, also launched a respiratory forecasting program late last year.

A Centers for Disease Control and Prevention logo at the agency's federal headquarters in Atlanta.
The US Centers for Disease Control and Prevention have established a network of infectious disease forecasting centres.(AP: David Goldman, file)

It shows how other countries are investing in the intelligence that they saw had value through the pandemic, and seemingly prioritising it more than Australia.

The Australian government is in the process of setting up a CDC here. It exists in interim form right now, with staff recruitment expected to happen this year.

That body may have some role in respiratory forecasting, but it is still in its infancy.

The health department says it is now focusing on “the adoption of novel and cost-effective surveillance strategies, with a reduced focus on case notifications”.

“The use of sentinel surveillance, healthcare utilisation data, genomic sequencing, and wastewater analysis will allow us to shift our surveillance approach to a more sustainable and integrated system that is more appropriate to the current epidemiological situation,” the department said in response to the ABC’s questions.

Wastewater analysis was one of the big new developments of the COVID pandemic, but Professor Wood says there’s a bit of work to do before we can rely more heavily on it.

“Tools like wastewater or some of the surveys like flu tracking may be promising ways to do this, but they haven’t been validated,” he says.

“And until we invest in doing some actual prevalence surveys and comparing with a known technique where we know the percentage positive and so on, we’re not really confident that this is actually consistently a good measure.

“We don’t know. There’s been some slightly weird results to wastewater in Europe in the most recent wave.”

In the meantime, modellers and public health experts plan to continue some of their work.

“Myself and others in Australia are going to continue to do some forecasting this year,” Wood says.

“But we have to set up new data agreements with state carriers, we have to rely on them being interested, and we’ll have to find some way to make this something we can continue to fund.”

Posted 4 February 2024, ABC website.

From: The New Yorker January, 2024.

Illustration by Katharina Kulenkampff

Trials of the Witchy Women

Across seven centuries, women have been accused of witchcraft—but what that means often differs wildly, revealing the anxieties of each particular society.

By Rivka Galchen January 15, 2024

King James—he of the Bible—thought that drowning was the best test of witchcraft.

In 1532, when the Constitutio Criminalis Carolina became the law of the Holy Roman Empire, it specified that witchcraft was a serious crime, punishable by execution by fire. The Carolina was often cited in the European witch trials that followed, with crazes peaking in the second half of the sixteenth century, and again in the early decades of the seventeenth century. In Germany alone, twenty-five thousand people were executed. The Carolina is sometimes called the basis for these witch hunts, but it can also be seen as an attempt to tame them. Previously, trials could proceed on the allegations of only one accuser; the new set of laws required two. The accusers had to be deemed credible, and they could not be paid or of evil repute. There also had to be sufficient indication of sorcery for the accused to be tortured.

The Carolina was an improvement over trial by ordeal, which for centuries had been a fairly standard practice. In one common example, a suspected witch was forced to hold a burning iron; how quickly God healed the wound was the measure by which the accused was declared innocent or guilty. In 1597, King James VI of Scotland (he later became King James I of England—and of the Bible) wrote “Daemonologie,” in which he enthusiastically embraced witch-hunting. His ideas were not aligned with those behind the Carolina. He remained faithful to the floating ordeal—tossing suspects into the sea, where only the innocent, presumably, would sink. He described it as “perfect,” because “water shall refuse to receive them in her bosom, that have shaken off them the sacred Water of Baptisme.” Drowning was reserved for the saved. Compared with such ordeals, the Carolina begins to look progressive. It connects to the dream that the law, if written well, can save us from our worst selves, that it can temper passion with reason and reduce violence rather than codify it. Though things don’t always work out that way.

Marion Gibson, a professor of Renaissance and magical literature at the University of Exeter, has now written eight books on the subject of witches, including “Witchcraft Myths in American Culture” and “Witchcraft: The Basics.” Her eighth book, “Witchcraft: A History in Thirteen Trials” (Scribner), traverses seven centuries and several continents. There’s the trial of a Sámi woman, Kari, in seventeenth-century Finnmark; of a young religious zealot named Marie-Catherine Cadière, in eighteenth-century France; and of a twentieth-century politician, Bereng Lerotholi, in Basutoland, in present-day Lesotho. The experiences of the accused women (and a few accused men) are foregrounded, through novelistic descriptions of their lives before and after their persecution. Gibson describes, for example, Joan Wright working in the “cold hush” of her employer’s dairy, churning milk so that “fat globules rupture and coalesce” in the “near-magical transformation of cream into butter.” The inevitable charisma of villainy makes the accusers vivid as well. The character that I found myself following most attentively, however, is also the book’s through line: the trial.

“The Return of Martin Guerre,” by Natalie Zemon Davis, is built around the historical trial of Arnaud du Tilh, who for years successfully pretended to be the peasant Martin Guerre. “The peasants, more than ninety percent of whom could not write in the sixteenth century, have left us few documents of self-revelation,” Davis writes. “But there exists another set of sources in which peasants are found in many predicaments”—it is in court cases that we can catch sight of the hopes and emotions and fears of those who leave no other written record. The trials of the accused people in “Witchcraft” return to us, in detail, lives about which we might otherwise know nothing.

In what ways have varying legal codes and trial procedures altered the destinies of those accused of witchcraft? Although thirteen trials can’t decide the question, the book does put it on the stand. Gibson shows us church courts, state courts, colonial courts, assize courts, and improvised court systems used in the chaos of a civil war, and there are judging panels of three and judging panels of twenty-five. (And historically there were no judges or jurors who were women.) There are also the kinds of trial that happen outside a courtroom: trials by poison, and King James’s favored trial by “swim.” To wager on the outcome of these various trials is not as easy as you might think. They always seem to be hurrying to doom, but they occasionally don’t get there.

In 1645, in Manningtree, England, a tailor goes to a diviner, because his wife is having violent fits that are, he says, “more than merely natural.” The diviner confirms the man’s fears: two women have bewitched his wife. This is how Bess Clarke, a one-legged unmarried woman, came to be arrested and tried. Clarke’s mother had also been tried as a witch, years earlier, and executed. At the time of Clarke’s trial, the English Civil War had left the court system in disarray. Rather than being tried in an assize court, whose judges tended not to be very religious, Clarke was tried by a presiding judge who was a strict Puritan, a slave-trafficker, and a notoriously cruel admiral. Clarke faced a procedure called “watching and walking”: she was made to walk continuously around in her cell for four days, while observers noted whether any of her animal “familiars” or other devilish alliances come by to consult with her.

After Clarke became exhausted, she told her watchers that, if they would sit down with her, she would introduce them to her spirit animals. The watchers reported seeing several familiars, including a short-legged and plump “imp like unto a dog” that was white with sandy spots. One watcher said that this dog was the first spirit animal to appear, while another said that the first was a white cat named Hoult. There was also a long-legged greyhound named Vinegar Tom, a black rabbit called Sacke and Sugar, and a polecat. The animals were seen vanishing and transforming, and Clarke, in supplying her persecutors with the story of her seduction by Satan, said that they had been born from a fall into sin. Clarke is said to have referred to all the spirit animals as her “children”—and she did have a child at home, Jane, whom she had had baptized, and whose father had not married her.

In the ensuing trial, Clarke was not allowed representation, and her accusers were not cross-examined. The jury delivered a guilty verdict within minutes. She was sent to the gallows. Another convicted woman died while waiting in line to be hanged, perhaps from a heart attack. This did not stop the proceedings, and Clarke was killed that day.

What kinds of crime did people need to ascribe to witches? The Carolina punished only crimes that had caused others damage, but many women were charged with less tangible evils, such as attending a witches’ Sabbath or changing form. Some witches were said to have cursed brides, some to have caused storms to sink ships, some to have sailed to sea in a sieve, and quite a few to have effected the death of a baby. In a 1591 treatise, Johann Georg Gödelmann, a legal scholar who favored the regulations of the Carolina—and thus can be seen as relatively progressive for a witch expert of that time—argued that controlling the weather was not a real phenomenon, and therefore could not be the basis for legal questioning. He worked to separate people who had delusions—but were not actually witches—from what he saw as a quite small number of people who really did perpetrate evil, who really had made pacts with the Devil.

Torture produced wild tales of evil, of course. But even the monstrous and incredible forced confessions were often still personal; the accused sometimes told of what had really happened to them, indirectly. Kari, the Sámi woman, who was tried in Finnmark in a Danish colonial court, described the Devil taking the form not of a local animal, such as a reindeer, but of a goat, a non-native animal associated with the colonizer. When Bess Clarke confessed to having sex with the Devil, her description of him was reminiscent of the man who had impregnated her. Tatabe, an enslaved woman in Salem, Massachusetts (depicted in “The Crucible,” by Arthur Miller), was accused of bewitching two young girls. When pressed under torture to name her collaborators, she described one as “a tall man of Boston” in fancy clothes. She also said the other witches told her that, if she didn’t do what they said, they would hurt her, or even that her head would be cut off. Tatabe had most likely been sold into slavery as a child and sent to a plantation before spending a decade in Boston—she populated her confession with descriptions of people and situations we assume she encountered in her real life.

See also: Review of John Callow The Last Witches of England A Tragedy of Sorcery and Superstition Bloomsbury Academic 2022, published in my blog of October 26, 2023.

Anthony Albanese

Post to Facebook, 4 February 2024.

Lowitja O’Donoghue was one of the most remarkable leaders this country has ever known. As we mourn her passing, we give thanks for the better Australia she helped make possible.

Dr O’Donoghue had an abiding faith in the possibility of a more united and reconciled Australia. It was a faith she embodied with her own unceasing efforts to improve the lives of Aboriginal and Torres Strait Islander people, and to bring about meaningful and lasting reconciliation between Indigenous and non-Indigenous Australia.

Life threw significant challenges at her – not least a childhood in which she was separated from her family, her language, and even her own name. From the earliest days of her life, Dr O’Donoghue endured discrimination that would have given her every reason to lose faith in her country. Yet she never did.

Dr O’Donoghue was a figure of grace, moral clarity, and extraordinary inner strength.

She was like a rock that stood firm in the storm – sometimes even staring down the storm. More than anything, she was one of the great rocks around which the river of our history gently bent, persuaded to flow along a better course.

With an unwavering instinct for justice and a profound desire to bring the country she loved closer together, Dr O’Donoghue was at the heart of some of the moments that carried Australia closer to the better future she knew was possible for us, among them the Apology to the Stolen Generation and the 1967 referendum.

She provided courageous leadership during the Mabo debates and as chair of the Aboriginal and Torres Strait Islander Commission.

Dr O’Donoghue knew that our best future was a shared one built on the strong, broad foundations of reconciliation. As she put it when she was made Australian of the Year, “Together we can build a remarkable country, the envy of the rest of the world.”

Throughout her time in this world, Dr O’Donoghue walked tall – and her example and inspiration made us all walk taller.

Now she walks in another place. Yet thanks to all she did throughout her long and remarkable life, she will always be around us.

Revered Australian Aboriginal rights activist Lowitja O’Donoghue dies aged 91

Story by Maroosha Muzaffar  • 21h THE INDEPENDENT

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GettyImages-79728914.jpg© AFP via Getty Images

Revered aboriginal rights activist Lowitja O’Donoghue – described as “one of the most remarkable leaders” Australia has ever seen – has died in Adelaide. She was 91.

In a statement, her family said: “Our Aunty and Nana was the Matriarch of our family, whom we have loved and looked up to our entire lives.“We adored and admired her when we were young and have grown up full of never-ending pride as she became one of the most respected and influential Aboriginal leaders this country has ever known,” Deb Edwards, O’Donoghue’s niece, said in the statement.

Her family said that she died in the Kaurna Country in Adelaide.

A Yankunytjatjara leader and activist, O’Donoghue was much loved for her remarkable contributions to the rights and well-being of Aboriginal and Torres Strait Islander people in Australia.

Prime minister Anthony Albanese paid tribute to her lifelong dedication to advocating for indigenous rights. He said O’Donoghue was “one of the most remarkable leaders this country has ever known”.

“With an unwavering instinct for justice and a profound desire to bring the country she loved closer together, Dr O’Donoghue was at the heart of some of the moments that carried Australia closer to the better future she knew was possible for us, among them the Apology to the Stolen Generation and the 1967 referendum,” he added.

“She provided courageous leadership during the Mabo debates and as chair of the Aboriginal and Torres Strait Islander Commission.”

Former Senator Pat Dodson also remembered her and noted that “her leadership in the battle for justice was legendary.

“Her intelligent navigation for our rightful place in a resistant society resulted in many of the privileges we enjoy today.”

O’Donoghue’s family said her legacy would continue through the Lowitja O’Donoghue Foundation, which was created on her 90th birthday.

“Aunty Lowitja dedicated her entire lifetime of work to the rights, health, and wellbeing of Aboriginal and Torres Strait Islander peoples,” they said.

“We thank and honour her for all that she has done — for all the pathways she created, for all the doors she opened, for all the issues she tackled head-on, for all the tables she sat at and for all the arguments she fought and won.”

Lowitja Institute’s patron Pat Anderson AO described her as an outstanding leader and visionary whose story is one of great courage, integrity and determination.

“Lowitja was a national treasure,” Ms Anderson said. “She lived a remarkable life and made an enormous contribution to public life in pursuit of justice and equity for Aboriginal and Torres Strait Islander people and Indigenous people across the globe.

“Courageous and fearless in leading change, Lowitja was continually striving for better outcomes for Aboriginal and Torres Strait Islander peoples. She will remain in my heart as a true friend and an inspiration to Australians for years to come.”

O’Donoghue was the founding chairperson of the Aboriginal and Torres Strait Islander Commission (ATSIC) and played a key role in drafting the Native Title legislation that arose from the High Court’s historic Mabo decision, according to the foundation website.

She was named 1984 Australian of the Year and was the first Aboriginal person to address the United Nations General Assembly and the first Aboriginal woman to be appointed as a Member of the Order of Australia (AM).

Minister for Indigenous Australians Linda Burney also paid tribute to her “remarkable legacy”, and described her as a “fearless and passionate advocate” for Aboriginal and Torres Strait Islander Australians.

“She was a truly extraordinary leader. Lowitja was not just a giant for those of us who knew her, but a giant for our country,” the minister said. “My thoughts and sincere condolences to her family.”

O’Donoghue, born to an Indigenous mother and a pastoralist father in South Australia, faced early childhood trauma when she and her sisters were removed from their mother at age two, growing up in Colebrook Children’s Home without reuniting with their mother for thirty years.

She became the first Aboriginal trainee nurse at Royal Adelaide Hospital, and later a pioneering leader as the first Aboriginal woman to hold significant positions including a regional director in an Australian federal department, the founding chairperson of the National Aboriginal Conference, and the first Aboriginal woman awarded the Order of Australia in 1977.

EMILY KAM KNGWARRAY

Until 28 Apr | Ticketed

As the sun sets on summer holidays, let Emily Kam Kngwarray’s vibrant art and deep cultural connections transport you to Country. The feeling of inspiration will stay with you long after you leave the Gallery.

‘Kngwarray’s work transcends time, inviting audiences to explore the spiritual landscapes and ancestral narratives woven intricately within each stroke.’
Dr Nick Mitzevich, National Gallery Director

Guided exhibition tours daily at 11.30am and 1pm. Free with exhibition ticket. 

Access our free audio guide for a deeper understanding of Kngwarray’s works (simply bring your own device and headphones).

Specially designed for kids, our free art trail brings the exhibition to life with fun and playful activities.

Kids & Families

For Kids & Families: Emily Kam Kngwarray

Photograph of a group of small children

At the Gallery
Sat and Sun
6 Jan – 28 Apr 2024

Temporary Exhibition Gallery, Gallery 12 (Level 1)

Wheelchair Accessible

ART CART: LEAF GAME

Sat 2 Dec 2024, 11am – 4pm (Special Opening Weekend Event)
Sat and Sun, 6 Jan – 28 Apr 2024, 10am – 2pm
Daily during school holidays, 15–29 Jan 2024 and 13–28 Apr 2024

Join National Gallery staff in the exhibition foyer to learn about Emily Kam Kngwarray’s art and Country through stories, play, creative activities, and games such as the Leaf Game, a storytelling game using sand and leaves, which is played by members of the Utopia community and was played by Emily Kam Kngwarray as a child.

Children must be accompanied by a parent/carer. This program is designed for children up to 8 years.

Located in the exhibition foyer
Free, drop-in, limited capacity

KIDS & FAMILIES ART TRAIL

Collect a free Kids & Families Art Trail when you visit the Emily Kam Kngwarray exhibition.

Inspired by Emily Kam Kngwarray’s life on Alhalker Country, the art trail invites children and their families to look at Emily Kam Kngwarray’s art together in the exhibition.

For more information about Kids & Families programs visit our dedicated Kids & Families page

The children’s art programs described above are such a change from the immediate past at the NGA. I am so pleased that the NGA is again catering for children’s artistic needs.